Red Garden

August 29, 2025

Red Garden is an exercise in the belief that experience takes priority. I’m the type of person who doesn’t like a lot of explanations given for art at the very moment you try to experience it. You know, how some curator texts at exhibitions dictate a way to interpret an artist’s work. I usually try to experience the art first and make my own sense of it.

I never listen to audio guides in exhibitions. I don’t need to think about all of that at the exact moment I look at the piece. I don’t want to associate your voice with this art; I came here to feel something, to find my own questions, and maybe even answers.

Director & Photographer Lima Lipa
Director of Photography Andrew Glenn Max
Make Up Glenn Brownell ℅ The Only Agency
Hair Chiaki Morimoto
Stylist Lima Lipa
Producer Nikita Seleznev
Video Editor Patrick Cuervo
Composer Grigory Baluev
Talent Daria Rodionova ℅ Supreme Management & Veruka ℅ Ford Models Agency
Essay by Lima Lipa
Poem by Andrew Glenn Max

DARIA wears SKIRT by SAINT SINTRA, VERUKA wears TOP by SAINT SINTRA

I asked Andrew, our Director of Photography, to share one of his poems, adding another textured layer to the visuals. I was drawn to its fragmentation and how it aligns with the poeticisim of the images. It doesn’t direct you; it opens space for association, allowing each person to appropriate its meaning quietly for themselves. It represents the nonlinear ways in which we actually live and feel.

Clear Light/Warm Glow

ELECTRICALLY IN TUNE TO STIMULATE AND SUBDUE

THE MOVEMENTS SYNCHED

IN ORGANIC CHEMIC SYMPHONIES

EMOTIONS BEND LIKE WAVES TO THE MOON

CONDUCTING LOVE/HATE, BITTER SNAKE BITE BLUES

TOUCH DANCING SOFT OXYCONTIN

IN-EYE LOCK // HOARDING MORE INFORMATION THAN COULD BE SAID IN A LIFETIME —— SKIN DEEP —— THE AFTER-SENSE OF TOUCH

THE FLICK IN YOUR STOMACH TRIGGERING SILLY GRINS, SIDE JOKES OF THE HEART

I HEARD SOME SAY OUR BODY IS THE INSTRUMENT WITH WHICH WE PLAY // ITS ALL MUSIC TO ME FROM THE INSIDE I BLEED // WHAT FILTERS FROM MY EYES

ONLY TO REPEAT WHAT SPEAKS CLEAR TO ME CLEAN LIGHT // WARM GLOW

MOVING THROUGH // CONTACT TO CONTACT

DARIA wears DRESS by MARC JACOBS

VERUKA wears T-SHIRT by CAFE FORGOT, SKIRT by SAINT SINTRA, UNDERWEAR by VIVIEN RAMSAY

VERUKA wears T-SHIRT by CAFE FORGOT, SKIRT by SAINT SINTRA, UNDERWEAR by VIVIEN RAMSAY

VERUKA wears NECKLACE by MARLAND BACKUS, LEGGINGS by MAROSKE PEECH

DARIA wears PANTS by SAINT SINTRA, BALLERINA SOCKS by CAFE FORGOT

DARIA wears HAIRPIN by MARLAND BACKUS

Art

Paul McCarthy: Power in the Provocative

I do what I want—what I believe in. We’re living in a pretty extreme time, and when people say my work is getting more extreme, I think that just reflects the world around us. I’m simply moving with the current.

Born in Salt Lake City, Utah, McCarthy’s beginning in the art world stems from proximal radicalization. After moving from Salt Lake City to study in San Francisco, McCarthy's work as an artist has always embodied this radicalization. Street-wise, known for being one of the most

“dangerous” artists in Los Angeles, this exhibit encapsulates that at its forefront. The artworks present provocative, scattered drawings and paintings that promote freedom from systematic censorship in the exchange between creator and receiver. His art style is distinctive in its intention of visibility over technicality, as seen in his limited color palette and intentionally imperfect techniques, but radical imagery.

McCarthy speaks about his artistic process as though the outcomes are inevitable and incredibly natural to him, given the current state of the world. Living in times of constant uncertainty has blurred the lines of media censorship; almost everything we consume is shaped by it, raising questions such as: Why was this said? Why was this created? Who is this for? Paul McCarthy’s work deconstructs this. His drive to create authentically and follow what feels natural to him results in art that inhabits the visual extremes of human experience, with the spirit of contestation serving as an added layer to the experience.

Art

The Wedding Written In Stone

April 27, 2026

Sten Studio walks down the aisle to couple with Alcova for Milan Design Week. Set within an abandoned cathedral where vows once echoed, The Wedding is a sculptural installation hosting a symbolic marriage between feminine and masculine, soft and stone, fluidity and structure. Rocks are fossilized fusions of their own ancient surroundings, built from eons of crashing waves or explosive magma. Love is based on divine circumstances, built through trials and tribulations. Love is much like stone in the way it takes form through time and pressure, relying on the invisible higher powers forcing the gravity of unity. The Wedding reflects on this permanence. The space materializes elements that are usually fleeting - light, flowers, ceremonies, romance. Registry gifts include a custom carpet courtesy of Verdi, floral arrangements from Hamish Powell, and scents brewed by Penhaligon’s, all coming together to build the intimate world.

Photos Courtesy of Ramona Balaban

Sten Studio specializes in stones and crystals as decorative interiors, expanding on natural, Earthly beauty in man-made environments. Alcova temporarily transforms raw, abandoned, and unique urban spaces into immersive hubs of design, innovation, and heritage. The featured collection revitalizes the cathedral for a final reception celebrating life and all its momentary yet abundant bursts of joy.

Art

All Silk Roads Lead to Gucci

April 23, 2026

The silk road once dominated the Asia-pacific and cultivated economical prosperity with the purest textiles, a contrast to the modern, oversaturated market of cheap goods. Gucci has never been a cheap name, and their craftsmanship could be mistaken for that of another century. The Art of Silk, curated by Demna from the Gucci Archive in Florence, pays homage to the house’s journey with silk. Ten scarves reimagine archival designs of flora, animalia, and nautical prints - motifs of the primordial garden of Gucci. These limited-edition pieces were birthed in Calabria in collaboration with Nido di Seta and Ongetta. The fine Italian silk encapsulates more than Gucci’s reputation, but the tradition of mulberry cultivation. The project revives a once-thriving silk supply chain, recovering abandoned land, fostering employment in communities, supporting small farmers, and powered by renewable energy. It’s a production that innovates how tradition, community, and sustainability can stay preserved in the contemporary world.

In addition to this heritage preservation, the campaign represents Gucci’s contribution to the world of art and education. Two exclusive flora scarves were created for the Los Angeles County Museum of Art, celebrating its opening of the new David Geffen Galleries. Available exclusively at the LACMA Store and the Gucci Beverly Hills flagship store, the designs pull inspiration from Vittorio Accornero’s 1966 illustrations. In partnership with the Accademia delle Belle Arti di Firenze, selected student paintings of each scarf will be displayed at the Gucci Rodeo Drive store in LA. Gucci supports these participating students through scholarships, reinforcing the house’s commitment to nurturing the next generation of creative talent. The Art of Silk bridges the old and new world, breathing life into past traditions and future endeavors.