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Since their splashy 2018 debut hosted by Kanye West and Asa Akira, with Lil Pump performing under Spike Jonze’s oversight, the Pornhub Awards have charted a careful course toward blending mainstream appeal with adult-industry visibility. Unlike traditional awards shows, these awards are entirely data-driven, with nominees and winners determined through algorithms tracking video views, search queries, and other metrics. Past editions flirted with the mainstream—John Waters once handed out a trophy. Last year it was Julia Fox. This time, Jordan Firstman hosted, hyper-social energy making scripted segments feel superfluous. This recalibration likely traces back to PR giant Kelly Cutrone, who smuggles provocation into mainstream polish, quietly refining the awards into something sharper, sleeker—edgy enough for mainstream consumption.
Left: Dana DeArmond, Mike Crumplar, and Andrew Green shot by Nick Dove. Right: Britney Amber captured by Nick Dove
Later that night, I lifted him bridal-style as he jokingly sucked his thumb—a gesture unhinged in any other context, yet perfectly natural here.
Our plans for rapid-fire interviews off the red carpet dissolved into a fascinating, unexpectedly swift half-hour with Dana DeArmond—industry Hall-of-Famer since the Myspace era and dressed like a cottage-core Wojak—who delightedly discussed the joys of living alone, decentering men (except sigma males), domestic ergonomics, and the necessity of MILF content, noting it remains Pornhub’s most-viewed genre. Britney Amber, angling for this year’s MILF title, grinned: she’d jump into a scene with reigning champ Dana DeArmond right here, no call sheet required. After our conversation, Dana joked that we should start SigmaSingles.com.
Nearby, Riley Reid stood at the step-and-repeat, where her friends teased about retirement since becoming a mother. Reid corrected them gently, affirming her continued industry presence. A camera flash briefly recalibrated her stance, channeling Marilyn Monroe smiling coyly—as if caught over a subway vent—though in Reid’s case, it was lingerie and swinging tassels, not a skirt, that caught the air.
Left: Avalon Lurks shot by Mark Hunter. Right: Pornhub Awards attendee shot by Nick Dove.
Inside, the mechanical bull—famous enough to collect royalties—thrashed under disco lights like a porn parody of a music video. Avalon Lurks DJ’d a set played Gen Z electroclash, while others spun Y2K chart toppers and Auto-Tuned country, stitched together with drunkenly in time square-dance drops. The vibe hovered between seizure and slow burn. Influencers drifted in loops, filming each other filming each other, caught in the algorithmic trance of pretending not to try.
Fashion toggled between surreal and calculatedly novel: thigh-high vinyl boots over distressed denim, assless chaps, bolo ties paired with latex harnesses, and earnest clusters of cow-cosplaying influencers wrangled into steady streams of digital content—like livestock on the content farm. Jenna Fox’s deep brown faux-leather lace-up vest was engaged in a valiant, losing battle against her freshly upgraded chest—surgical gauze still peeking out like a price tag on her body's progress.
Nearby, a giant banana—actually a man in costume—solemnly insisted he performed exclusively private porn.
Left: Jenna Fox Shot by Mark Hunter. Right: Pornhub Awards attendee shot by Mark Hunter
Trophy politics surfaced early. Girthmasterr, co-winner of 2025’s “Best Dick”, posed by the saloon‑style “WANTED” wall, gripping a matte‑black trophy resembling molecular diagrams merged with luxury coat hooks, before sharing, “Best (eggplant emoji) on the internet, as voted by y’all!” His caption carried the easy populism of a Reddit democracy. Austin Spears—four‑time award‑winning transmasc performer—appeared nearby dressed as a rodeo clown, a self-aware commentary on the night’s Wild-West theme.
Categories joyfully courted irony: "Nicest Tits" went to Angela White (also crowned "Most Popular Female Performer"); "Top C*mshot Performer" to Gattouz0, an accolade measured in sheer volume. Another jokingly proposed future category, "Most Rewatched Incognito-Mode Video," drew knowing laughter—acknowledging the hidden viewing rituals of the audience.
