Her debut full-length album, It Was Divine, arrives today. On the project, Baraz is determined and vulnerable, tackling the challenges in her life with a renewed vigor. With impressive collaborators from Smino to Nas, It Was Divine stands as Baraz’s most complete and vulnerable body of work.
office spoke to Baraz about It Was Divine, songwriting’s therapeutic properties, and how loss can teach lessons about love.
Can you talk a bit about your early relationship with music?
My parents are from Russia, so music was very different for me growing up. My only influence was on the piano because they were both classically trained. My brother was obsessed with rap and hip hop so those were my two influences growing up. I didn't really know American bands until I went to grade school. I knew my whole life I would be in this career. I didn't know when, but I knew I would figure it out.
You've got The Color of You and Urban Flora under your belt. Why are you separating this new project as your debut album?
I really don't care what anyone calls it. I consider it my full-length. I've always really done seven, eight, nine tracks. I've never really done this many. I let go of perfection, I let go of it trying to be so constructed. This is just me purely trying to heal, grow, and nourish what I know. It's been one of the most special experiences, writing this.
What pushed you to the point where you decided to release what's in your heart without worrying about the perfection?
Over time I've grown as a person, as an artist. Now, this is my third time working on a project and I just wanted to heal. It just naturally came out this way. I had to let go of structure for a minute, and I had to let go of that personality trait of mine to just perfect something so much. I just truly wanted to heal. That's what I wanted out of this.

























