Master of Mess

March 01, 2018

In essence, Master of Mess is the meeting of minds. The artistic endeavor is a dual effort— driven by Ximon Lee, in collaboration with musical artist Pan Daijing, who has created a piece dedicated to the designer's Fall/Winter 2018 collection.

The project, a series of performance and installation pieces, was presented at Paris Fashion Week alongside Ximon's avant-garde attire. Pan Daijing's strange, shocking soundscape and sensory performance piece felt perfectly fitting for such a cerebral collection.

The evocative experience had a tangible element that truly encapsulated the eerie elegance and textural complexity of Ximon's conceptual, creative approach to couture. But what they've given us with Master of Mess was best put by the masters themselves. This, is the "melancholic gaze into the tangled inner paths of their minds."

Find some office exclusive shots from behind-the-scenes at the show below.

Photos by Ronald Rose

Fashion

Literary Sport Spring/Summer 26

February 19, 2026

Literary Sport introduces its Spring/Summer 2026 collection, shot at the Amalia Hernández House by Agustín Hernández Navarro. The campaign reflects the brand’s steady evolution, grounded in its core codes while subtly pushing them forward.

Seasonal hues of verdant green and scarlet red are layered with brown, navy, grey, black, and bone. Oversized proportions define everyday staples, from T-shirts to sweatpants, alongside the brand’s reinterpretation of a 1930s Japanese car coat. Reworked in nylon rather than traditional leather, the piece brings a contemporary, athleisure-inflected sensibility to a classic silhouette. This season also marks an expansion of the brand’s universe, with the introduction of accessories such as merino wool socks and a running beanie, signaling a broader, more considered vision from Literary Sport.

Photography by Juan Hdz
Creative Direction and casting by Garden Grouppe ltd
Featuring models Tyler Goulden and Kristin Soley
Production CAIXAPRO

Fashion

KIM SHUI Fall/Winter 2026

February 19, 2026

On February 15 in New York City, Kim Shui presented her Fall/Winter 2026 collection aboard the Eternity Yacht, staging 41 looks against the city’s shifting skyline. Timed just before the Lunar calendar turns to the Year of the Fire Horse, the show marked the opening chapter of the brand’s tenth year. Set on water rather than on land, the presentation centred on motion: both physical and conceptual. Reflecting Shui’s exploration of Qi as a force of intention, memory, and transformation.

Drawing from the migratory history of Mongolia, the collection examined culture shaped by movement across terrain where craft and identity travel and adapt. Early looks emphasized protection and weight, in velvet, felt, suede, leather, and faux fur. As the show progressed, pieces shifted toward metallic gold and silver finishes.

The staging highlighted the theme of movement. The yacht operated as a contemporary analogue to the horse, and a live guzheng performance by Nico Huzella, transitioned into Massive Attack’s “Angel," allowing guests to experience the show within this shifting environment, reinforcing Shui’s premise that progress does not require fixed ground.

Casting continued the commitment to representation, bringing together a range of bodies and identities that reflect Shui’s view of femininity as layered and evolving.