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Wiederhoeft's Mythology

In true Wiederhoeft fashion, everything was corseted. Nothing was safe, no waistline left undefined. Even what would normally be considered “men’s” looks, Wiederhoeft cinches in. One of my favorite looks involved a boxy high-waisted trouser with some cheeky sequined handprints placed strategically on the back. Playing with feathers, veils, and giant flowers, Wiederhoeft puts a modern spin on what we imagine would have been worn in the high society of Old New York, paying homage to a decadence seemingly of a bygone era without making attempts to return to it. Wiederhoeft is not looking back. 

 

The final Wiederhoeft look is always a bride — this season was no different — teardrop crystals, shattered pearls, and a dramatic draped train that dragged the fog across the floor. The bride facelessly disappearing into the blue mist created an image reminiscent of the story of Orpheus and Eurydice. Some people say that he turned around, not because he was foolish or fearful, but because it is in his memory of her where their love is strongest. But the Wiederhoeft bride does not turn to look at us one more time — we see her, moving forward, unrelenting, and not looking back. Wiederhoeft refuses to live only in memory. 

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