[You] seem very heavily influenced by nostalgia….especially the music video for ‘Ballerino’, clearly retrospective but seems so new right now, when music videos are getting almost futuristic or go 90’s retro, it’s a different approach to ‘analog’. Vintage vibes kind of feel cutting edge.
Exactly. Everything that I’m into is basically everything about that video, and I’m glad that you think of it in that way as well.
Your visuals, also, seem adamant on the black and white aesthetic, especially.
I mean, I love all things old school. All things noir… I love that whole side of things, and things being very dark and mysterious, because the music itself is very cinematic. The imagery is as important to me and the music as listening.
So, how do you feel about a majority of modern music being so heavily produced in a hyper-digital way? Art is very Instagram, music is super synthy... How do you engage disengage from pop-y production?
Some of it I think is cool and interesting and progressive. The music that I make reaches people’s hearts, so that’s where I come from. I think music can be mainstream in the way it touches people as well. It’s not common, but when it does happen it can have 100 times more of an impact than music that’s been heavily produced. There are two sides.