office celebrates CIFF 62
Conversations flowed, guests mingled, and eventually, everyone was on their feet crowded around the DJ booth dancing the night away. If you missed out, relive the magic in photos from the night below.
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Conversations flowed, guests mingled, and eventually, everyone was on their feet crowded around the DJ booth dancing the night away. If you missed out, relive the magic in photos from the night below.

For the first time, Hommey approaches the home as a complete environment; bedroom, bathroom, and living space. Each category flows into the next, both visually and functionally. Bedding is the main feature of the release, crafted from 100% organic cotton and offered in two directions: the Versa reversible and the Solid styles. From there, the collection expands outward with bathroom essentials and sleepwear that prioritizes comfort.
For founder Justin Kestelman, the New Chapters of Comfort collection signals something more deliberate, a deeper investment in point of view. Launching just ahead of Sleep Week, the collection lands at a moment when the idea of home feels newly important. Not just how it looks, but how it supports daily rituals.
The collection launches March 5, 2026.

“The goal wasn’t to bring ACG back as something new,” Ozcan said. “It was to bring it back to what it originally stood for. Outdoors, yes, but with wild energy. With joy. With fun.
It’s not just about getting to the top of the hill or finishing a 50K. It’s about doing it while having fun. That’s the true ACG spirit. That’s what makes us different.”


That mix of seriousness and play is exactly what drew Meirow in. “It’s goofy meets fierce,” he said. “We’re not just racing races - we’re racing a car for hot chocolate at nearly 8,000 feet. There’s humor in it, but there’s also real performance thinking behind it. Spikes, traction, altitude. All of it matters.”


That same respect-for-craft mindset extended behind the scenes. As Ferdi Porsche put it, “Porsche is one of the coolest brands in the world. Growing up around it, you learn how to build something lasting. I try to treat the name with that respect, and beyond that, just be a person.”
“For me, cars are the ultimate product,” he added. “You take friends with you, listen to music, have sex, go from A to B. You express taste through color and design. Cars start conversations.”


On the ice, Meirow ran fully dialed in, dressed head to toe in ACG with custom spiked Ultrafly runners built for frozen ground. What unfolded felt less like a conventional race and more like a joyful breakdown of categories.
For some, the main event was runner versus car. For others, the real race lived between machines tearing around the track. Elsewhere, spectators hovered for close-up looks at tuned engines while the whole scene doubled as an unexpected showcase of winter resort fashion in the middle of America.
For Don Toliver, the race was about style, speed, and feeling it all. “You wanna look good, the car gotta look good, and you gotta feel it,” he said. “I make music, I test it in the car. You gotta hear it, live it, move with it. Everything connects.”
Running culture and car culture didn’t merge neatly. They collided. And in that chaos - speed, ice, style, and pure joy - ACG turned contradiction into spectacle.



Émile Durkheim described this kind of ritual intensity as collective effervescence: moments where the individual dissolves into the group and briefly feels transcendent. For many gay men, this ritual would be chills. Chills stretch across entire weekends. Gay men meet to have (often) substance-induced orgies; people rotate in and out, time loses coherence, bodies move between rooms, music loops endlessly, party favours circulate quietly, someone is always arriving, someone is always leaving. As soon as you enter the room, you belong instantly and for men who grew up feeling peripheral, that immediacy can feel corrective, community without responsibility - collective effervescence,
José Esteban Muñoz described queerness as a horizon: something always visible but never fully reached. After a few chills, that’s exactly how they feel. Loneliness appears solved, desire circulates freely. The unachievable feels achieved.
I was never a devoted chill person. I started going on Sunday mornings, sober, maybe sometimes still high from the night before. Always horny and alone. Meeting one person felt unpredictable so a chill seemed efficient; more options equals better odds. What I encountered was men operating on a shared delayed frequency, conversations drifting, attention fragmented. I couldn’t reach the collective effervescence but visually it still all looked so good. So I adjusted, and got high too. Tune yourself to the room, I told myself — that’s often where it becomes dangerous, not through collapse but through adaptation. Once you squint (or sedate), it starts to look and feel like you actually are in the horizon.
In reality, the same scene usually repeats itself: sucking a guy while he is discussing a TV show with someone else, watching someone scroll Grindr mid-fuck looking for someone new to invite, even though ten perfectly attractive naked men are already present. The abundance promises transcendence, but in most cases it feels like a pig in a dress — a sexy pig, but a pig nonetheless. Many of us leave with more intimacy issues than the ones we came in with. For example, I have friends who can no longer have sex without drugs, not because desire disappeared, but because intimacy without amplification feels insufficient. What we actually crave begins to feel mundane.
Straight masculinity has long displaced emotional articulacy with ritualized excess i.e. sport, aggression, intoxication — proximity without responsibility, fleeting intimacy without endurance. Chills might appear softer, but in practice they mimic the exact mechanism these heteronormative rituals do; They allow closeness without confession and belonging without vulnerability.
I signed up for liberation freedom from heteronormative scripts! only to learn that we rarely invent rituals; we often simply repeat patterns. Slipping into a utopia is seductive, even if it lasts only one weekend.
The beautiful men look so good as a thumbnail in the room, exactly like in my fantasies, but once you press play, it’s a completely different story. How did we not learn from Ted Schmidt in the American Queer as Folk?
John Yonatan Jacoby