ENFANTS RICHES DÉPRIMÉS' Punk Essence

October 19, 2021

Punk isn't dead, and that was recorded this Spring/Summer season in breakout collections like ENFANTS RICHES DÉPRIMÉS SS22. Henri Alexander Levi, most known for his creative director role at the brand, affirmed that punk went beyond black nails and pinstripes, punk is an essence. The nectar of punk was extracted and presented in its truest form at l'ecole de medicin through the eccentricity of the production, setting, pace, stride, and fashion.

Anarchy lives within the essence of this brand. This is shown when the design team rejects any sentiment of cheap biase and sticks to the principle that masterfully connects the dark and brooding emotions of Paris and couples it with the childlike delight of LA. Structured leather, lace lining, and graphics are plentiful in this collection — and clean lines and quality fabrications aren't sacrificed. An effortless cool stride and attitude is woven into each garment when light lace with blood-painted red letters are statemented onto a baby-doll dress, oversize pin-striped suits, and leather blazers paired over a vibrant graphic tee are the standout pieces from this collection.

Text by Tiana Randall
Photos courtesy of ENFANTS RICHES DÉPRIMÉS

And accessories make it that much cooler — the appearance of white dirty knee-length combat boots that stride down the catwalk pretense that this collection is ready-to-wear. The model donned in those boots shine through in structured collared ankle-length dress holds a shining silver gun as a thin metal chain draped across the decolletage of the garment. Along with tinted red and black shades, ovoid-shaped bags, and more complete the collection in its entirety. Watch the show below.

Fashion

Advisry’s “America, Still” Looks at a Nation on the Edge

September 17, 2026

Advisry returned to New York Fashion Week with America, Still, a collection by designer Keith Herron that examines the current state of the nation through the lens of 50 years ago. Narrated by the voice of James Baldwin from 1969, the show unfolded across three acts, moving from reaction to dignity and, ultimately, transformation.

Herron’s latest collection documented the tensions of a country approaching its limits, exploring the characters that emerge in moments of collapse; those who react, those who cope, and those who transcend.

On the runway, sequined basketball shorts and evening gowns came together in a collection that moved between sportswear and the more theatrical dressing that we’ve come to know. The brand’s familiar hand-shaped pockets brought a nice detail to the collection while furry gloves and pearl masks covering the models’ faces offered something more surreal to the looks.

Accessories played an important role, too, with models carrying beautiful bags that stood out alongside the clothing. Across the collection, familiar American references were reworked through Advisry’s distinctive approach to craft, sartorial precision, and cultural storytelling. Casualwear, formalwear, and exaggerated accessories existed side by side, bringing a sense of contrast to the collection without feeling out of place.

Founded in 2014, Advisry has grown from Herron’s teenage project into an established New York fashion house. With America, Still, the brand continued that approach, using clothing as a means of examining the cultural and social pressures of now while looking to the past for context.

Text by Dylan Andrews
Photos by Spencer Stovell

office was backstage to take a closer look at the collection, capturing the details, accessories, and looks that brought America, Still to life.

Fashion

Inside Of Tyler McGillivary SS27

Fashion

Leaving Marigot: Olivier Rogers SS27

September 17, 2026

For Spring/Summer 2027, Olivier Rogers presents Leaving Marigot, a collection shaped by family, memory, Caribbean culture, and identity. Named after Marigot, Saint Martin, where Olivier was born, the collection draws on the places and people that shaped his understanding of style, connecting his Caribbean roots with his upbringing in Brooklyn.

Although he did not grow up in Saint Martin, Rogers spent part of his childhood on the island, where he noticed the understated way the men around him dressed: clean, fitted, simple, and intentional. His father, an electrician with a strong sense of style, became an early influence through his polo shirts with popped collars, track jackets, fitted vintage denim, and dress shoes. Photographs of his father as a young man, safely stored in his grandparents’ home, continue to inform Rogers’ approach to design.

His mother instilled a similar approach to dressing, teaching him that presenting yourself well was a way of earning respect. Leaving Marigot brings these influences together, connecting Marigot and Flatbush through a wardrobe that feels both familiar and personal. One of the collection’s most significant pieces is a red, white, and blue track jacket inspired by a photograph of Rogers’ father at around 18 or 19 years old. Referencing the colors of Saint Martin, the look is recreated through a matching track jacket and pants, while the campaign features a model reenacting the picture.

Text by Dylan Andrews

Colorful button holes bring a playful touch to matching blazers and trousers, while bright T-shirts, football-inspired track jackets, and denim draw from different parts of Rogers’ upbringing. Across the collection, familiar wardrobe staples are reworked through unexpected details and a considered approach to construction and color.

With Leaving Marigot, Rogers turns family history and cultural memory into a design language of his own, offering a collection that is as much about where he comes from as what he chooses to make of it.