The Linda Lindas: Punk Band

Angelina Hazzouri — Before we get into this new remix, how did you get started making music with code?

DJ_Dave — I got started when I was in college, actually. I was taking random classes, trying to figure out what I wanted to do after I had switched my major from fashion. I was doing a bit of basic web development coding, and I discovered that I really enjoyed it. So I ended up taking a class in live coding, and we learned Sonic Pi, which is a live coding environment that I've been using ever since. I knew right away that it was something I was really obsessed with.

I graduated into COVID, so I had a year to just hang around and figure it out, honestly. I had a job—I was fully going in another direction. I didn't fully accept this as my career fate until a year after that. And then I realized this is something I really love and something that other people seem to enjoy discovering with me. So I thought, let me just take a leap of faith and just do this going forward.

That's so cool. Did you play instruments before, or did you kind of just discover [making] music through coding?

I did, I grew up playing instruments. I would jump around—I would take lessons in one instrument for about a year and then would be like, “I want to play something else!”

I never really produced anything though—I just enjoyed music and then discovering live coding and was like, “Oh, this is a kind of production structure that I actually really like. Wow.” I feel like what's cool about this is it's obviously your art, but it's heavily centered around technology.

What is your relationship to technology and how has that played a part in everything?

My relationship to technology is honestly, like, so weird. [laughs]

Obviously, I love certain areas of technology, and I'm very much at this intersection of art and technology, but I just think that it can be such a daunting genre of things. New technologies are really intimidating. It's like a whole new entity to learn how to communicate with.

I think a lot of times, it can steer people in the wrong direction or make them excited about something. I've just always tried to take the functionality of certain technologies and tools at face value and be like, at its core, what can this do? And how does it fit into my life and my work? And I've just kind of gone from there. It's really hard for me to back a new technology, honestly. Really? Yeah. My relationship to technology is interesting. It literally feels like a relationship. [laughs] There are certain things that I like to compromise on and certain things that I win on. So it's, you know, figuring out where we fit together.

Yeah, that sounds like a relationship. It's interesting because so much of what you do is dependent on technology. For everyone else, I feel like there's this whole conversation about whether AI will take over our jobs—but you kind of embrace that.

Yeah. I mean, AI is [pauses]... there are a lot of really obvious dangers of it. Those are what I think of first when I think of AI. Like there are a lot of really bad use cases of AI that we're already seeing, but they’re at face value. It's a really useful tool when used in good ways—like when it's used for making art in a way that's not taking other people's. Using it for unique output. AI is also helpful when it’s used to better our practices in certain areas. For example, I'm collaborating with an AI artist for this “infinite remix” release, but that's really the only time I've dabbled in AI so far. So, it’s like, you know, I'm treading lightly.

I'm super interested to hear more about the infinite remix with Dadabots—I don't even know what to ask because I don't fully understand it. So what can you tell me about it?

That's like the most valid question ever. [laughs] I fully sat in a workshop with my two friends who made this and they explained everything about their process,and I’m still not totally sure how it works. But basically they are fine artists / musicians, and they’ve been developing their AI tools for years. They’re known for a live stream they’ve had running since 2018, which is possibly the longest running YouTube live stream ever and it’s constantly producing unique content.

Oh my God?

High level overview — their AI model is trained on what certain genres sound like, for example, the drum patterns or vocal melodies a genre would use. And so their live stream that’s been running for 6 years has been constantly spitting out a long, long version of a death metal song

Oh my God.

Yeah. I always thought they were super cool ever since we met on my university tour, and I knew I wanted to collaborate when we met. When it came time for Naive to come out, it seemed really right to collaborate with them, and I asked them, “What if you just use the same model that you have? What if you just give it the stems of my song “Naive” and we just start a live stream that remixes it for however long?”

That’s insane, I can’t wait to stream the remix. When “Naive" originally came out, you did the whole thing on Instagram making it look like your account got hacked, which was so sick.

Thank you.

I also feel like it's low-key a risk to make it look like your Instagram got hacked. What was the thinking behind that? Were you nervous at all that people were going to report your Instagram for being hacked?

Yes! Actually, I got my Instagram taken down for a little—it's so funny, dude—because yeah, I knew that there were risks associated. I was like, a lot of people are going to think this is real. I lost a few hundred followers, but I also gained a few hundred new ones. I just know that honestly, there's that element of shock value.

The whole concept was that I want people to genuinely question the origins of everything that I was about to put out for the next couple of weeks and question if it's safe, if it's me. I wanted to instill doubt in people about my motives or whose motives are behind all of it.

Never let them know your next move.

Never let them know my next move. I made sure I was really careful to drop hints as much as I could, because I knew it was going to be a puzzle—something that people could solve. It was actually so crazy because after I posted my first Instagram—the one that really got people—a couple of people in my Discord immediately solved the whole thing.

From one post? They know you too well.

I know, they immediately got it. They were like, “She's releasing a song called ‘Naive’ on August 29th.” It was crazy.

What do you think you'll do after this project with Dadabots? Do you think this will be a series?

After this phase, I'm going to be going into this phase of transparency and cybersecurity. I want to have cybersecurity, with a much more trustworthy vibe.

Because if my last release was all about being sketchy and mysterious and almost malicious, I want the next phase to be all about being transparent.Using technology only for good, having accessible products that people can interact with—that sort of thing.

There's obviously going to be music and then outside of that, there will be projects that have more of an honest identity, which I'm excited about.

That sounds so cool. It sounds like you're building a world, if that makes sense. I feel like what you do obviously transcends just music because it's not just music.

Yeah, it was with Josh [Kohno] and Sophia [Castillo] that we came up with this world-building idea. I've always been almost overwhelmed with the amount of things that I want to fit into my project because if I kept it to just music, I would literally be missing parts. I wouldn't be able to work with certain people that I want to, or I wouldn't be able to have this global perspective on things if I didn't expand it outside of music. So this just ended up being the perfect framework for me to include everyone that I wanted to.

This ended up being the solution, and it's been so perfect and fun.

Infinite Remix of ‘Naive’ by DJ_Dave  and Sipper can be streamed here.