I DIED AND WENT TO ISABELLA LOVESTORY HEAVEN

July 01, 2025

Welcome to a world of gorgeous, gorgeous girls and bootleg princesas. Isabella Lovestory is the puppet master of her Eurotrash fairy tale and is taking her loyal subjects along for the ride. With the recent drop of her newest album Vanity this week, Lovestory is digging her heels into her popstar territory.

The Honduras-born artist is endlessly fun to talk to and I got to get to know her more shooting a zoom call over from Italy. She took me deeper into her vision and made it known that it should come as no surprise to attend one of her shows and encounter something like a DJ Prince Charming in a Freddy Krueger mask (with unicorns twerking in the back, of course).

Photography by Joaquin Castillo
Styling by Cassie Jekanoski
Interview + Production by Abby Dillingham
Talent Isabella Lovestory ℅ Orienteer
Makeup by Sophie Hartnett
Hair by Takayuki Umeda
Nails by Alexander Bondoc
Photography Assistant Javier Padilla Gonzalez
Production Assistants Olivia Cooper & Rea Brayshaw

ISABELLA wears BRA + HEELS by WOMEN'S HISTORY MUSUEM, PANTS from STYLIST'S ARCHIVE, JEWELRY by MARTINE ALI

In a media landscape crowded with copy-paste industry plants, this self-proclaimed DIY popstar is a breath of fresh air. She's not afraid to surprise us and in doing so, leaves the door open for another Cinderella story to happen... but this time it’s absurdly sexy.

Read the full interview below where we discuss everything from Tumblr Academy to Eurotrash summers.

ISABELLA wears BRA + HEELS by WOMEN'S HISTORY MUSUEM, PANTS from STYLIST'S ARCHIVE, JEWELRY by MARTINE ALI

Hey Isabella, nice to meet you.

Ooh, ciao Bella. I'm in Montreal and this is my dog.

What's their name?

His name is Flaco which means skinny. But he's not skinny, he's chubby. That's the irony of life.

I heard that the vibes on set were amazing. I was so sad that I couldn't be there.

It was so fun. It was crazy vibes. I've always wanted to shoot with Joaquin because I've known him forever. I met him like five years ago in Mexico and yeah… he tore that. We didn't want to leave, we just wanted to keep going.

Were you feeling gorgeous on set?

Gorgeous as always. It was a whirlwind. I've been nonstop for three months. Well, this whole year. I'm not complaining at all, I'm so happy. But sometimes I'm like, “Where the fuck am I?” Like, I don't know where I am. I just go and do this thing and then I go to sleep. I think I was feeling tired but excited. I always put my Lady Gaga mode on.

ISABELLA wears FULL LOOK by BALENCIAGA.

There were a lot of Tumblr vibes happening, were you a Tumblr girl?

Yessss back in the day I grew up with Tumblr Academy. That’s what we call it…for students. I think I went on Tumblr when I was 13 and I met so many of my best friends on it. And now I see so many creative people killing it. Like, Hari Nef was on it and Dara from Interview Magazine. So many random successful creative people were on Tumblr Academy. It was amazing because I was always an outsider in my schools and everything. I was such a freakazoid and I went online and I met all my freakazoid friends.

I feel like that style is kind of coming back a little. Is that an aesthetic or are there any aesthetics that you didn't think you'd be down for and now you're experimenting with?

Yeah, totally. I think people are feeling nostalgic. Honestly, I was always super inspired by the 90s Japanese fashion vibe and 80s fashion as well. But now it's called Indie Sleaze…and I'm like, well… I hate when things get a name and they categorize things. I’m just super anti and I always want to be against the grain, which I guess can be very annoying and pretentious. I hate to say that I’m a gatekeeper but I totally am.

Sometimes you have to be.

That’s something I love about K-POP, they really exploit the trends so much and I try to be like that too and have that troll-y mentality of I'm just going to wear one super, super trendy outfit to troll.

So kind of making fun of it, but also you still get to wear the cute outfit?

Yeah, exactly. It's all performance art.

ISABELLA wears DRESS by WIEDERHOEFT, JEWELRY by MARTINE ALI.

The last time that you spoke with office was in 2020 which is crazy!

That's when I started my career. It was with Ivan. Wait. Oh, my God. I think you guys did my first article! I had no Botox in my face. Nothing. Just pure youth. Oh, this is so cute.

