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Tit for Tat

Seduction is an endless game, and so is the daily hustle—beauty and its consumption lie at the heart of both capitalism and art itself, and this titillating group show seems to ask a question directly to the viewer’s body: “Are you for sale?” Circle one: YES / NO / TBD.

Amalia Ulman. "Money And The Family." 2016. Digitally woven tapestry with presentation pole. 53 1/8 x 37 3/4 x 3/8 inches (134.9 x 95.9 x 1 cm) .
Hal Fischer. "Signifiers for a Male Response." 1977 (printed 2017). Carbon pigment print. 30 x 24 inches (76.2 x 61 cm) 31 1/8 x 25 1/4 inches (79.1 x 64.1 cm) framed. Edition of 15.
Leigh Ledare. "An Invitation: Sunday, July 24th, 2011." 2012. Photolithograph on archival newsprint, silkscreen, pencil, polished aluminum frame, contract91 1/4 x 48 x 2 inches(231.8 x 121.9 x 5.1 cm).
Leigh Ledare. "An Invitation: Tuesday, July 26th, 2011." 2012. Photolithograph on archival newsprint, silkscreen, pencil, polished aluminum frame, contract. 91 1/4 x 48 x 2 inches (231.8 x 121.9 x 5.1 cm).
Leigh Ledare. "An Invitation: Wednesday, July 27th, 2011." 2012. Photolithograph on archival newsprint, silkscreen, pencil, polished aluminum frame, contract 91 1/4 x 48 x 2 inches (231.8 x 121.9 x 5.1 cm).
Pierre Klossowski. "La generosite de Roberte." 1983. Pencil on paper. 78 x 58 1/2 inches (198.1 x 148.6 cm) 80 x 60 1/2 inches (203.2 x 153.7 cm) framed.
Philip-Lorca diCorcia. "Major Tom, 20 years old, Kansas City, Kansas, $20." 1990-1992. Fujicolor Crystal Archive print 24 x 37 inches (61 x 94 cm) 36 x 46 1/2 inches (91.4 x 118.1 cm) framed Edition of 20.
Installation view of Reba Maybury, "Submissions" series.

Cover image: Annie Sprinkle. "Anatomy of a 1980’s Pin Up." 1984/2006. Digital print. 17 x 15 inches (43.2 x 38.1 cm) 26 x 24 inches (66 x 61 cm) framed.

 

"Putting Out" will be on view at Gavin Brown's Enterprise through August 11th, 2018.