Satchel Lee explores Individual Existence
Through analyzing the external nature of others, she magnifies the uncertainties of self-awareness and intrinsic perspective. Lee partnered with Lucky Risograph, a printing press operating out of the lower east side, to produce the zine.
"You could be anyone in the world, but you’re you, and I think about that all the time” will retail for $100 on Basic.Space on May 20th.
How would you describe your zine, “You could be anyone in the world, but you’re you, and I think about that all the time?”
I would describe this zine as an experiment, an exercise, and a meditation. I have a lot of creative ideas that I never pursue out of fear of judgment or fear that what I create won’t live up to my standards or what I think my standards should be. With this project I challenged myself to just get it out. To worry less about perfection and just focus on getting my photos into people’s hands.
When did you start thinking about this idea of being someone else, and why did you decide to channel these thoughts into a zine?
It’s not really about being someone else. It’s about being yourself. It’s the idea of the You as a decided, confirmed being. You — the earth suit. You — the avatar. And the spiritual part of You - your soul - meeting as one. That connection is what I’m interested in. Your soul could be in any body but it’s in your physical form now. If you believe in reincarnation or past lives, your soul has been in other bodies before and will be in other bodies again. That’s what the Zine is exploring. The soul of these three characters and all of the earth suits it could possess. I wanted to examine this in this zine because as a photographer, I get tired of looking at my images on a screen. So to be able to flip through portraits of different people as the same character, it just felt like the best medium for it.
How did you come up with the 3 characters you’ve created, and how did you choose the people who portray them?
Originally, I wanted to do more than 3 characters but 3 seemed like a much more manageable number once I really got down to it. I started with Nadia. I was watching a show about this cult and I thought “Wow. It must be crazy to be raised in a cult." Like, if that is your point of reference as a child, how do you grow up in the world and feel secure and find normalcy if that’s what you’re after? Once I knew she was going to be the first character I realized that the other characters should be coming out of a stage in their life and trying to live or establish a new normal. I asked friends, I put out a call on my Instagram, and backstage. Casting was pretty easy.
What does the title, “You could be anyone in the world, but you’re you, and I think about that all the time,” mean to you? / what was the inspiration behind the title?
I love a rambling title. I also love titles that aren’t flowery and mean exactly what they say. This is one of those. Like how many billions of people are there on Earth? Right now you’re you. Is that not crazy to anyone else? Like you didn’t have to know anyone you know. They could have lived on the other side of the world forever but by chance you know who you know and you love you who you love. That feels like a big deal to me.
What was the process like creating this one? Do you have a routine to get in the creative mindset?
The process was great for this. It took about a month to put together. I started pulling together reference images then I got together with my two very good friends Cameron and Tiye who helped produce this with me. We got the casting done and had two days of shooting. Then I went to Lucky Risograph and worked with them very closely to bring this to life. They’re wonderful over there, and it was nice too because printing this with Riso gave a whole other texture and feel to the images. To get into a creative mindset I always light incense. I feel like people often ignore how much a scent can change the ambiance, so it’s a nice way to shift into a creative space. That and opening up all the windows.
This zine explores the weird thing that happens as each of us is born into our own bodies. What’s a weird thing that has happened to you lately?
The other day I was taking some portraits at a handball court in my (gentrified) neighborhood, and this white family tried to kick me and my friend out so that their seven-year-old daughter could use the court. They were very rude and gross. Clearly, they were used to treating black women like that.
You raise the question, “who’s to say that we couldn’t have been someone else?” If you could be anyone/anything else in the world, what would you be and why?
I don’t want to be anyone else. Again, the point for me is that you could have been someone else, but you’re not. So there is power in that. The you that you are is special and here for a reason. I guess I want to be a more me version of me. I feel like a baby still. I’m gonna hit my stride at like 40. I’m looking forward to that.
Was there a specific target audience you were thinking of when creating this zine? Who are they and what do you have to say to them?
The audience is anyone who likes zines. There’s something so nice about holding something in your hands. We lose so much of that with the internet. I wanted to create something that people could have for a while. As a photographer, so much of what I love about making images is the idea of looking back at them in years to come. Like yes! For prosperity’s sake. I didn’t really think about the audience when I was creating this. I think that goes back to the challenge that I set out for myself which was to just get this done and let this be about me flexing my creative muscles. People like things and they don’t. That’s kinda their business.