You had just started collaborating with Chicken that year. I see you guys are still going strong in your creative partnership. Does it mean a lot to still be working together now that there's been so much growth?

Yes, we've really been through the trenches with our creativity and what we can do. He's a Scorpio, so he's very deep, very intense. I'm very deep and intense as well so I think we appreciate that about each other, that we can just go really deep and raw in our creative process. We have very similar tastes and we really went deep with this album. We could do a lot of experimenting because we both come from a very experimental punk mentality of what music can be because we both didn't study music at all. We come from a fine arts school background…Well, I'm a dropout. He's not. He's smart.

We really have fun with not having a structure or a rule book when we make music. We come from a very open mind so I think that's what we love about each other.

So you guys can be really free and do random stuff together?

Yeah, exactly. Like, we never think, oh, we can't sample this or we can't mix this cumbia beat with this 80s new wave sound. We have a very open mind and free playground to do whatever we want. We're also super down, now that we’ve figured out what we like to do in music, to work with other people. I'm super excited to explore new grounds and see what I can do for sure.

Are there any people that you've been looking at maybe collaborating with that you haven't yet?

I'm always working with people but it always has to feel really organic. I'm working with my friend Mechatok a lot and we have a song coming out and I also just met with Zach Hill from Death Grips which was epic. And who else? Let me think. Right now I'm working with Mechatok, Kamixlo, and friends. I'm always going to gravitate towards friends because I can have my opinion on the production more as well.

TOP LEFT + BOTTOM RIGHT: ISABELLA wears DRESS by DENIZ BLUMENSTEIN, HEELS by DSQUARED2, NECKLACE + EARRINGS by MARTINE ALI, BRACELET by ALEXIS BITTAR.

BOTTOM LEFT: ISABELLA wears FULL LOOK by BALENCIAGA.

I was watching your music video for Telenovela. So much happened all at the same time. Tell me more about what the process was like for making that.

I always want to exaggerate everything and with my themes, I take it to an absurd, surreal level. So I think with Telenovela, I had so much to play with, and I was inspired by tv and technology (super David Cronenberg vibe). I made a moodboard and sent it to Charlotte Rutherford, who's a genius, and we just kept talking about ideas texting non-stop manically about what we could do. She's crazy and she’s done a lot of K-Pop videos with crazy CGI. She just wants to take it to another level. We both have satirical brains so we just clicked really well and had so much fun. We just always want to take it to the next level, like I got pregnant with the tv at the end it was perfect. We're crazy, it was a perfect match.

The baby at the end was the cherry on top.

I miss him. I don't know where he is right now. Did he have a name? Barbarella (tv baby’s name).

Did you watch telenovelas growing up?

Yeah I watched so many because I grew up there [Honduras]. My favorite was this one called Floricienta which is an Argentinian modern day take on Cinderella. Her fashion is just amazing. She was my fashion icon because she had this scrappy y2k fashion Cinderella vibe so it looked like she made her outfits herself.

Were there any plot lines that stuck with you?

This one. At the moment I’m obsessed with Cinderella. I'm obsessed with modernizing fairy tales and making them more realistic or darker somehow. [She sends me a pic of the girl from Floricienta] She's cute right? I love the way she dresses and her storyline. I love a Cinderella story because I feel like I'm Cinderella.

LEFT: ISABELLA wears DRESS by DENIZ BLUMENSTEIN, HEELS by DSQUARED2, NECKLACE + EARRINGS by MARTINE ALI, BRACELET by ALEXIS BITTAR.

RIGHT: ISABELLA wears BRA + HEELS by WOMEN’S HISTORY MUSEUM, PANTS from STYLIST’S ARCHIVE, EARRINGS + BELLY BUTTON RING by MARTINE ALI.

Why do you feel like you're Cinderella?

Because I’ve always done things myself. I'm a self-proclaimed DIY pop star which is a conundrum. Pop stars are supposed to be some sort of product or machine-made, impossibly beautiful object but I kind of just did it all myself which is crazy. It's kind of part of the joke… the concept is a conundrum to me. It's like Frankenstein or something. I crafted this janky persona but that's part of the charm.

Do you feel like you would have an alter ego version?

You could never have enough alter egos. To be honest, I don't think Isabella Lovestory is an alter ego, it's more just an exaggeration of who I am inside and I’m putting it out. But…I do want to become a spy. I want to have a spy alter ego, after this crazy, psychedelic, and colorful era I’m gonna go back to being like Irma Vep. I always want to do something completely different from what I did before.

