What inspired your designs and the company?
Was there a gap that you felt needed to be filled? RTH was born from both industry experience and personal frustration. After spending over a decade in high-end, collectible furniture, I saw firsthand the barriers that made great design inaccessible—long lead times, high costs and the misconception that expensive always means better quality. As both a designer and a consumer, I wanted to challenge these norms and create a brand that blends designer-level aesthetics with a more approachable, ready-to-go philosophy. Beyond that, I wanted to accelerate the merging of fashion and furniture—two industries that have been slowly converging into a broader expression of personal style.
You mentioned a heavy “fashion influence.” How does that manifest in the designs?
I believe your home should be as expressive and effortless as the way you dress. In my view, furniture and clothing are the same thing. RTH takes direct inspiration from how fashion brands approach design, presentation and marketing. Like ready-to-wear collections, our furniture is conceptual and thoughtfully designed, yet more accessible. The way fashion brands play with materials, color and form is something we incorporate into our pieces—whether it’s a bold silhouette, an unexpected material combination or a finish that feels as perfect as a great outfit. We also think about seasonality and freshness, rotating designs and colorways to keep things evolving, much like in the fashion world.
Are there particular art movements, architectural styles, or fashion designers that influence your designs?
A mix of inspirations find their way into RTH’s pieces. Architecturally, I’m drawn to a wide variety of styles. I’m a life-long fan of Frank Lloyd Wright’s work, as well as other classic American architects. I also admire the works of modern masters with a completely different aesthetic, such as John Pawson or Vincent Van Duysen. In fashion, I’m inspired by brands that push boundaries while maintaining wearability—think Jacquemus and Jill Sander. We have a joke internally where if we're ever unsure about how to present something we say WWJD - of course referring to the one and only Jacquemus, not the historical figure.
How do you balance functionality with aesthetics in your designs?
For me, furniture should be both an everyday essential and an expressive object. While RTH pieces are designed with personality, we never sacrifice usability for our end customer. Every piece we create is meant to seamlessly fit into real spaces—our designs aren’t just for show, they’re made to be lived with and experienced. Material choice plays a big role in this balance; we select finishes and structures that are durable yet visually striking. The goal is to create pieces that enhance a space without overwhelming it.
Do you experiment with unconventional shapes or mixed materials in your designs?
Absolutely. A huge part of RTH’s identity is pushing beyond traditional forms and expectations. You’ll see that in our mirrors, which go beyond basic to become sculptural elements. I also love the idea of mixing materials in unexpected ways—chrome with oak, stone with metals. There’s an interplay between hard and soft, structured and fluid.