The conversations, while dressed up as casual, moved with a practiced, almost clinical cadence—like rehearsed scenes from a group improv class themed around desire. Questions floated between people like vape pens: “Are you better in group settings?” “Would you ever film, or just flirt with the idea?” I was asked if I’d considered joining the industry, though it felt less like a come-on and more like a survey. Everything was offered softly, like a second round of drinks someone else was ordering. The vibe was part confessional, part casting call, everyone hitting their marks just in case anyone important was listening. When the spotlight turned toward me, I deflected with a joke about needing two-factor authentication just to access my turn-ons. It landed. Dry. Defensive.
Left: Kazumi shot by Mark Hunter. Right: Pornhub Awards attendee shot by Mark Hunter.
They filtered in like supporting characters from a different genre—recognizable, not essential. Diplo hovered near the booth. Kim Petras posed, vanished. Brooke Candy looked mid-set, stage or not. Maren Altman talked astrology to someone holding a ring light. Cobrasnake wore a Pornhub Japan tee, scanning faces like a casting agent. Alex Kazemi watched blankly, like he’d already drafted this scene for his upcoming film adaptation of his novel. Scenreporter Mike Crumplar (aka Crumps) floated between groups, beer in hand, laughing with mutuals. No one here needed to be the main character. That was the point. Everyone—whether pornstar or scene-adjacent—acted like the credits had already rolled. At Pornhub’s Big Night, no one pretended to be cool. That would’ve been embarrassing.
And yet, there were real stars. Kazumi wore a leopard-print, fur-textured bikini top edged with Victorian lace, slipping just enough to seem unintentional, paired with high-shine black shorts and a crucifix-heavy choker that looked like it weighed more than her. Taylor Lorenz whispered she was the original influencer–porn hybrid, a sentence that felt both complimentary and vaguely archival. Off-camera, she’s Céline Tran—novelist, martial artist, occasional academic. But none of that mattered in the moment. What did was how easily she diffused attention, turned it ambient. She didn’t perform magnetism. She just had it. Jordan Firstman’s theory that pornstars are the nicest celebrities didn’t need defending—it was already obvious. She thanked everyone. She made jokes. She seemed, somehow, like the only one not angling to be seen.
Left: Johnny Love and ShroomsQ captured by Nick Dove. Right: Pornhub Awards attendees shot by Nick Dove.
Johnny Love and ShroomsQ cheerfully described the intricacies of dating each other within the industry, joking about their commitment to filming exclusively together and openly sharing their relationship. Each conversation with them revealed deeper complexities, illuminating my own naïveté about intimacy within their profession. Asa Akira, inaugural host turned unofficial mayor of Pornhub, politely sidestepped my final interview request right before last call as the evening slowed.
Dana DeArmond didn’t win any awards this year, but she became our favorite MILF of the night, enthusiastically joining us up for the after-party caravan. Outside, the parking lot exhaled vape clouds into the night sky, and Ubers flashed hazard lights, beckoning western-themed lingerie-clad attendees into the night—a surreal yet predictable finale. The awards portion had concluded quickly, confirming the event’s deeper mission: ensuring every influencer left armed with enough content to keep their feeds fat and docile through the end of the month.
Notoriously unapproachable, the wine world can be pretentious, snobby, and at some points even shameful. Always embarrassed to ask questions or make casual comments in fear of sounding like an idiot, I would try (and fail) to piece together context clues of what people were talking about. Smelling and nodding. Swishing and spitting.
But Jesse Katz is different. A first-generation winemaker and an easygoing, genuinely kind person, he’s open about every part of the process, from soil to barrel to bottle. Whether you’re a sommelier or complete novice, he doesn’t believe in stupid questions and meets you with genuine excitement. To him, “luxury” isn’t about exclusivity or showing off—it’s about care, quality, and craft. He’s not interested in gatekeeping. He just wants to dive in, and bring you with him.
As we sat down for our first tasting of Aperture’s newest vintages, I discreetly tucked my bikini straps into my pants, hoping no one would notice I’d accidentally packed swimsuits instead of underwear, but it didn’t matter. I was quickly reminded that high-end doesn’t mean you have to fit a certain mold, say the right things, or look the right way. It's just about the product.