I mean if you do become a spy no one will ever know because you won't be able to tell us.

Exactly, I just love how spies have different looks and different wigs. I already feel like I'm a spy because I have so many different places where I live. Like when I go to LA, I'm the bimbo, health guru, yoga girl. And then when I go to London [she says, in a British accent] I'm a rock star. And then in New York I’m a [lets out a pretty sigh] party girl. I love having different personalities.

Do you have any Eurotrash on the schedule this summer?

Yes I was actually just doing my little Eurotrash moment in Paris and Spain. I performed at Primavera and We Love Green and did a trashy fairy tale performance with little unicorns dancing and twerking in the back…my DJ was my Prince Charming but with like… a Freddy Krueger mask and I was the trashy little Cinderella girl. Well, in Paris I was a French maid and in Spain I was a princess so I went from the maid to the princess.

Keep them guessing.

Exactly! This summer I’m gonna practice for my tour that's coming up in the fall and finish two music videos that are almost done. I'm just super down to have fun this summer because I've been working so hard on this album. I just want to go to the beach.

LEFT: ISABELLA wears BOW by BALENCIAGA.

RIGHT: ISABELLA wears DRESS by WIEDERHOEFT, JEWELRY by MARTINE ALI.

So you said you're working on two new music videos right now… can we know anything about that or is it a secret?

Well one is the Eurotrash one that I shot with this girl named Victoria Davidoff. She's in LA and she's amazing. We shot it in LA a month and a half ago and it's me in a carriage with two Eurotrash girls (hotties) with lots of green screens. The other one is for Vanity, the main track of the album, which I shot in Paris. That one is really crazy and epic. It’s shot with film and it's kind of an Alice in Wonderland vibe… but like in an office it's kind of weird. I love making videos, that's my favorite part.

What are the ingredients for a good Eurotrash summer?

Lots of plastic wigs. Lots of plastic everything. Lots of plastic rhinestones. Fake bootleg handbags… the more bootleg the better. Just become the most bootleg princess that you can be.

Is there anything you're doing after this?

Releasing more music! After this album comes out, I’m putting out a deluxe or remix. And then after that, more music and then after more music and more music. I really want to release two more projects this year because I feel like I've been working on making it all last year and the year before so I just want to release release release release so be on the lookout for my next music videos.

Okay I'm so excited. Ciao bella.

Ciao, have fun in Italy. I love Monica Bellucci.

TOP RIGHT + BOTTOM LEFT: ISABELLA wears TIARA by UNTITLED & CO, SKIRT by DENIZ BLUMENSTEIN, HEELS by CALVIN KLEIN ℅ GRAILED, BELLY BUTTON RING by MARTINE ALI.

TOP LEFT + BOTTOM RIGHT: ISABELLA wears BRA + HEELS by WOMEN’S HISTORY MUSEUM, PANTS from STYLIST’S ARCHIVE, EARRINGS + BELLY BUTTON RING by MARTINE ALI.

Listen to Vanity here.

Music

Inside Naïka’s ECLESIA Tour

“One of the things that makes me the happiest,” she says, “is seeing the diversity in the crowd: people from everywhere, all walks of life, all ages, just coming together. It’s everything I dreamed of.”

Born Naïka Richard, her identity has never been static. French and Haitian, born in Miami but raised across multiple countries, shaped by languages and cultures that don’t always align neatly — she exists in a kind of constant translation. “My upbringing, my family, my friends, we’re so diverse. Multiple languages, ethnicities… It's a big blend. So it’s cool to see that physically in front of me.” You can hear this blend in her music; the seamless switch between French, English and Haitian Creole, shifting gears between love songs, personal reflections and even political undertones. Her rising popularity, a tribute to true World Pop. There’s no fixed center, no singular origin story she returns to. Instead, there’s fluidity, between places, between sounds, between selves.

That blend is precisely what sets her apart. In an industry increasingly obsessed with hyper-specific niches, Naïka operates in the opposite direction. Her artistry isn’t about narrowing identity; it’s about expanding it. The result is a kind of radical openness: come one, come all. “My top priority is always connecting with my audience, and putting together the best show possible.” At a point in her career that seems to be constantly progressing, it’s clear Naïka finds stillness in her team, her audiences and her own creative journey.

It’s now 1:30 p.m. and I’m meeting her and her team for breakfast at Toastique, in the heart of Washington D.C.

