I Only Try To Dance Better Than Myself

The first look set the tone with a masked figure in Serre’s iconic moon catsuit, a nod to Irma Vep, the ultimate cinematic anti-heroine. From there, the collection built momentum with sharp tailoring, sculpted leather, and femme fatale silhouettes pulling from the 1950s and 1980s. Upcycled biker pants became couture dresses, their textures carrying the ghost of past lives. Accessories like the AURORA bag, MS CRUSH heels, and futuristic-tribal jewelry completed the look of a woman in control.

Serre’s signature eco-futurist ethos ran deep, repurposing history into something new. Coins, antique medals, and forgotten furs were stripped of their financial value and reworked into statement couture. Watch bracelets embedded in garments posed the question of what holds more power: time or money? A trench coat became a puzzle of layered deconstruction, while an oversized puffer, a nod to André Leon Talley, took on the drama of sculpture.

The palette moved from stark white to deep black, with flashes of carmine red, a direct reference to Twin Peaks and its hypnotic energy. Illusion was at the core of it all, with fabrics mimicking textures and lingerie prints creating the impression of bare skin.

In Heads or Tails, Serre plays with perception of fashion, value, and identity. It’s a collection that doesn’t just dress the body but tells a story of reinvention, power, and seeing beyond what’s in front of you.

View the complete collection below.