The KROST X FILA Renno sneaker is just the gift that keeps on giving — KROST and FILA are vowing to donate 10% of every purchase Good Sports. Good Sports is a non-profit that aims to give all kids the lasting advantages of sports and play through providing equipment, apparel, and footwear to those most in need.
The KROST X FILA Renno Sneaker is available for purchase on November 12th at KrostNewYork.com and retails for $118.
Magliano took a more freewheeling approach to accessories, too; you could picture a lot of the maxi bags and sculpturally-shaped earrings being rather adventurous and soft when juxtaposed with the sharpness of the garments’ cuts. But their sartorial feel was generally a good match for this designer’s spare, precise sensibility and his strength as a tailor. Magliano delivered in the suiting department, showing dagger, lean cuts in a neutral gamut of hues, occasionally decorating the hem of a puffy trench with a cinched waistline and a slightly futuristic touch.
Season after season, Magliano has garnered an impressive reputation for stealthy luxurious garb that happens to be loved crazily. So what’s the secret? A chic, dare-not-freak conundrum that tangentially reveals a lot about the frenzy pace of out times, as it happens. “I’m learning to appreciate craft as I go,” he says, pointing to the hot pursuit for consumption that’s speedily exacerbating the industry and the world at large.
“At the brand, I want clothes to breathe into the airwaves of longevity and craftsmanship as we first came to know it, as opposed to producing huge scales for the sake of taste.” Here, one can say that the buzz (or, more accurately, the high-frequency vibration) about Magliano lies in a paradox that’s shaping the contemporary fashion scene: nonsense fashion. However, at a time when seeking out creative anonymity in clothes is continuing to be, ahem, fashionable, his approach hits the full mark. “This season, we call this tailoring subversion a gentle sabotage of the shape, referencing the elegance of a wealth of women who have shaped Italian culture and whose allure stands the test of time.”
And while we’re at it, there were beautifully constructed coats to check out. Take one in a camel, with a loose waist, a subtle line and a vent in back. Or another cut into a narrow collarless early noughties shape, which makes a nice nod to a start of season without screeching maximalism. Or yet again, a body-hugging man’s overcoat that transcends trends. Fleeing from excess is no easy feat, but here’s hoping that this season’s tasteful practicality will turn into a blockbuster hit for Magliano, as his clothes nicely evolve each season.
Saying that, some of the standout garments were the dresses, particularly a sublimation printed mesh dress coupled with its all-sheer minimal counterpart. Reworked to often feature a decadent edge, the coats were among the most desirable elements of the collection, alongside the reworked accessories staples. The iconic leather and animal-printed pattern appear in many fabrics for both men and women, with a particular emphasis on maxi prints. The intense sense of breeziness seeped through pretty much everything, but the designer was clever in not dissipating a heavy dose of practicality into the mix, particularly in the menswear. For the Italians, this brand, with its hints of streetwear culture — the denim, roughness and overly functional fabrics — might conjure up a mood of simplicity. But the youngsters might come across a far fresher side of its DNA, that the designer is pushing to new heights. That, to some extent, could continue to broaden its appeal — though for an unapologetic fan of ultra-functionality, that’s the relief (should that be how you wanna call it) of knowing the designer will keep growing his selection of ultra (in fact, extra!) billowing garb. And on that note, there was plenty there to charm.
For this story, Head of State photographed Mecca Allah, Mai Pham, and Papi Diagne in spaces that reflect their personal interpretations of "home." View the story below, along with their conversations with office on what home means to them.
Mecca Allah, Model and Movement Artist
What does “home” mean to you? Is it always a place? Has it always meant the same thing?
MA— Throughout my life the commonality of feeling at home is when I have been my most genuine self & can be grounded. I think it doesn't have to be a place necessarily but it’s a feeling that comes from within and you just know you're home. That internal feeling has never left and it has always meant the same thing. The places may change, my surroundings may change but that feeling inside is truly distinct.
When does your body feel like home?
MA— I think my body will always feel like home, because I’ve always understood it to be a temple that I am existing in. Sometimes your home isn’t perfect & it’s chaotic, but other times it is nourished and warm and it feels good inside.
Does your movement practice have a home? Where did it “grow up”? Where does it feel the least inhibited?
MA— It doesn’t have a specific home. I think traditionally studio spaces feel good because they’re dedicated to myself and moving my body, but that space is malleable and can be anywhere. The origin of my practice definitely grew up in a studio setting though. The ballet bars, the mirrors, these are my very first memories of understanding movement and that inherently feeling like home. I think it’s the least inhibited when I am just truly free within.
Mai Pham, Video Creator and Creative Director
What does "home" mean to you? Is it always a place? Has it always meant the same thing?
MP— Growing up, I never truly knew the meaning of home. I first moved out of my parents' home at 15 due to problems at the house and found myself constantly moving around. From a small town in Alberta on the West Coast of Canada, after moving 6 times, I somehow made it all the way to the East Coast of the USA in New York City.
It wasn't until I felt homesick being away from New York that I discovered a sense of missing home. Fast forward to the present, I've been living in New York for a couple of years, and I signed a 2-year lease on my place, which is the longest lease I've ever signed. It’s safe to say, I feel confident being here for a while. Recently, I was able to retire my parents and bring them to New York. There's nothing better than coming home to my mom cooking me a hot bowl of pho made with love; I've truly never felt so at home.
When does your body feel like home?
MP— Home is not just a physical space to me, but a feeling that resonates within me. I get overwhelmed very easily, so sitting down to spend intentional time to reaffirm myself through journaling is where I find clarity. I always feel refreshed after journaling. It's amazing to be able to go back to my journals from different periods of my life and read all the manifestations I would journal about and see them come to life. Journaling has become my sanctuary.
Does your creativity have a home? Where did it "grow up"? Where do you feel the most fearless to create?
MP— My creativity grew up on my YouTube channel that I started in 2010 as a kid. Whether it be unboxing toys, streaming myself playing Minecraft, or singing covers online. I grew up expressing myself on the internet. I always feel the most creative when I'm creating a YouTube video. Wherever I go in life, my camera and my community on YouTube have always been there by my side.
Papi Diagne, Model and Rapper
What does “home” mean to you? Is it always a place? Has it always meant the same thing?
PD— Home is where the love is, home is where I became who I am today. Home is where I learned teranga: The act of good hospitality.
When does your body feel like home?
PD— My body tends to feel like home when surrounded and embraced by nature. I promise there is nothing like the roaring waters of the river in my hometown Richmond, Virginia that could keep me calm and his world full of controlled chaos.
Does your music have a home? Where did it “grow up”? Where do you feel the most creative or inspired?
PD— My music has a strong base in southern roots, looped around the trap vibe, sprinkled with a little bit of a bubbly texture, if I can describe it. I tend to find myself being the most creative when I’m in a place of solitude, whether that be my car, an empty home, or the bathroom. The people that know me could tell you that if I’m really locked in, you will see me in the bathroom for at least 2 to 3 hours. My parents say it’s bad luck. I say it’s a therapeutic shut off.
