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Robert Nava’s After Hours: Pace Gallery

Photo By Axel Dupex

 

During a recent conversation, Nava described his process as one of unrelenting exploration. “I can’t really explain what they are,” he admitted. “I go for it with a lot of trial and error.” His paintings often begin with no clear subject in mind—just spontaneous marks that evolve into shapes and figures. “Sometimes it’s wolves, sometimes tigers, dragons, or death,” he said. “I go more for energy than subject.”

 

This organic approach drives Nava’s creative process. Paintings might start with a simple color gesture—a patch of blue or green—that mutates into something altogether different. “The painting starts doing its own thing,” he explained. “I don’t architecturally design a piece. I don’t paint like that.” Instead, Nava embraces spontaneity, building layers through impulsive movements and instinctual choices.

 

The new exhibition at Pace reveals an emerging fascination with certain recurring figures. “The bunnies started from abstraction,” Nava noted. “A cloud of paint turned into a cotton tail, and then they became two-headed rabbits with horns.” Other pieces emerged similarly, with vague ideas transforming into vibrant, chaotic compositions filled with fantastical creatures and imagined worlds.

 

While Nava’s art appears unrestrained, he admits that refinement is part of the process. “It’s a lot of trial and error,” he said. “Sometimes I’ll paint something, hate it, and paint over it again.” His sketchbooks are filled with rapid marks and ideas, some of which evolve into larger works, while others simply remain experiments.

 

Nava’s practice is obsessive—a constant need to create. “I can’t help myself,” he said. “If I’m away from the studio too long, something feels missing.” He compared this drive to being in “the zone,” likening it to athletes hitting their peak performance.

By the seventh or eighth day in a row of painting, something starts to happen. It’s almost metaphysical

 

This sense of instinctual flow extends to how Nava views his work. While some viewers connect his paintings to themes of childhood healing and emotional release, Nava resists fixed interpretations. “People want me to say my paintings are about one thing,” he explained. “But it’s not that simple. It’s a mix of everything—experimentation, obsession, and a constant search for that feeling of being fully immersed.”

 

For Nava, painting is an endless process of discovery. “If an idea starts to feel boring or forced, I know it’s time to move on,” he said. “I trust that the work will naturally evolve.”

 

Nava’s new exhibition at Pace Gallery captures this raw, unfiltered energy. Each canvas pulses with life—dragons, seals, and mythic beasts emerging from chaotic marks and vibrant splashes of color. It’s a world where imagination reigns, and where, as Nava puts it, “the painting starts making itself.”

 

Robert Nava: After Hours

540 West 25th Street,

New York, NY

10001

March 14 –April 26, 2025

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