I understand this exhibit will have some nudity, and I also understand your work has an interesting play on sensuality and intimacy. Is there a certain way in which you photograph nude subjects that encompasses this belief?
I think I grapple, like any parent – not even a parent, but any human – with what the message is and what I'm reinforcing when I put images out into the world. I make a conscious effort to explore sensuality, and I don't try to explicitly pursue sexuality. Being in bed, it gives a sexual connotation that we all take away. In my own experience, 80% of me being in bed is completely void of sexual energy or behavior. It's where you rest, contemplate, imagine, have talks with your friends, have long phone conversations, read a book...the bed really is a platform for all of your internal life to be explored.
So the process for shooting nudity is organic?
As far as nudity goes, experiencing my children and models in a physical form that isn't layered with signifiers is more of a place in which I'm curious, rather than just getting someone to take their clothes off. I'm not comfortable with asking people to take their clothes off, and I'm not comfortable when people ask me to photograph them nude. I get terrified of that idea, because it's different. Nudity is beautiful, and I'm down to explore it, photograph it, engage with it, but I don't think my work is explicit or sexual. It's more about gender exploration, than it is about actual sexuality in a performative way.
People often conflate gender and sexuality identity, when they're two very separate entities.
Exactly. They can be explored in the same space, but they actually occupy different parts of your brain. And then there's intimacy, right? And then there is also intimacy you have with people that is completely void of desire.
People interpret your work differently. Does this contribute to your process?
There is a lot of sitting with feelings, and asking myself questions. What are my motivations? What could be the outcome? How can this be interpreted? All of that is part of my process. It gives me a lot of opportunity to sit with uncomfortable feelings.
So discomfort is a key figure in your practice?
Absolutely, I'm never comfortable when I'm shooting.
I guess you never should be, when it comes to creating art...but enough about discomfort. What would be your ideal bed?
Oh my god...really soft sheets.
No mattress preference?
I mean, right now we have a Haastens, which is, like...duh.