Yeah, you never know what’s actually going to happen to you at this point?
Yeah, I was like, Okay where am I going to go now? I wanted to improve my career, to move forward and do new things. But how do you get a visa anywhere when you’re Russian? France was the only country accepting artists who’d gained some success in their home countries. They opened a special humanitarian visa program for them. And this is what I applied for while still in Georgia. I had so many doubts. I had no idea if it was going to work out. What else would I do with my life? What would my life be like? But they approved me quickly. I was shocked. I was at this French embassy, with all these beautiful trees, in this super calm place, and there were birds singing outside. And they just gave me a French visa for a year. I couldn’t believe it.
How was Paris when you first arrived?
It’s so funny. The first place I lived in was a neighborhood called Stalingrad. And there are just crackheads screaming and laying around and peeing in the streets there. It’s the shittiest place in Paris, named after a city in Russia and I arrived here after being in beautiful Georgia with the birds singing in the trees. Georgia isn’t the wealthiest country, but it’s really wonderful. It’s a very happy place.
When did you join Beaux-Arts?
I had this dream to apply for many years, but I thought it was really impossible. I couldn't imagine learning French at this level and doing all the things. But when I was here, I realized that they accept many artists like me from all over the world.
What’s your experience been like so far?
I’ve always been drawing and painting, since I was young, just for myself. I always had this dream to be an artist. But I had this kind of identity crisis, which is better now than before. I love making music, still do, but I want to use the Russian language and now is not a good time for it. It’s of course always a good time to support people with your words, your ideas, whatever, but it’s not as effective right now, getting through. So I’m focusing on painting instead, which has a different audience. It’s not the same people that were listening to my music. It’s much harder too. It’s just an image, 2D. This is a new challenge for me. And being in a new country, not being able to speak their language, I am every day focusing entirely on making images to express myself. I’m also doing some ceramic sculptures and thinking of installation ideas. Looking at works I made just two years ago, I can see really good progress. I’m proud of myself. I’m happy. I’m trying to improve every day, with every new work. Trying new techniques, new lines, whatever.
I want to go back quickly to why you’re not making music anymore.
There are a few points. One of them is that it’s like leaving a relationship; in the beginning it’s too painful and you don’t want to relive some things, you don’t want to be reminded too much about it. And I guess that’s what I have with the music now. It’s so tied to Russia for me. So for now I really need to break that connection and start my new life, doing new things and meeting new people. The other point is that music is still this form of entertainment, even with a conscious message. With the war happening, you don’t want to pretend like it’s not. You need to address the reality. But I want to entertain people. I like to include a message, but I also like stupid music, that’s just for having fun. And it doesn’t feel like a time for this. I actually recorded an album while being here in Paris, but I want to wait until after the war is over to release it — which is probably never, but there's still that hope.