Where did you record this album? What did it look like? I want to picture you in your element and I feel like your element is totally groovy.
I recorded the whole album from my apartment and a lot was made in isolation, but also a lot of collaboration with friends remotely. I love experimenting sonically, I like to jump from just making something weird and psychedelic to adding a bunch of structure then breaking it down again. Later in the album I started a consistent meditation regiment which was a pivotal moment for me.
Given this consistent meditation regiment, what was the overall essence of this creation for you?
I found my flow through this album, I really tried to create a ritual of making music everyday. I think it can be hard if you have an off day, but focusing on doing what you can in the moment even if it's small eventually adds up and leads to those epiphany moments. I was slowly building all these ideas and once I was quarantined I lasered in and filled everything out. This project gave me purpose.
Where does ‘Infinite Lush’ come from?
I wanted to describe the feeling of complete annihilation and limitless freedom in the present moment. The name sounded like a drug or a great name for a sci-fi film.
What in general does the process of creating an album look like for you?
For me, my albums usually start as a feeling that I carry with me and that slowly grows into sonic experiments or glimpses of visual ideas. I tend to flesh out what I am feeling with research and immersion in art, movies, architecture, and music. I need to be completely overloaded with new information. It can be very hedonic, I get very addicted to the stream of images, sounds, ideas. Then I cut everyone off and work, and I become very selective about the things I take in. I think of music like storytelling or a movie, I imagine the locations, the character arcs, the conflict, the climax and the ending. I think the details are important, even the ones that only exist for me in the music. To me an album is a world that I get to build.
What were all the roles you took on in the creation of this album?
I wrote and produced on every track of the album and played guitar on a little over half of the album. On 5 tracks, I collaborated with a good friend of mine, Tobais, who was amazing to watch work and really opened my eyes to the power of collaboration when things really click. Also my engineer Ezra OST played a huge role in helping me develop the album sonically. This album was about experimenting for me.
You mention the nature of uprisings taking place currently. In your eyes what does that look/feel like to you?
The movement now is deeply connected to those who fought for freedom before us. A lot of these people have been doing this work for their whole lives. It's all interconnected. Being Black in America is a shared experience based in a tenacity, an ingenuity, and a furver to strive for a better existence on this planet, to finally be liberated. Black people have the amazing ability to dream and fight to push the boundaries of what our society deems possible, I see this realized in my generation once again. I think we are the growing branches of the tree that have been growing towards Black liberation. We are collectively dreaming of the blossoming of the flowers.
Ah, I love that. With that being said, who and what are some things that are giving you inspiration right now? Are you on the guitar?
I started playing guitar seriously during quarantine, it was amazing to have as an outlet during such a difficult time. No matter what, I would wake up and play for a few hours everyday. It really kept me focused and away from constantly getting sucked into the news or worrying about so much outside of my control. I was really inspired by the collective learning and growth I felt from people in my community. So many free resources, book clubs, information being shared. To be honest this album is the kind of work I have been trying to make for so long so I was very inspired by the work itself. The music kept me going.