Beyond the performance itself, the No Time thesis manifested in the craftsmanship — or rather, the deliberate lack thereof. The ensembles were held together by safety pins, t-shirts came backless, models strutted shoeless, hoodies were worn backwards, and duct tape served as a surprising choice of material. These unconventional choices are not too far out there, considering the omnipresent DIY trend embraced by dedicated thrift shoppers, it's cool to look crafty and homemade these days.
Quotes like "Add Back?" and "Made in Italy (or China, can't remember)" gleamed in Karlsson's signature rhinestones across the chests of the finished, retail-ready pieces. The artist continued her street-inspired vocabulary with oversized drawstring sweatshirts and loose-fit pants. Yet, amid the urban influences, there were also sensuous silhouettes: figure-hugging dresses adorned with button-ups, lace-trimmed leather skirts with flowing patterns, and a fleeting appearance of a tailored coat paired with sheer mesh and faux fur boots.
Karlsson's consistent ability to conceptualize and challenge her own vision, while vocalizing the shortcomings of the industry, has rightfully earned her the reputation of a revisionist. It's a clever strategy for an emerging creator seeking to stand out amidst the noise. Looking ahead, it would be exciting to witness her expand her technical repertoire, too.
