But you wouldn’t necessarily describe your cuisine as French or Indian.
NK We are citizens of the world, it’s not like you have to say I only do this type of cuisine. I couldn’t put a name on my cuisine, because we’re so integrated and exposed to everything. It’s more about the imagination and personal experience. I think most nouveau-cuisine restaurants are like that. It’s more chef driven, and imagination driven. It’s hard to put it into a box, I feel like I’d be taking away from it if I try to label it. I’m figuring it out, and it changes everyday. I couldn’t set it in stone at the moment, but I would say it’s a journey in Ayurveda for sure.
It was a very unique dining experience, because it caused you to be very present. Often people eat just to sustain themselves, but having the live music, which I found to be influential on the food, altered the experience of what and where I was eating. What was your approach to the music?
MH The dinner was divided into 6 parts, representing the 6 tastes described in Ayurveda: bitter, sour, salty, sweet, pungent, and astringent. I wanted to create a little piece of music, almost like a snack, before each dish that would somehow be related to the taste. Each taste primarily consists of two elements. The elements being: air, ether, fire, water, and earth. Of course, this is a bit abstract, especially when you’re translating it into music. I would have a sound representing the different elements, meaning each taste would have two sounds. It was my own translation, so there was nothing necessarily scientific about it, but there was something systematic about it. I just used intuition to create that translation from taste to sound. I was about the idea that you could open your consciousness for that taste, and for those elements to enter your body. And then, again, thinking about creative ways to translate more literally, we assigned colors to the elements. So there were 6 different colored lights. It was an intuitive and creative translation while trying to be literal. Nobody can tell you it’s wrong or right. We just found it fun for our own process and hopefully for the audience to feel as if there was a system to the madness.
NK Just to add to what he was saying, it is an abstraction, but in Ayurveda, everything is really one. The dimension of music, taste, sound, color, love, experiences. I called my cookbook Ojas, which is the finest byproduct of digestion. And you’re not only digesting food, that’s a very literal sense of it. In your solar plexus, your emotions are at the top of the list of what you’re digesting. This matrix that he described was the base structure, from which we were able to create a communication between me and him. While I was plating, the whole time it felt as if I were in communication with him. And then putting food out, I wanted the audience, to share that. Them eating the food, was almost like replies.