Frieze Projects

Your exhibition text begins with a dream on the Autobahn. Where does the name Stoned Roses Autobahn come from?

It's my connection of the present day deep into the Middle Ages to the time of knights and Templars… & imagine, how instead of abusing horses they are driving Japanese & European youngtimers. You can go through the labyrinths of what you feel about this naming. Stoned or sober, but true to the core, bro.

What were the car parts you found near Lisbon, and when did you start seeing them as material for the exhibition?
 

When PPC invited me to take part in this one week experiment, they suggested that we could silk screen-print my artworks onto any surface. I’ve decided to go with the car parts, of course!

Can you imagine a scene in which, after a car accident, fragments of the car were scattered around and a child who had witnessed it, began to draw onto these surfaces. This idea is deeply connected to my own childhood, as my father died in a car accident. In that way, this work reflects personal experience. 

Where is the limit? Only sky.

When we arrived, I found that the closest neighbors of PPC were a car repair shop. They didn’t have anything from the kind of older cars I was looking for. So they sent me to another repair shop. The owner didn’t speak English, so he asked us to call his son – the coolest guy named João. He was based around 50 kilometers from Lisbon, in the Sintra area.

He had a huge car scrapyard with lots of parts for sale. We went there by motorino, and I explained the idea of CRUSH TEST collection. I asked if he could help me find some unique parts, not to sell them to me for a lot of money, but simply to help with the project.

This guy was into the topic, and that’s how it happened. Pure magic of connecting with the right people at the right time.

I’m really thankful to João and to everyone who helped make this chain of communication happen, including Miguel, a member of the Portugal print Club team, who helped us with the translation.

You move between TATTOOING, painting, sculpture and music. What makes an idea become a garment rather than a track or an object?

I just have a feeling for what I want, and when I truly want something, I make it happen.

From the landscapes of White Tigers to the bass experiments of PAi: moomia bass, what changes in how you make music, and what stays with you?

My musical experience and realization are deeply connected to different periods of my life. There is a time to collect knowledge, and there is a time to express certain feelings. Somewhere in between, you can see and feel what is happening in my life.

Your releases include reused cassettes and CDs burned and decorated at home. What does the physical object add to the listening experience?

It’s not about the listening experience. It’s about design. I just want to place the visual part of a release on a surface. As you heard before, it’s the same with the car parts, the cassettes, and the CDs. I just like it when you can touch it, when you can feel it, when you can have it in your hands and see it in real life, not on a screen. It’s about design.