Sister Dreamer by Lauren Halsey

March 06, 2026

Lauren Halsey has created an ode to South Central L.A., presented by LAND on the corner of Western Avenue and 76th Street. The artwork is one that is architectural by nature and grounded in sculpture. Titled, sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles, the piece commits itself to extracting the essence and heart of Los Angeles and funneling it into a space that can be enjoyed by locals and visitors alike.

Halsey’s connection to the city is intergenerational, woven deeply into her framework for life. Her family has been native to the area for years, and having been born and raised there, she knows the neighborhoods like the back of her hand. As an artist, she allows the expansiveness of the city to trickle into her creative projects. Her work has a tendency to be large-scale, immersive, and mixed-media, a style that births itself from Los Angeles’s way of moving.

Words by Selena Aiyla

Sister Dreamer is built on a street that Lauren Halsey knows fully and fondly, having rode her bike around it extensively in her childhood. The project is a mosaic of all of Halsey’s core values and beliefs in one. It hinges on the idea that in order to take strides toward an ecology and culture that is sustainable, we must first create a culture that celebrates and appreciates art in relation to the natural world. Her most recent project does exactly that, with a focus on the community aspect of the space she inhabits. She is detailing a history, furthering social understanding, and ultimately grounding the work in the city’s unique language and innate poetics.

Celebrating black culture was also a major point for Halsey, who believes firmly in the power of Afro-disaporic mythologies and the power of funk culture. In her work at large, Halsey chooses vehemently to portray the vast expressiveness of life for black people in Los Angeles and in America. Halsey recounts, “Throughout my life, many buildings were burned down, abandoned, left empty. Yet what always stood out to me were the people who informally activated these open spaces: selling Christmas trees, running ad-hoc barbecue pop-ups, holding church services, or using it as an ephemeral space to sell hundreds of mix CDs. The community understood that these empty lots could be used for different functions and needs.”

The sculpture park is a beauty that is both timeless and representative of the space she currently knows and loves. At the mouth of the installation, guests are greeted with eight sculptures of sphinxes and eight harthotic columns. There is a courtyard abundant with fruit trees, vegetables, and plants, six water features, concrete panel architecture, and more. Opening on March 14th, the space will have programs for film screenings, health and wellness events, jazz nights, sports events, talks and lectures, tutoring, programs for local youth, etc. It is a place representative of growth and the art of nurturing a village.

Art

Paul McCarthy: Power in the Provocative

I do what I want—what I believe in. We’re living in a pretty extreme time, and when people say my work is getting more extreme, I think that just reflects the world around us. I’m simply moving with the current.

Born in Salt Lake City, Utah, McCarthy’s beginning in the art world stems from proximal radicalization. After moving from Salt Lake City to study in San Francisco, McCarthy's work as an artist has always embodied this radicalization. Street-wise, known for being one of the most

“dangerous” artists in Los Angeles, this exhibit encapsulates that at its forefront. The artworks present provocative, scattered drawings and paintings that promote freedom from systematic censorship in the exchange between creator and receiver. His art style is distinctive in its intention of visibility over technicality, as seen in his limited color palette and intentionally imperfect techniques, but radical imagery.

McCarthy speaks about his artistic process as though the outcomes are inevitable and incredibly natural to him, given the current state of the world. Living in times of constant uncertainty has blurred the lines of media censorship; almost everything we consume is shaped by it, raising questions such as: Why was this said? Why was this created? Who is this for? Paul McCarthy’s work deconstructs this. His drive to create authentically and follow what feels natural to him results in art that inhabits the visual extremes of human experience, with the spirit of contestation serving as an added layer to the experience.

Art

The Wedding Written In Stone

April 27, 2026

Sten Studio walks down the aisle to couple with Alcova for Milan Design Week. Set within an abandoned cathedral where vows once echoed, The Wedding is a sculptural installation hosting a symbolic marriage between feminine and masculine, soft and stone, fluidity and structure. Rocks are fossilized fusions of their own ancient surroundings, built from eons of crashing waves or explosive magma. Love is based on divine circumstances, built through trials and tribulations. Love is much like stone in the way it takes form through time and pressure, relying on the invisible higher powers forcing the gravity of unity. The Wedding reflects on this permanence. The space materializes elements that are usually fleeting - light, flowers, ceremonies, romance. Registry gifts include a custom carpet courtesy of Verdi, floral arrangements from Hamish Powell, and scents brewed by Penhaligon’s, all coming together to build the intimate world.

Photos Courtesy of Ramona Balaban

Sten Studio specializes in stones and crystals as decorative interiors, expanding on natural, Earthly beauty in man-made environments. Alcova temporarily transforms raw, abandoned, and unique urban spaces into immersive hubs of design, innovation, and heritage. The featured collection revitalizes the cathedral for a final reception celebrating life and all its momentary yet abundant bursts of joy.

Art

All Silk Roads Lead to Gucci

April 23, 2026

The silk road once dominated the Asia-pacific and cultivated economical prosperity with the purest textiles, a contrast to the modern, oversaturated market of cheap goods. Gucci has never been a cheap name, and their craftsmanship could be mistaken for that of another century. The Art of Silk, curated by Demna from the Gucci Archive in Florence, pays homage to the house’s journey with silk. Ten scarves reimagine archival designs of flora, animalia, and nautical prints - motifs of the primordial garden of Gucci. These limited-edition pieces were birthed in Calabria in collaboration with Nido di Seta and Ongetta. The fine Italian silk encapsulates more than Gucci’s reputation, but the tradition of mulberry cultivation. The project revives a once-thriving silk supply chain, recovering abandoned land, fostering employment in communities, supporting small farmers, and powered by renewable energy. It’s a production that innovates how tradition, community, and sustainability can stay preserved in the contemporary world.

In addition to this heritage preservation, the campaign represents Gucci’s contribution to the world of art and education. Two exclusive flora scarves were created for the Los Angeles County Museum of Art, celebrating its opening of the new David Geffen Galleries. Available exclusively at the LACMA Store and the Gucci Beverly Hills flagship store, the designs pull inspiration from Vittorio Accornero’s 1966 illustrations. In partnership with the Accademia delle Belle Arti di Firenze, selected student paintings of each scarf will be displayed at the Gucci Rodeo Drive store in LA. Gucci supports these participating students through scholarships, reinforcing the house’s commitment to nurturing the next generation of creative talent. The Art of Silk bridges the old and new world, breathing life into past traditions and future endeavors.