Do you remember the first reference that led you to thinking up these characters?
The kernel of the characters came when I started sketching really rudimentary, abstract figures that formed a sort of coded journal of my early sexual experiences. It wouldn't have made sense to anyone but me and I was super private about it all, but really wanted to document what I was feeling. That stuff was really wrapped up in a lot of shame and excitement and I felt like I had no one to talk to about any of it. I'm over that now but my paintings still allude to those experiences, but it's all pretty tenuous and abstracted now.
One day I looked through all my sketchbooks and a common thread was this kind of effeminate body language and nonsensical anatomy and bodies being sliced, so it was my third exhibition was when I started to get a little more overt with the idea of an androgynous harem of aliens. Literally one of the works was a large scale painting of a six shirtless effeminate figures with elaborate pompadours. Now they move between looking relatively human to having six pairs of eyeballs and impossible bodies.
Is there a name for them?
Well, they're twinky, hairless, disaffected humanoids with great hair bathing in tepid (but exotic) extraterrestrial waters, so I've settled on 'gayliens' as a short-hand description. If you named them individually they'd probably be called things like 'Terrance of Regulus IV' or 'Jim.’
Gayliens. That's a mood. So basically, they're a hodgepodge of various species both in and out of our world?
I feel like my subjects are from human stock, but from, say, 900 years in the future after being bio-engineered and interbred to thrive on other planets.
How many of these characters have you created since being an artist?
So many. But I don't really paint the same character more than once, though all the characters I paint look similar...if that makes sense. I used to paint figures that were much more human looking, or much more abstract. These characters kind of sit somewhere in the middle.