Book of Love
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Akeem Smith Rebuilds Memory at Art Basel Miami Beach 2025
The effect is a kind of visual anthropology: memory as debris field, architecture as witness. Smith toys with the instability of images, how they circulate, who controls them, and what happens when the artist becomes archivist, caretaker, and cultural mediator all at once.
Born in Brooklyn and raised in Kingston’s Waterhouse district, Smith has long dissolved the boundaries between conceptual art, fashion, and vernacular storytelling. His practice examines the politics and economies of image-making while preserving the stories that mainstream cultural iconography often overlooks.
At Art Basel Miami Beach, these new works feel like a homecoming: not nostalgic, but defiantly present. They anchor Caribbean social worlds in physical form, holding space for a community whose histories are too often unrecorded. In Smith’s hands, transformation isn’t just metaphor; it’s material.
© Akeem Smith. Courtesy of the artist and Heidi, Berlin. Photographs by GRAYSC
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Blackhaine’s And Now I Know What Love Is
Rather than picturing love as a balanced act, this show demonstrates the way love can often lose itself to feelings of despair. It is inside this uneven tilt, that we explore the very nature of attachment and connection. The performance is a highly spatial work of art, reliant on the industrial ambiance of Machester’s Diecast. The environment masterfully incites ideas of structure and shape. With concrete floors that hold the fossilized memory of forklift tire marks, and sweating steel from condensation, it is as if the venue itself has experienced the push and pull of life, the exhilaration and exhaustion that must be enjoyed and endured.
The story told here is one that narrows in on the intricate relationship between birth and death, and the notion that life is a liminal space, lodged in between the opening and closing of the world we know. This is a philosophy reflected in both the physical space and the performance work itself. Dancers cave into eachother and reemerge, visualizing our awfully and wonderfully cyclical state of being. Bodies work to create a clear paradox, staggering, twisting, and resetting.
During the performance, sound halts itself, persuading a moment of deep reflection on the human form. With its return, the bodies on screen continue in their deep-seated dance of emotion.
