Shape Of A Heart

COAT by AILEEN KLEIN, BODY by RUDE GERNREICH, LEG WARMERS by TIM ESCHER, SHOES are STYLIST'S OWN

BRA by LOU DE BÉTOLY, TOP by SIA ARNIKA, SKIRT by ANASTASIIA ANTONENKO

DRESS by AILEEN KLEIN, BODY STOCKING and CHAIN are STYLIST'S OWN

HOODIE by OUR LEGACY, TOP by BALENCIAGA, PANTS by MAGLIANO, BELT, SHOES, SKIRT by LOU DE BÉTOLY

TOP and VEIL are STYLIST'S OWN, PANTS by MICHAEL SIEWEKE, CUFFS by OUR LEGACY, SHOES by LOU DE BÈTOLY

TOP and SKIRT by LOU DE BÈTOLY, STOCKINGS by WOLFORD, SHOES by PLEASER

DRESS by TIM ESCHER, TOP by SIA ARNIKA, SHOES by DAVID KOMA

SKIRT WORN AS TOP and EARRINGS by LOU DE BÈTOLY, BODY by RUDI GERNREICH, SHOES by SIA ARNIKA, BODY STOCKING is STYLIST'S OWN

TOP by LOU DE BÈTOLY, BODY by RUDE GERNREICH, TOWEL SKIRT by MAGLIANO, SHOES by MIU MIU

DRESS by ANASTASIIA ANTONENKO, LEG WARMERS by TIM ESCHER, SHOES are STYLIST'S OWN

TOP by OUR LEGACY, BODY and SHOES by SIA ARNIKA, SKIRT by DAVID KOMA

Fashion

office people: Betsy Johnson

June 26, 2024

Betsy Johnson is one of those born originators whose work tells us a lot about the absurd reality we're living in. Raised in Grimsby, a small town in northeast England, the Paris-based creative director and stylist's working-class background remains a consistent source of inspiration in her work.

In 2023, Johnson launched PRODUCTS, a project that explores commodity culture, commercialism and class, consistent themes in the visual narratives she constructs. Inherent to her practice, Johnson prefers a DIY approach to everything, conceptualizing entire processes from the ground up. Despite her undeniable influence on contemporary fashion and kickstarting necessary conversations, Johnson sees herself as "uninvolved." "There's a certain kind of danger to feeling too involved," she tells us. "I think the moment I feel involved is the moment I need to move onto something else." Perhaps it's this detachment toward the industry's glitzy facade that garnered so much attention in the first place.

by SAHIR AHMED
photography by SAINT

What is your ideal office?

A space that can transform with me. It’s important to me that all the materials in my studio can be moved easily and that the space is adaptable. My space is mostly free of any work — current or previous. A blank canvas. At some point, a large open-plane hanger style / industrial building will be great. Reverting to warehouse living with my creative family at some point will be interesting in this new chapter of my life. For now, I’m enjoying the juxtaposition of Parisian architecture with my industrial / DIY approach to furniture and also work style.

Have you ever been to a psychic?

It was… insightful.

What’s something you recently wrote down to look at later?

- Answer Office questions

Can you recall a time you experienced déjà vu?

I love an AH-HA moment. They happen often.

What word would you use to describe yourself?

I’m not sure. I’ve been told I’m five people in one. In one word, contradictory.

If someone looked in your trash can right now, what’s the weirdest thing they would find?

Nothing weird, just a lot of useless packaging.

How do you find balance?

I walk or think alone.

If there were anyone from history you could have dinner with, who?

David Bowie.

What draws you to a person?

Their mindset. How they carry themselves in a room even if that means being the quietest.

What’s lacking in your industry?

— normal people.

Order office issue 21.

Fashion

Head of State's Vivid Imagination Materializes in Paris

June 25, 2024

Head of State's Taofeek Abijako has been moving away from traditional runway shows in recent seasons. Instead, he opts for exhibitions that delve deeper into the brand's origins and future intentions. This Paris Fashion Week, Abijako presented Vivid Imagination, the third installment in Head of State's Exhibition Series.

Vivid Imagination reimagines the Aso Oke, a traditional Yoruba cloth handwoven on a loom, with a history dating back to the 15th century. More than just a fabric, Aso Oke symbolizes identity, dignity, and pride, highlighting the enduring legacy of Nigeria's Yoruba community in fashion and culture.

Throughout the exhibition space, the loom and various interpretations of Aso Oke stood in stark contrast to the fast-paced nature of today's fashion industry. Abijako approached the loom's installation with the same meticulous care as his garments, creating "a space for more thoughtful engagement, allowing our audience to digest our narrative at their own pace."

By Sahir Ahmed
Photography by Tom Guez

The exhibition also featured three garments in a muted sky-blue hue, incorporating traditional Yoruba elements such as draped shoulders, beaded accents, and structured lining. These pieces further engaged with the rich heritage of Aso Oke woven garments, exploring its journey, from "humble beginnings as a crop" to "art form and traded good."

Looking ahead, the next iteration of Head of State's Exhibition Series will return to New York City.

Fashion

Backstage at Kiko Kostadinov SS25

Kostadinov's signature styles were prominently showcased, reflecting an implicit understanding that their successful elements can be creatively reinvented in delicate lilac, electric blue, and the lightest shades of summer green.

Backstage, he spoke of his current commitment to vitamin-intake and how that influenced the collection – the aforementioned lysosomes serving as a facilitator. Focusing on regeneration and the sanctity of the body this season, the bright tones, and pared-back venue (still full of brilliant morning light) came into clear focus as satisfying tentpoles of this season's overarching theme.