Dress by BARRAGAN, bags by BALENCIAGA, shoes by CHRISTIAN LOUBOUTIN
Margarida Feijão
Margarida Feijão’s collection is part of a continuous body of work within her creative practice. Drawing from her experiences growing up in a small town in southern Portugal, Feijão witnessed the oppression faced by the women who raised her. This inspired her to tell their stories—stories of her own past, traumas, and the enduring effects of patriarchy, which continues to impose new sets of rules on each generation. While the challenges she faces differ from those of her ancestors, new obstacles still arise.
Feijão, who was taught to meet certain societal expectations to be recognized as a woman, struggled with being born without hair. This personal experience is reflected in her designs, which mimic the textures of hair. The designer’s goal is to empower women. As she put it, “If you feel self-conscious about it, you wear this piece, and you’ll feel fucking amazing.”
Ziqi Zen
Since childhood, Ziqi Zen has had an obsession with dolls and flowers. Named Symbiosis within my mental sanctuary, her final collection reflects the delicate figurines that populated her youth. She didn’t just want to incorporate their physical aspects into her designs, but also capture the time she spent with them. With a collection of over a hundred dolls and countless accessories, these objects have become a recurring visual motif in her life. They offer her an escape from reality, a retreat from the pressures of daily life.
The collection transforms its wearer into a symbiotic creature, with tights printed to mimic the appearance of ball-jointed dolls. Dainty patterns and prints are sculpted into structured dresses adorned with florals, embodying the fragile beauty of the designer's personal form of escapism.
K. S. Tehara
Still working on a label name, K.S. Tehara wants to have a discussion about culture built upon survival. His MA collection, titled All these arid places, bridges his Indian and queer identities, finding a shared resilience in how both communities flourish in seemingly barren settings. Aesthetically, the collection draws inspiration from William S. Burroughs’ The Wild Boys, offering a playful take on gay strength through the likeness of Tehara’s own fragility.
The garments are crafted from upcycled sarees and t-shirts, with secondhand materials incorporated alongside 3D-printed wood accessories—pieces the designer says his boyfriend “hates him” for constantly helping him make. Each look comes in larger sizes and can be cinched or shriveled, allowing for augmentation based on the wearer’s body. Tehara also provides a pattern system for his single-material garments, encouraging them to be reproduced at-home, inviting modernity into traditional craft.
Patrick Taylor
Patrick Taylor channels the intensity and resilience of childhood sports. His collection blends the free-spirited playfulness of youth with the toughness that competition instills. The pieces explore how sports not only build community, but also shape individuals. Many of the silhouettes intentionally distort or contrast with the body, symbolizing the way growing up can "force you into a position." Some garments even reference specific stances from competitive skiing.
Drawing on memories of summers spent sailing along the English coast, Taylor reflects on family holidays, racing on the water. His goal was to create an all-knitwear collection, even developing a custom fabric that mimics neoprene, a material often worn by skiers, to give the garments their unique structure.
Mohan Li
Forget About Everything I Told You is the MA collection of menswear designer Mohan Lee. The inspiration for the garments began with a letter from her high school teacher in China, who gave each student a note upon graduation encouraging them to abandon the knowledge they’d been taught and instead absorb the world with fresh eyes. This message deeply resonated with Lee, prompting her to question the value of everything she'd learned and the necessity of knowledge as it is traditionally received.
Lee’s focus is on creating structured designs, and she uses her pieces to demonstrate her skills in pattern making. Her collection consists of five looks, most of which are inspired by school uniforms. To emphasize invariability, she uses a consistent color palette of rich reds and blues. All of the garments are highly wearable, which is the designer’s way of rebelling against the industry's tendency to favor designs that are impractical or unwearable.
Take a look backstage below.
Bryan Barrientos
Juana tells the story of Bryan Barrientos’ mother, who migrated to the United States at 19. Through this thesis collection, he delves into the ongoing immigration crisis while exploring the experience of being a first-generation American. With deep admiration for his mother's resilience, the designer uses all-white garments to focus on the interplay of shadows and highlights within the materials.
Barrientos’ designs incorporate traditional Peruvian textures and silhouettes, with woven fabrics and natural dyes forming the foundation of each piece. With a background in evening wear, which he studied during his undergraduate years at FIT, he is a natural storyteller, skillfully using shape and volume to convey his family’s history to the audience.
Yoon Seo Lee
Yoon Seo Lee is a streetwear designer whose 2024 collection draws inspiration from her childhood experiences trying to outsmart the TSA while traveling with her family. When she was young, she attempted to sneak her pet lizard into her suitcase, an act that would later shape the theme of her collection, aptly titled The Smuggler. The collection explores the concept that everyone has something they wish to hide—whether it's physical items or emotional baggage.
Through the use of 3D-printed details, Lee conveys the idea of concealing objects in plain sight, creating space where hidden elements can be folded. Many of the fabrics featured in the collection are sourced directly from her home in South Korea, adding a personal touch to each piece and grounding the futuristic designs in her cultural heritage.
Brunela Ramirez
Titled Collection 0, Brunela Ramirez's debut explores the intricacies of world-building, much like the work of visionary film directors. Just as they craft immersive environments to evoke their inner emotions, Ramirez uses fashion to construct a narrative that reflects her own perception of reality. Born in Lima, Peru, her designs feature structured silhouettes, a nod to her deep research on how people adapt to their surroundings, and the influence of environment on personal identity.
Driven by a commitment to creating genderless fashion, Ramirez constantly seeks unconventional methods in her design process. She embraces the challenge of reimagining classic silhouettes in a way that is authentic to her vision as a designer, while also aligning with her values of sustainability. Most of the fabrics she uses are sourced from FABSCRAP, an organization focused on recycling and repurposing textiles, highlighting her dedication to eco-conscious fashion practices.
Eunhae Cho
It takes time for fossils to develop in nature. Eunhae Cho was fascinated by their slow development, naming her final collection Memory Fossils due to the unique colors, shapes, and textures of these bony structures.
Utilizing the concept of modularity, her garments can be adjusted, allowing individuals to create their own variation of the looks. As she puts it, “ the wearer becomes the artist.” The twisted patterns allow the pieces to expand and shift, making them as unique and dynamic as fossils themselves. Cho views this lineup as a fresh beginning, using deeply personal materials and textures. She began working on the pieces over winter break in Korea, initially planning to omit their wear and tear, but after experimenting with a swatch, she decided to incorporate it as a defining element of the collection.
Talia Abbe
Tabbe Designs, the label created by Talia Abbe, debuted its collection titled Bubble Wrap at the FIT MFA showcase. Inspired by the positive and negative stimuli of the world, the designs reflect how people respond to their lived experiences. The collection serves as an introspective exploration of the gap between what we outwardly perceive vs. what’s happening internally. During the pandemic, Abbe’s personal struggles with mental health inspired her to create a representation that would show people they are not alone.
Although the theme is inherently heavy, she aimed to make the pieces fun and playful, showcasing the strength of community—a place where people feel comfortable and supported. The idea for the latex inflatables in the line came to Abbe during her first year of research, combining the sensation of tightness, representing suffocation, with the inflated form that suggests a protective layer.
