How are you doing today, Melitta?
I'm good, the day after you always feel like you could sleep another 12 hours. I'm so pleased about yesterday, and still in the clouds about how it all turned out.
So, how did this amazing collaboration with Nike come about?
We were already in touch with Nike, doing our Spring-Summer 25 show in September last year. Nike was supporting us by providing sneakers, and that was when the whole conversation started. We were able to build a show around sports, and Nike coming in just made it feel like we had more ideas. Using a Paralympian as a runner to start the show, and hairstyling in the theme of speed. We had this hair that is like flying so that it was as if you were running. We started to create a world about movement. Then going forward, we were asked by Nike to work on re-envisioning the Vomero Premium, which was then super exciting.
How was it working on a performance sneaker, rather than traditional footwear with your brand?
It was very different than working on your own shoe from scratch, already having a product that is finished, and working for the first time with materials like laces that we would usually not have. It was exciting to reinterpret something that already exists, which we've never done before, as this is our first collaboration. So, it was super exciting to do after-effects on something that is already there, and that was exciting as we had to think about colour and print. Usually, we work in a more sculptural way, where we try on pieces and see things in 3D. So, we wanted to work on different layers of colours and adding the paint over it, which was all hand-painted, so giving that 3D effect was super important.
Where did the inspiration come for the colour? Your brand does a lot of neutrals normally.
I wanted it to feel, sporty, glowing and powerful, very classic Nike. Nike has worked so much in the past with these glowing colours, and that feeling of powerful sports. I didn't want to have colours that are specific fashion colours. So, working with a classic colour was what I wanted to do, and then add our twist to that.





















