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In honor of staying home and social distancing, office decided to hit up our girl Abby Jasmine to curate what she calls 'quaran-turn ups' for us. The New York based rapper and singer not only makes great music, but she also knows how to chef up a great playlist together. Debuting her hot new single, "Groovy" feat. Guapdad 4000 and other bangers like JACKBOYS' "Gang Gang" and KAYTRANADA's "Need it," Abby Jasmine puts her spin on the office.mp3 playlist series with fire songs back to back. Transforming your living room into the ultimate dancefloor, get ready to dance and vibe out to Abby Jasmine's office.mp3 takeover.
And if you still don't believe us—check it out for yourself below.
“Songwriting was never something I was proud of in the past,” she tells us. “I’m starting to own that it is part of my story. I always wanted to be the artist because I’m an artist through and through. But what really took off for me was songwriting. It paid the bills and that gave me the time to build my art—financially. That [songwriting] is what gave me the accolades. But there is something to be said about these powerful women calling upon me to help them. I had to realize that was a gift. Especially someone coming from where I come from.”
Diana hails from Southside Jamaica, Queens. New York. Foch Boulevard. Baisley Park. Eight people living in a two-room house. From early on Diana had a lot of responsibility, pain, trauma, and lots of religion. “I’m trying to step away from being ultra-humble. I’m so used to being a servant because of my life: helping others, having so many siblings. I got into this role of how can I help you opposed to how can I help myself. I got into a role of downplaying my greatness.”
Left— Shirt, jacket and tie by GUCCI; Boots by Y/PROJECT; Panty, jewelry: model's own
Right— Jacket by AREA; Boots by GUCCI; Tights: model's own
But fate can’t be fooled—there is no stunting her greatness. Diana’s first big break came in 2005 when she was contracted to write for Mary J. Blige. She went on to create for other multi-platinum selling women (J.Lo, Dua Lipa and Beyoncé to name a few), which aided in her career as a professional singer. She signed with Atlantic as Wynter Gordon. However, with every passing year, Diana learned who she did not want to be.
“Everyone wanted me to make R&B songs about love, and dance like Chris Brown. By my eighth year, I had my eighth A&R and each one had a vision for me. I got stuck doing dance music, which is what they wanted me to do. I had yet to explore anything because I was fully busy on tour with Flo Rida, on the Hot 100, making crazy money, touring the world, playing the biggest festivals…and I hated it. I was making $20k a night at 5AM. I never drank and I don’t smoke, so it was not my life.”
On New Year’s Eve in 2011, Diana sat down with her label president and explained to him that she was not looking to be the next Katy Perry. That wasn’t her. After hours of back and forth trying to convince Diana to stay, he agreed to let her walk away. “Real things happen on the ground. Real things. The people say what’s hot, not the radio. That’s what I wanted. I wanted the people. And walking away from millions of dollars was part of that shit.” She used the money she acquired to pay for studio time—her way.
“I have crossed a bridge and I’m not in the same place anymore. I can’t continue to use the pain as fuel. I have to find something new, something positive and exciting. Build new memories, meet new people, and be inspired by different art.”
Right— Blouse by CHELSEA MAK; Boots by PRADA; Socks by CALZEDONIA; Panty and gloves: model's own
Whether Diana knew it or not, every YouTube single and music project, made way for future success. Her cult following grew. She was ahead of every wave that would follow. Though Diana was still underground, she was becoming the tastemaker, and people were tapping in. “It’s like when you know you’re the mood board. For once, I don’t want to be the mood board. I want to be the main thing.”
You ever get turned out by an artist for the first time after attending their live show? Maybe you had heard of them before, perhaps they never crossed your path. But somehow, some way you ended up at a venue. From that first note, they captivated you. You experienced all the glory and magic, then…poof!! You are a diehard fan. That is the effect of Diana. She is the main thing.
Not only is Diana’s voice cut from the same cloth as Tracy Chapman and Joni Mitchell, but her pen game and star quality are on or above that caliber —she is fresh as fuck. From being mentored by the late Jazz whiz, Hugh Masekela, to mentoring young talents like Chloe and Halle, Diana has range –vocally, artistically, spiritually. She’s an all-encompassing boss. “This is my jump into consistency. This is my jump into doing beautiful visuals consistently. You can be the only one to take power of your life.”