Suitcases pushed against the wall, and a little black dog curled under the table as the group of four women enjoyed their breakfast. Naïka’s fighting a cold, having played four shows in Montreal, New York and Philadelphia, she’s exhausted. The day before was spent on vocal rest. Today, she’s downing immunity shots with her meal. “There is no typical ‘day in the life’ on a tour,” she tells me when I ask. “It's weird how quickly time goes, because I feel like it was yesterday that we were putting the set together and the visuals. Now it's already come to an end.”

But soon, she’ll be on the road again — just a few days earlier, she announced 15 new shows over the months of June and July, with various stops across Europe. Naïka is no stranger to tour life. “My first tour was a little more backpack-y,” she tells me, “now I’ve got a bus, I’ve got a team, it’s a whole new beast.”

That “beast” is also a family.

Her manager and longtime friend, Marta Trapella, operates with a quiet steadiness that anchors the chaos. What started as a college friendship became a long-term collaborative relationship, always in step with one another. “I knew that if she had the right team around her, she would be unstoppable,” Marta says. “At first I said no [to being her manager] because I felt I couldn’t give it my all, but after a few months, I knew I had to join her.” Naïka laughs, “I knew she’d come back.” Set designer Lorr Volatier is in near-constant motion, pausing only briefly before shifting to the next task. She does it all. “What she doesn’t do is an easier answer,” Naïka says. The band is made up of fellow musicians Naïka met while studying music in Boston. Her childhood friend Galliane Puechavy flew up from Miami to travel with the team for a couple of the U.S. stops before heading to Miami where Naïka will close off this leg of the tour. The group functions like a living system, each person adjusting to the rhythm of the whole.

At 3:30 p.m., we make our way to the venue for tonight’s show, Washington’s 9:30 club, where the bus is unceremoniously parked on the side.

The tour bus takes about 14 strides to go from front to back — it’s hard to imagine 14 people (and a dog, introduced to me as Leo) cramming into this vehicle every night. But, still, it’s home-like; shoes are removed at the door, flowers sit on the table. The word zobodobodo is scribbled across a little white board by the kitchen. Coffee and incense hang in the air. Lemons sit in a basket by the sink, her favorite go-to snack. “I always have lemons and honey,” she says. She takes a lemon wrapped in a paper towel and puts it in her purse for later.

For an artist on the rise, it’s ironic that motion itself seems to be the only downside of the experience.

“My least favorite part is sleeping on the bus, just because I don't sleep very well because of the movement.”

By 5:30 p.m., Naïka’s had a 30 minute nap and banked content for her socials before starting soundcheck.

She takes a moment to sign a few vinyls for the merch stand, saying, “I’ve been practicing this signature my entire life. I always knew I’d be creative in one way or another.” Midway through her second soundcheck song, the doors for the meet and greet are opened. Around 20 of her biggest fans and supporters are escorted through the empty venue, their eyes widening as they realize Naïka is an arms length away. There’s excited giggles, shushing and then attention; this is what they came for. Her audience follows no clear demographic guidelines; women, men, older, younger, all diverse ethnicities and backgrounds. One has a Palestinian keffiyah wrapped around her waist. Another is donning a Haitian soccer jersey.

They’ve traveled too, in their own ways, to be here.

Doors open at 7:00 p.m. sharp. After the meet and greet, we’re whisked backstage for hair and make up. As they do on every stop, Naïka’s team has tapped a local hairstylist to prepare her for the night. Tonight, it’s Jasmine Washington from the District Hair Lounge, just down the street from our venue. Naïka does her own makeup. “It’s rare I let anyone else touch my face,” she says.

She takes a second to change into tonight’s look; an asymmetrical skirted look, dripping in sequins, complete with elbow length gloves and a feathered jacket for the opening number. “This outfit is fire,” everyone in the room agreed. The bare midriff, a staple of all her performance looks, brings to mind less of a fairy tale mermaid and more of an amazonian warrior. She looks so strong. Complete with thigh-high tassel lined boots designed with Jimmy Choo, a huge milestone for the artist and her team. “It was such an incredible experience, something truly new for me. I’d love to design my own line one day.” I can visualize it already, crowds clad in Haitian-inspired garb, born from the mind of Naïka and the women that surround her. I note another form of creative expression here.

“Do you want to see something REALLY fire,” she extends her hand; in it, a lighter with her photo on it, a remnant from her ECLESIA launch party.