And let me say that the wine was one of the best, most unique blends I had ever tasted—shared in great company, surrounded by beautiful scenery.
Years and years in the making, the COLLAGE collection lives up to its name: a blend of varietals from five distinct regions, spanning over 200 acres, woven into a single, striking vintage. With lack of an official “wine language” to describe it, I can say it was deep but not harsh, rounding off the tongue smoothly leaving a sweet satiating aftertaste. Made of 77% Cab, 11% Merlot, 5% Malbec, 7% Petite Verdot, it’s easily some of the most layered bottles I’ve had. The collection isn’t about following rules, but about rewriting them, celebrating contrast and complexity, imagination and identity.
Like the wine, Jesse’s own journey has been far from conventional. By the time he was legally allowed to drink, he had already traveled to over 80 countries with his father, a renowned photographer and fellow wine lover Andy Katz. At 12, Jesse visited Burgundy with his father and he remembers sipping a wine and casually saying, “This one tastes like stones.” The waiter lit up: “Oui, oui!” He attributes that memory as the moment he knew that’s what he wanted to do with his life.
He named his winery Aperture as a tribute to his father, designing the buildings to resemble the aperture of a camera lens, with deconstructed hexagonal shapes, interconnected structures, and varied roof geometries. His father’s photographs line the walls, pasted as the bottle labels themselves. The newest COLLAGE bottle takes it a step further using over 100 of those images spliced, layered, and kaleidoscoped into a mosaic framed by the aperture shape.
It’s this attention to detail across image, space, and flavor that defines Aperture. It’s not just the wine, or the architecture, or even the origin story, it’s how all of it blurs the line between storytelling and taste. Every element, from the label to the land, invites you in without asking you to perform. You don’t need to know the right words. You just have to take a sip.
Frieze Art Fair: Opening Day Looks
A focal point of the week, one would be remiss not to capture the range of expression present at Frieze, particularly on an anticipation-rife opening day. From the young and buzzy galleries in Frieze Focus, to the establishment players marking a sequentially countless year of showing at the fair, looks (and a tasteful brand of whimsy) abounded.
Acne Studios: Heart Beat Rose
At Acne Studios’ SoHo outpost, an interior sculpture garden of grand proportions awaited – ‘Heart Beat Rose’ by Jonathan Lyndon Chase. The artist developed the series of soft sculptures draped in richly-colored gowns, T-shirts, expressive poses and stares, and (of course) quintessential Acne denim to coincide with the ‘Acne Studios Loves Jonathan Lyndon Chase’ capsule collection.
Frieze x Miu Miu: Opening Party
Just before opening to the public, Frieze and Miu Miu invited select guests into Terminal Warehouse for a live preview of Tales & Tellers, a limited-run show conceived by artist Goshka Macuga with curator Elvira Dyangani Ose. The performance saw models visualizing a New York-centric mise en scène, frolicking to and fro in Miu Miu’s finest, and providing an air of levity and repose to the bustle of the attendees’ schedule of appointments.
Alyssa Davis Gallery and Foreign & Domestic: Late Night Digestivo with Genevieve Goffman
To celebrate Genevieve Goffman’s solo show convened in partnership between Alyssa Davis Gallery and Foreign & Domestic, Davis threw open her home’s doors for a dinner and afterparty that went on late into the night. The revelry spanned the sweeping length of her dining room, up to the roof where guests could catch a scenic view of Manhattan and take in the crisp night air, to downstairs on Cornelia Street (where you might have seen friends of the gallery taking a cheeky cigarette break).
Company Gallery: DASH with Cajsa von Zeipel and Museum Manu with Women's History Museum
Manu with Women’s History Museum In a treat for New Yorkers and just touched-down Art Week visitors alike, Company Gallery launched dual shows in their downtown space featuring a wide array of figures (both animalian and humanoid) and fashion products (both irresistibly chic and thought-provoking) across shows featuring artist Cajsa von Zeipel and designers Mattie Barringer and Amanda McGowan of Women’s History Museum.