You choose to be cautious about what you put out on the internet. How or how not do you think there’s a feeling of freedom in doing so?
Our privacy is diminishing. Privacy is becoming a luxury, and it will be pricey in the future. I prefer to meet or engage IRL. Social media is like a massive olympic pool to me. You have to hop out of the pool eventually. There is freedom with not obsessing over posts, likes and follows. It feels great. I entered a zone of exorcising healthy mindfulness vs mindlessness. I'm not striving for perfection with my work, but I do believe in quality over quantity.
I really love your new EP AXIOMS, but it feels more like a cohesive project rather than being individual song-based. Was this intentional?
Honestly, when Mike Swoop and I began to create music together, I didn't say to him, "We're making an EP/album," and vice versa. It was about learning each other's flows, sharing processes and methods before stating this was an EP. Originally the project was titled Holy Mothers which sounded like a girl band I was never apart of. I feel it naturally came together. We rock climbed with no ropes.
What music or art did you consume growing up? Your work seems to pull from an eclectic mix of influences.
It's a cauldron filled with radical, creative, wild women in my family—parents with great artistic taste and living out of our suitcases from house to house. My mother had a large media collection of books, VHS, CDs, tapes, and magazines. Images of Frida Khalo and ancient looking relics were all over the place. My dad gave me tapes/CDs with Lenny Kravitz, Outkast, Mos Def, Janet Jackson and Jazz. When I reached high school, an uncle introduced me to experimental, punk, and house music.