Minutes before calling her team for their collective pre-show prayer, Naïka and Lorr are doing jumping squats in the dressing room, then popping into a 2-minute plank on the floor. “She’s done a 5 minute plank before [a show],” Lorr says. “It gets her in the zone.”

It’s 8:57 pm and the energy in the air is palpable. Naïka is fully dressed and her team is huddled in the crew room for a quick prayer before the show. You can hear the hum of the audience outside, three hours from the moment many of them began to line up. The crew, the band, the team and the artist are hand in hand, her eyes are closed. But the vibrations in the room are high, a mix of Sunday Service and the Superbowl. Naïka begins to address the team:

“Dear God. Thank you so much for this new day. Thank you for these opportunities, and thank you for this purpose that you've blessed each and every one of us with. I pray that you might please help us do what we do best tonight, so that we can fill everybody's cup so they can feel more whole, more alive, more love, more light. I pray for an amazing, amazing, amazing show in Washington, DC, in Jesus name. I pray Amen. Amen.”

She hits the stage at 9:05 p.m. From start to finish, the show goes smoothly; an empowering display of feminine energy and intimate connection between Naïka and her fans. There’s rarely a moment you can’t hear the crowd singing along. ECLESIA was released barely two months prior but the audience obviously committed it to memory. Naïka trusted them to carry the chorus of F.I.S.H with a cheeky smile. She listened as they asked her, “Where you really, really from?” during LAYERS, an ode to the third culture kid. And during WHAT A DAY!, you could barely hear over the audience’s reaction to the lines, “What a day for crime, kids are dying in Palestinе/ Blood is paving Congolese mines, and thе world keeps going.”

At 10:22 pm, Naïka takes her final bow. After the show, Naïka is bouncing with energy, running to the green room to greet Leo with a kiss. “The cold I was fighting earlier? Gone,” she says to me with a laugh. “I’m so full of energy. It’s going to hit me like a brick when I get on the bus.” I’m reminded instantly that after so much exertion, her day isn’t over yet - after greeting a few folks after the show, showering and changing, Naïka and her team still have to make the nearly nine hour drive to Atlanta overnight. The packing has already begun as we say our goodbyes. Lorr is taking Leo for a walk, and Marta is managing the last few guests who want to say hello to the artist before she departs. Galliane is there with a warm hug and words of encouragement from friends and family abroad shared in their communal group chat.

Naïka is in motion again — continuing on to another city, to connect with another crowd and to continue to build a world that is distinctly her own but universal to all who welcome it.

Music

Lolo Zouaï' Releases "Reverie"

April 24, 2026

The French-born American artist, producer, and songwriter, Lolo Zouaï, presents her third full length album, Reverie. With fourteen tracks in both french and english, her vocals will place listeners in their own trance of pleasant daydreams. The album flows through alternative RB, hip-hop, pop, and Arabic sounds, overall building a dark world with sensual and cinematic visuals. Each song explores her past; wounds, memories, and dreams open up to flood out passionate melodies. Reverie sparks reflection and escapism, as well as explores the boundaries of identity.

From headlining with the likes of Blood Orange, Slayyyter, Shygirl, and SadBoi to collaborating with Yves on their recent single "NAIL", the songwriter (whose credits include NewJeans "Right Now" and H.E.R.s Grammy-winning self-titled album) continues to make her own headlines from the liked of The Fade and Rolling Stone. Catch her before she takes flight to international stardom: listen to Reverie out midnight April 23rd and watch her lead single "Baggy Jeans".

"This record was made through three years of grief, growth and reflection. I had to lose myself to find myself again."

Music

Dublin Hip Hop Collective Bricknasty is a Welcome Contradiction

April 13, 2026

“Singing in Ballymun is a good way to get a brick thrown at your eyebrow,” declares Bricknasty lead vocalist and guitarist Fatboy. Despite a hometown snubbing, the experimental, chaotic, and exceptionally talented Irish hip-hop collective—of which Fatboy is the frontman—is rapidly gaining traction throughout Dublin and beyond.

The five-piece, whose lineup includes percussionist Korey Thomas, producer Cillian McCauley, saxophonist and keyboardist Sam Healy, and bassist Chris LaMotte, is full of contradictions. Their music is layered, violent, and soulful, while the players themselves are lighthearted and goofy.

