AMIRI’s “Laurel Canyon Fever” Captures a Night in Los Angeles

September 04, 2026

For Autumn-Winter 2026, AMIRI heads to Laurel Canyon for a night of hedonism, glamour and the kind of unplanned chaos that makes a party worth remembering. Titled “Laurel Canyon Fever,” the campaign brings together a cast of musicians, actors and creatives inside an imagined Los Angeles mansion, drawing on the city’s longstanding influence on Mike Amiri’s creative vision.

Set against the lush interiors of a Laurel Canyon home, the campaign unfolds through a series of images by Myles Hendrik. Rather than feeling overly constructed, the scenes capture fleeting interaction and interrupted conversations that have a sense of nostalgia. Personal style takes center stage, with natural poses and unrehearsed moments giving the campaign an intimate quality.

The guest list reflects that same sense of individuality. Musician, actor and AMIRI Global Brand Ambassador Yuta Jinguji joins British musician Bakar, Noah Dillon, Chandler Lucy, electronic duo The Hellp, actors Avan Jogia and Bella Podaras, and model and DJ Jade Croonenberghs. Rather than a single archetype, the cast brings together distinct personalities whose different attitudes create the energy of the campaign.

Text by Dylan Andrews
Photos courtesy of AMIRI

The collection itself follows the same West Coast sensibility. Referencing the 1970s, AMIRI reworks the era’s relaxed approach to American dressing through easy tailoring, western influences, leather, denim and eveningwear. Familiar AMIRI signatures such as embroidery, flocked velvet and intricate embellishments sit alongside rugged denim and sleek tailoring.

At the center is the AMIRI Biscotto, introduced as a new house icon. Soft and refined, the silhouette brings a more relaxed sensuality to the collection, fitting naturally into the campaign’s Californian ease.

Fashion

ZEGNA Introduces Su Misura

At the centre of Su Misura are three ZEGNA signatures; Trofeo, the Abito #1, and the Falcon Jacket. Trofeo, made from Australian super-fine merino, has been part of the house since 1965, while The Abito #1 looks back to ZEGNA’s early history, taking inspiration from the suits worn by founder Ermenegildo Zegna in the 1930s. Made from 100% Australian wool, it is recognised as ZEGNA’s first suit.

The Falcon Jacket comes from a different part of the ZEGNA world. Inspired by the falcon and its ability to see beyond, the jacket takes its cues from Oasi Zegna, the vast natural territory in the Italian Alps that has long been connected to the values of the house. The result is an outerwear piece that brings together practicality and refinement.

Fashion

Willy Chavarria and UGG Are Showing the Hard and Soft in Family Dynamics

The black-clad family stands out amongst warm wood and suburban carpeting. In one image, Trejo reclines on a tan lazy-boy wearing full leather chaps and jacket, showing us that even bikers need to kick up their feet with family once in a while. Stylish black and chrome are abundant in this collection of biker boots, as well as reimagined UGG classics like the Otzo Clog, in slouchy leather that was first seen during Paris Fashion Week this past spring. Plush and rough at the same time, these distinctly American shoes and the campaign to accompany them promise that even if you go out on the road, the comfort of home is always with you.

Fashion

Jil Sander’s Fall/Winter 2026 Campaign Finds Home Somewhere Else

September 04, 2026

What does home look like when there are no walls to contain it? For Jil Sander’s Fall/Winter 2026 campaign, the answer is somewhere between a living room and a runway; an open setting where familiar objects feel strangely out of place.

Conceived by Creative Director Simone Bellotti, the campaign takes place on the runway of a private airport. Furniture is scattered across the tarmac: a table covered in latex, a sofa wrapped in foil.

Photographed and directed by Moni Haworth, the campaign unfolds through grainy, desaturated imagery that feels pulled from a VHS tape while Edie Campbell and Daisuke Ueda move through the space as its protagonists.

“I wanted to convey tension and surprise with the least means possible,” says Bellotti. “Doing more with less is so very Jil Sander, but this time we explored rather eerie routes. There is a sense of elegance, filled with erotic electricity.”