Tyrell Tapaha Brings A Mutlidisciplinary Perspective to HOSH

Tyrell Tapaha knows everything from textiles to fiber arts. The intricacies of the tactile experience are not new to Tapaha, who was brought into these hands-on traditions at a young age. They grew up in Navajo Nation, where weaving culture was abundant. Learning from their grandfather, great-grandmother, and other relatives, knowledge of this art form was passed down and inherited, which is why it has become a huge part of their personal identity. Moreover, it has become a huge part of their everyday routine.

Tapaha’s lineage is rooted in a pastoral lifestyle, as they have been connected to their craft at all stages of the weaving process for generations. Their sheep-to-loom philosophy includes raising and herding sheep, caring for them and their coat long before it is time to create with it. This way, they are not only making tactile art but also making memories and attaching those personal feelings to their work.

In Tapaha’s process, fibers are hand-spun, local flora is used to create the most natural dyes, and materials are woven by hand. This kind of attention to detail is exactly in line with HOSH, whose brand philosophy hinges on handcrafted, sustainable, and purposeful production. HOSH’s artist-led apparel is meant to weave together generations of storytelling through art, just as Tapaha is doing, making this collaboration a natural one.

Fashion

ZEGNA Introduces Su Misura

At the centre of Su Misura are three ZEGNA signatures; Trofeo, the Abito #1, and the Falcon Jacket. Trofeo, made from Australian super-fine merino, has been part of the house since 1965, while The Abito #1 looks back to ZEGNA’s early history, taking inspiration from the suits worn by founder Ermenegildo Zegna in the 1930s. Made from 100% Australian wool, it is recognised as ZEGNA’s first suit.

The Falcon Jacket comes from a different part of the ZEGNA world. Inspired by the falcon and its ability to see beyond, the jacket takes its cues from Oasi Zegna, the vast natural territory in the Italian Alps that has long been connected to the values of the house. The result is an outerwear piece that brings together practicality and refinement.

Fashion

Willy Chavarria and UGG Are Showing the Hard and Soft in Family Dynamics

The black-clad family stands out amongst warm wood and suburban carpeting. In one image, Trejo reclines on a tan lazy-boy wearing full leather chaps and jacket, showing us that even bikers need to kick up their feet with family once in a while. Stylish black and chrome are abundant in this collection of biker boots, as well as reimagined UGG classics like the Otzo Clog, in slouchy leather that was first seen during Paris Fashion Week this past spring. Plush and rough at the same time, these distinctly American shoes and the campaign to accompany them promise that even if you go out on the road, the comfort of home is always with you.

Fashion

Jil Sander’s Fall/Winter 2026 Campaign Finds Home Somewhere Else

September 04, 2026

What does home look like when there are no walls to contain it? For Jil Sander’s Fall/Winter 2026 campaign, the answer is somewhere between a living room and a runway; an open setting where familiar objects feel strangely out of place.

Conceived by Creative Director Simone Bellotti, the campaign takes place on the runway of a private airport. Furniture is scattered across the tarmac: a table covered in latex, a sofa wrapped in foil.

Photographed and directed by Moni Haworth, the campaign unfolds through grainy, desaturated imagery that feels pulled from a VHS tape while Edie Campbell and Daisuke Ueda move through the space as its protagonists.

“I wanted to convey tension and surprise with the least means possible,” says Bellotti. “Doing more with less is so very Jil Sander, but this time we explored rather eerie routes. There is a sense of elegance, filled with erotic electricity.”