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Guiding us through the film, Theostopolis Constantinou, founder of Psyche Organic Olive Oil and the culinary guide, ventures to the Big Laxa River to share his approach to cooking in harmony with nature. Here, he prepares a simple yet deeply intentional dish: seared salmon, seasoned with sea salt, thyme, and lemon. Cooking here goes beyond preparing a meal; it’s a ritual, a way to connect with the elements and honor what truly matters.
The film captures Iceland’s landscapes in their rawest form—the sun slipping below the Naustavík Mountains, the Northern Lights tearing across the sky, the stark beauty of Húnavatnshreppur’s snowfields. We see the geothermal mist of Hafnarfjörður and the black volcanic beaches of Grindavik, where lava formations contrast with the neon colors of tidal pools. Light plays a defining role, shifting from the golden hues of dusk to the icy blues of early morning, reinforcing the film’s quiet, reflective tone.
Sea Salt, Salmon, Psyche is more than a film. It’s an exercise in slowing down, a meditation on simplicity, presence, and the quiet luxury of time. In a world that often prioritizes excess, it’s a call to return to the essentials: fire and water, salt and earth, movement and stillness. At its heart, it’s a tribute to Iceland’s wild spirit and a testament to the bonds we form when we share in the experience of nature.
LULA wears PLUNGING VEST by OLIVIA BRINDAK, PULL OUT SKIRT by OLIVIA BRINDAK.
IZA wears SHOES by BALENCIAGA
GINGER wears WRAP TOP by OLIVIA BRINDAK, SHOES by BALENCIAGA.
GINGER wears PINNY TANK by OLIVIA BRINDAK, SKIRT by COMME DES GARCONS, SHOES by SANDY LIANG
IZA wears FLUFF WRAP TOP by OLIVIA BRINDAK, SHOES by ALL - IN
IZA wears PINNY TOP by OLIVIA BRINDAK, SHOES by BALENCIAGA
For the entire 20 minutes and 21 seconds of the film, not a single person dared to blink, powerlessly spellbound by the artistry of Moses and Williams. The film masterfully intertwined sport, culture, life, and death, exploring the journey of life, from the boundless dreams of childhood to the tightening grip of society as we age, and ultimately, the inevitably of death, crafting a narrative that was both visceral and poetic. Shot entirely in Dakar, Senegal, with a local cast and an unscripted approach, featuring stunning visuals and three original songs by Pharrell.
The film deftly uses the movement of sport—running, martial arts, swimming, horseback riding—as allegory for life and connection, a testament to the human spirit. Defying simple description, All Day I Dream About Sport is not so much a film as it is an evocative tribute to the human form and the intricate web of existence, both raw and profound.
“I don't know where I would be without the different platforms that I've been able to operate in, artistically” Pharrell Williams said on the discussion panel following the film, “they're all means of expression, they're all different centers of opportunity for you to express yourself. Whether it's music or fashion or content, it continues to go on and on and on. But the idea that we get to express ourselves is amazing...
(PUSHA T pictured right)
He continued, “When kids ask me for advice, the first thing I try to tell them is 'I know your parents are telling you one thing, but it would be nice if you could try to find a vocation connected to something that you love so much that you would do for free.' Because if so, you'd never work a day in life, and if it's a vocation that could service other people... then you have a universal job.”