You have new music, and this insane visual album that just dropped. And a tour starting soon?
There’s like a preliminary short run of shows, where we’re going to be tweaking everything. And then the bigger tour starts in August.
How does the video get incorporated it into the live performance?
So the live show is an extension of the video you saw. There’s a 25 ft projection screen behind us, and a lot of that content will be presented super huge and crazy. There are motion sensors in front of the performers, so whatever movements you're doing in real time are projected with really wild effects.
That’s cool because I thought the video felt very retro. Like Peewee’s Playhouse, almost, with all the old-school claymation.
All of that stuff is a huge influence... and it actually influenced the music first. I keep saying I think about my last couple of records my idea was to get really pristine recordings, where this new stuff is very handmade and raw, rough around the edges and the layers don’t line up perfectly.
It’s interesting that you’re incorporating some modern technology, because then it creates a totally disorienting experience in an awesome and complex way.
The idea was to take 1980’s analog feedback as inspiration and use all this new modern technology with way more flexibility, and it ended up turning out really cool and fresh.
How do you prepare for that a tour?
I’m kind of freaking out. Just because I haven’t performed for a while and then just the complexity of the entire set up.
How do you prep yourself mentally backstage?
I don’t know, maybe just drink a little more to ease the nerves. In the past I’ve played like keyboards and stuff but this is all like sample pads. I’m trying to wrap my head around that.