O Future designs, curates, and creates all facets of their music, appearance, and visual material, considering themselves a kind of art collective. They’ve recently scored an Ai Weiwei film, and make everything from “pop music to symphonies to visual arts to sculptures to film scores and more…”
Enter into O Future’s imagining of a sci-fi movie set to their song “Dinner,” below.
This is Stark’s second time touring since the release of her full-length debut album DOOMED in late 2022, which was very well received and led to Stark’s first sold-out international headlining tour on behalf of the album. Previous to her solo tour, she’s opened for various notable acts, such as Guns N’ Roses and Jane’s Addiction. I asked Stark, who’s been writing and playing music since age 11, what it was like to prepare for her first sold-out headlining tour. Unsurprisingly, before any tour, Stark goes into what she describes as “bootcamp mode” — dancing every day, vocal training, rehearsing with her band, and of course, working on her outfits. “That’s the sort of homework I love,” she says, smiling. (Even though we’re on the phone, I can tell she’s smiling when she talks about the outfit part. I’d smile too if I had her tour closet.)
What’s unique about Stark as a musician is that she has ultimately created her own universe by embracing every aspect of her creative upbringing, her raw talent, her fascinating influences, and her unwavering beliefs in not needing to fit into a certain box when it comes to her art. She creative-directs and styles all her own looks, referencing an ever-evolving list of influences that range from Vegas showgirls to Halloween to old films to her parents in the 90s. “I think when I was younger, I had this rebellion against what I was made from,” she tells me, “but now it’s just my blood. I constantly reflect on my childhood and everything I was taught and everything I saw. My brother and sister and I are constantly pulling influences from our parents from the past. I think, more than ever, I’m heavily influenced by them.”
Stark, the daughter of founders and owners of the self-made American fashion brand Chrome Hearts, and now its creative director and designer, is someone who always knew what she liked, but as she describes it, had to ‘go through the motions’ that come with growing up and knowing one’s identity. Today, her self-efficacy is palpable — and it’s inspiring.
When she’s on tour, Stark is growing with herself and with her art — she’s not afraid to take life as it comes and learn through the process. With every show, regardless of whether it was on her DOOMED tour or this tour with The Veronicas, Stark understands the importance of human connection through music. Seeing faces of music lovers like herself, meeting those who have traveled to see her, and visiting familiar and unfamiliar cities has reminded her that she loves being on the road. “The growth that happens on tour is so important to me as an artist.” Sometimes we have to leave behind what’s familiar in order to rediscover what’s important, and Stark is a proponent of this growth mindset.
Growth doesn’t just happen on tour with Stark — this evolution of herself happens within genre as well, and for Stark there’s no such thing. Since her first release Driftwood in 2017, the artist’s sound has shifted year after year, but in a harmonious way that still feels central to her gothic Americana roots. When asked if she’ll experiment with genre in the future, Stark confidently answers, “I think I’ve only experimented with genre. I don’t think anyone knows what genre I am.” (She calls herself a “horrific hillbilly” — a perfect descriptor.) Steadfast in her belief that we as humans can constantly evolve in our work, Stark thinks it’s antiquated to fit yourself into a certain box and focus on one specific trade in order to succeed. “If you look at us as people, we’re seasoned. We change all the time. I want to experience different things.”
Since Driftwood, a two-song EP rooted in rock and country, Stark has experimented with more robust beats and 808s on DOOMED, and her most recent single “skeleton” features a softer, grungier punk sound. Without fitting into a specific genre, Stark’s music is undoubtedly and wholeheartedly her own, transcending the boundaries of what many artists struggle with when finding their sound. “I don’t think we should have to label ourselves in any way, shape, or form; so I’m not going to. I will continue to make all types of different music.” Fuck yeah.
This goes beyond just music — in terms of her personal style, the same mentality applies. We discuss the idea that clothing and dressing is a sort of playground, and personal style comes from within. Stark isn’t about following trends, but rather, she thinks it’s important to tap into different stylistic elements that amplify who we are at our cores. On her DOOMED tour, Stark wore a lot of leather and stuck to a fairly dark color palette. Right now, she’s into more bourgeois satin and lace, experimenting with different textures and wearing things that feel slightly daintier and more delicate. On this current tour with the Veronicas, Stark is making it more of a point to take everything in — absorbing inspiration from every city, writing songs on the road, recording video on a friend’s super 8 camera, styling and wearing new outfits, learning and performing new covers — ultimately growing through the whole experience.
It’s endearing and inspiring how well Stark knows herself. A Los Angeles native, she proudly tells me that the tour finishes on May 5 in her hometown, a show that she’s especially excited for. While we can’t predict what thoughtfully-curated outfit she’ll wear or what songs will be performed, with new music already underway, one thing is clear: Jesse Jo Stark is just getting started.
Reflecting on their latest project, 9lives shares, “In early 2023 jnhygs found my music and we started chatting through TikTok, releasing our first song together called "XTAYALIVE"." He adds, We’ve been friends since this song had a viral moment, and fans have been heavily requesting for us to work together again all over our videos.” Describing their creative process, he explains, “I sent a bunch of new ideas to jnhygs via Discord and she sent back vocals to “CANADA”, which I then used to create melodic layers and extra percussion to complete the song.
In between newly released songs like “Classical” and “Capricorn”, the boys filled the almost two-hour-long show with old favorites like “Cape Cod Kwassa Kwassa”, “Diane Young” and a genre evolved rendition of “Sunflower” as the crowd danced barefoot feeling the Earth’s energy intertwined with their own and the vibrations from the amps on stage. People stole glances at the imminently darkening sky, artists doodled, friends grabbed onto each other to scream the lyrics in each other’s faces, and onlookers from the highest level of the parking garage across the street cheered on in a symphony of nostalgia and anticipation.
Adding to the layers of the celestial afternoon, the band invited to the stage the likes of Thomas Mars from Phoenix, Dave 1 from Chromeo, and guitarist Brian Robert Jones, inducing further levels of indie revival euphoria.
As the show drew to its close, and the zydeco/country-rock “Cocaine Cowboys” medley fiddled through the air, a conversation could be picked up between two sisters in search of their Lyft driver through closed-off streets,
“I wish this happened more often.”
“Eclipses or shows like this?”
“Both.”
It’s moments like these that remind us of our shared humanity and the power of collective experiences; a gathering of souls under the same sky, sharing the joy of music and a wonder of the stars above. Perhaps it’s the rarity that allowed such transcendence, reverence, and gratitude to be felt. Either way, what a beautiful moment in time it was.
Here are a few shots from the Monday afternoon:
