I totally agree. You've created this new frontier within cannabis. When you started Edie Parker Flower, how did you aim to shift some of the stigmas or stereotypes that exist around cannabis? How did you also aim to shake up a very male-dominated industry?
We came in during the California green wave. We thought that cannabis was the new, big business and that there was going to be almost no stigma around it. We really underestimated the fact that the stigma remains and there's still a reluctance. We came into this scene and we found that there were no women in the cannabis space. Or at least very few women in the cannabis space and certainly no brands that were speaking to women on the shelves. There weren't a lot of brands that were approaching it like we did, through accessories first. Our goal was that we wanted people to engage with cannabis like any other product in their lives — as a consumer product. We thought that if we made things that are pretty and not intimidating or overly masculine or medicinal, then we could help destigmatize and normalize cannabis.
When we launched, we had a store on Madison Avenue, and we sold all of our cannabis accessories alongside these expensive evening bags. I think that really helped — just seeing beautiful cannabis-related accessories alongside products that you were used to engaging with. All of this helped with destigmatizing within certain audiences, but as you said, we still have a lot of work to do.
That was my favorite part about the brand when I first discovered it. These are palatable products that you can have on your table and they actually look cute. So many smoking tools or accessories are so ugly. But your approach is super whimsical. I see the affinity for color carrying over, even into your home.
Yes. It's a genuine affinity.
What inspires your playful, colorful outlook?
I think the world can be quite dreary. When we started Edie Parker, it's not like I thought that there was this need for these whimsical acrylic evening bags with your name on them or with fruit inlays. But my philosophy has always been that life is very serious and your accessories don't have to be. I think our surroundings should spark joy. And maybe living in a sea of grey or beige is what makes you happy. But for me, patterns, vintage things that tell a story, things that people are curious about — like this Murano fruit glass chandelier, it's my favorite. Everybody who comes over wants to talk about it. I love having joyful things that make people smile or at least ask questions, which coincidentally is exactly (philosophically) what we thought about the handbags too. These are pieces that will make people engage in conversation with you. So if you're a real introvert, maybe they're not for you [laughs.]
What intrigues you about the mid-century modern era, design-wise? Why is that something that you often revisit?
I like it because it's this really creative time Post World War II, particularly in America, which is where the acrylic bags were created. America was setting fashion trends globally, and other trends within industries like the auto industry with the use of plastics. That was my inspiration for the bags and what initially drew me to mid-century furniture and mid-century handbags. I think it's just exciting to see the development of trends across the globe by means of these little items. They mean more than meets the eye.
What similarities can you draw between what you were doing with the brand when it was strictly fashion-forward and this space you're in now, with functional, cannabis accessories? The products are different, but I still see the overall vision aligning.
Thank you for saying that because it's hard. The purpose of the bags is to surprise and delight. We always say that these are joyful little pieces of art and we don't see the cannabis accessories any differently. It's how we felt justified getting into the business. We already made all these other pieces that are meant to be displayed, so we thought why can't cannabis accessories be displayable and collectible, much like bar accessories? Why do they have to be like your ex-boyfriend's disgusting, gross bong that's meant to be hidden away? And again, we felt like if we could make things that are meant to be shown off, shared, and gifted, it would help with normalization, de-stigmatization, and all of the things that we're up against.