…And what a powerful life force she is.
“I am very happy. I’m in a place where I don’t give a fuck. I am really committed to making things that feel real to me. I want people to hear my voice because it’s special. I want to tell the truth in my music and my lyrics. I want to be raw and bare.”
Before the world was thrown for an overwhelming loop due to COVID-19, Diana Gordon was set to open for Yves Tumor and play a handful of select venues. Sometimes it takes drastic measures for us to find solace in simple pleasures. May you be healthy, productive and as peaceful as possible during this time.
If you don’t know where to start, get into Diana’s discography. She will take you places.
Having produced beats for the likes of Dai Burger, Bali Baby, and Isabella Lovestory, it seems like he's already on his way to doing so. Chicken's mysterious presence and highly-curated sound represents a new breed of kids who were raised by the internet, but crave the late 90's/early 2000's NYC club vibe—brought up by the YouTube era, but looking for so much more.
Read our interview with the producer below.
Hi Chicken. Can you introduce yourself to the people—who are you? How long have you been making music?
Hiii. I am a DJ and producer based in New York. I’ve been making music since I was a teenager.
Tell me about your new mixtape “A Night To Remember.” It feels like a mix, but it’s all original music, correct?
It is. It’s mostly stuff I made in February. It’s just where my head's at right now. I spent a lot of 2019 DJing and making club music, so I thought it was time to give the girls a little something different. And what I’m really into right now is pop.
What’s it like being an underground music producer during quarantine?
Horrible and really scary financially.
What internet platform would you say played the biggest part in your formative teen years?
Probably various porn sites.
Who are your idols?
Ahh there are so many. Mirwais, Gigi D’Agostino, Pal Joey, Robert Armani, Timbaland. There’s more.
You’ve produced for many up-and-coming artists like Isabella Lovestory, Dai Burger, and Bali Baby. Is there a particular kind of performer you think your beats lend themselves to?
I like people who are like cartoon versions of themselves. I can produce a whole album for someone in a day easily if I’m inspired by them because the music is just like filling in the blanks around their personality. I don’t really approach it as beats. But If someone has no personality or I don’t like them, it’s excruciating. It’s actually really hard for me to put together generic packs for that reason. Because such a big part of what I’m inspired by is the people.
You were recently featured on the popular “Hyperpop” playlist on Spotify. What do you think about the state of pop music in the world right now? What do you wish to contribute to that?
I mean there’s a huge range, even in the mainstream. I think a lot of it is really creative like Shawn Mendes or Billie Eilish. And then there are others who aggressively claim to be progressive but make the most trite, formulaic shit imaginable. In terms of what I wanna contribute I would just say making stuff that people connect with on some level is always the goal. I wanna bring back feel good vibes. I feel like pop music is not allowed to be happy right now when it really needs to be.
Who do you think is killing it right now, musically? Aesthetically?
@Isabella Lovestory. I’m really excited for people to hear and see what we’ve been working on over the past year.
What are you fixated on right now?
"Be Yourself" by Audioslave. It’s been on loop for the past several days.
I feel like “Next” could be a club hit on its own. Tell me about that track.
That track came about because I was chilling with my friend Ren G who I make music with a lot and I was like, you need a song where you say, "I just wanna party, no sex." So I made this really simple beat. The whole song took like twenty minutes to make. By the time she said ketamine and cigarettes, we knew this was an anthem for club dolls all around the world.
You’re releasing three new tracks—Selections For Dancing Vol. 2. How do these tracks differ from “A Night To Remember”?
Selections For Dancing is a project that developed over a longer period of time because the tracks all started as DJ tools more or less. I make a lot of stuff specifically to DJ, like I’ll make a bunch of really minimal things to layer, and then when you have three or four CDJs, you can start to use them as samplers. For the most part I feel like it’s pointless trying to translate those ideas into EP format because they are meant for a big sound system and it’s so connected to the energy of people physically in a club. But it got to a point where that world started to get really developed and I wanted to share something of it.
What can we expect from Chicken in the coming months?
Um don’t have expectations.