These days, it is difficult to stand out in music. And yet, Bricknasty has done just that. They have unleashed an irreplicable sonic fusion—one that combines traditional Irish folk music, neo-soul, jazz, and more—and are determined to push boundaries, even if that means risking a brick to the eyebrow.

Before their sold-out U.S. debut at Nightclub 101, the collective chats about their latest project, Blacks Law, early musical influences, and the importance of not taking things too seriously (something most Irish people I’ve met are experts at).

Words by Sophie Abeles
Photograpy by Dylan De-Jong Dougherty
Photography assistant Stephanie Rodriguez

Sophie Abeles: I want to know—where did you guys meet?

Korey Thomas: We all came up through music, just in different places. Some of the lads were making music around the country, some of us were in Dublin. Eventually, we ended up in the same place, doing it together.

Cillian McCauley: Have you seen Oppenheimer? You know when the bomb goes off? It was kind of like that—we just… collided.

Chris LaMotte: Sam and I have known each other since we were kids.

Sophie: Noted. A bit of chaotic synergy. Who writes the songs?

Korey: I had four notebooks full of songs before I met this guy—gestures to Fatboy—and we started jamming in college. Cillian was doing house music. We just took the best parts of everything and built our first project from that.

Sophie: And Fatboy—were you just born a singer?

Fatboy: No, I was shite. Where I’m from—Ballymun—singing’s a good way to get a brick thrown at your head.

Sophie: Why’s that?

Fatboy: It’s just not what we do. We like bikes. You’ve got a bike, I’ll have it. Pass it on to one of the lads. That’s business.

Sophie: Was your family supportive?

Fatboy: They said it was a nice hobby. Thought I had a terrible voice, but I didn’t take it personally. No one really gets offended like that where I’m from. I just kept learning—and I still am.

Sophie: Who were you listening to growing up?

Fatboy: Akon, Dr. Dre, Oro Sólido—my stepmom’s Mexican, so I heard a lot of Latin music too.

Sam Healy: D’Angelo. Big fan.

Chris: The Roots. The Notorious B.I.G..

Korey: Slipknot.

Cillian: Pop—whatever was on the radio. Early 2000s stuff.

Sophie: What about traditional Irish music? I hear it, especially on Blacks Law.

Fatboy: Definitely. It’s a huge influence. A lot of that music is about resistance—or just being a bit mad, honestly.

Sophie: There’s that tension in your sound—vulnerability and anger.

Fatboy: Yeah. It’s angsty.

Sophie: I found Bricknasty by accident and got hooked—especially Blacks Law and “imperet illi deus.” That switch-up is wild. Has your sound changed much over time?

Cillian: There’s a through line, for sure.

Korey: The band’s like… clumpy glue.

Sophie: That makes sense. It all sticks together somehow—layers on layers.

Fatboy: And when you peel them back, it’s worse than an onion.

Sophie: I think that complexity is what makes it work. Let’s talk about making Blacks Law. What was that process like?

Fatboy: Like getting infected with a World War Z virus. After four months, I came home covered in sores—my mum started crying. It was rough.

Sophie: What made it so hard?

Korey: Everyone was fully committed to making something good. You can hear that in the record.

Fatboy: My mum always asks why I can’t make “nice” songs. But I like when a track sounds like someone might die. If you can mix that with melody and rhythm—then you’ve got something. My family hates it, though.

Sophie: Do you think the music will translate in the U.S.? How’s the tour been?

Sam: It’s different—especially New York. The level here is insane. But we’ve put the time in. Weeks of rehearsals. Chris and I were constantly traveling back to Dublin to meet the lads.

Chris: The last tour nearly broke us. We were still in school—failing assignments while on the road.

Fatboy: Sam loves to complain about sleeping on couches.

Sophie: Dream co-headliner?

Fatboy: Dijon or Mk.gee. They’re doing something different.

Sam: Junior Mesa.

Fatboy: He’s class. I love Liim as well.

Sophie: When people listen to your music, what do you want them to take away?

Sam: Yup Ireland.

Fatboy: Yup Ireland.

Sophie: Beyond that—what should they feel?

Korey: To really listen. Analyze every note.

Sophie: That’s impossible.

Fatboy: If you’re listening to Bricknasty—fair play. You’re probably sound, good-looking, and have a bright future. And don’t take yourself too seriously—that’s the main thing.

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I DIED AND WENT TO ISABELLA LOVESTORY HEAVEN

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