Left — T-shirt by WTAPS, cardigan by COMME DES GARÇONS, shirt and trousers by ARIES, socks by NEIGHBOURHOOD, boots by MONCLER
Right — T-shirt by WTAPS, cardigan by COMME DES GARÇONS, shirt and chain SLOWTHAI'S OWN
TC—I’m mad. I’m going to take you around. Three weeks ago, right before it got cold in LA, which cold for us is like 67 degrees, which is probably warm for you guys, but being from LA, that’s freezing. I took this girl to a beach early in the morning and she was like, 'I’ve never been here blah, blah, blah.' I’m like, 'What beach do you go to?' She’s like, 'They always tell me to go to Malibu or Venice,' and I’m like, 'No, you don’t... that’s not, no.' She was shocked that she’s never been to this particular beach. That made me think about when people aren’t from here, it’s really, it’s places they really don’t know exist because the people showing them go to Google to look them up. I got to start being more aware of that and change that for all my friends who aren’t from there to show them what Los Angeles is really like.
ST—That’s the thing, where is that? I’m one of them people, I don’t mind going to the hood. I’m not saying it’s the right thing but I feel like whenever you go somewhere the best place to gauge a vibe is when you go to where people are really from there, where there’s not mad money circulating and everyone is doing their thing. Even when you go there, everyone’s like no you can’t go here and I’m like, 'How are you going to see it for real if I’m just going to the fucking popular spot?' I want to go to the greasy nasty shit that’s there.
TC—I’m going to take you to the food spots and the areas. Don’t get me wrong, there’s some spots that no, we shouldn’t go there n----. You look that shit up on Google.
ST—I know.
TC—I’m going to take you around because it’s different, it’s the shit that—everyone cares about different things so you might be with people who like the idea of being seen and stuff. Like, man, I’m in LA and I’m so low key, paparazzi won’t be on me like that because I know how to move and I don’t like going in the areas where they are. I might eat here and there but it’s a whole different world. I wonder if you spent two days with us, with me and my friends, if that would change your perception on the idea of Los Angeles. You might end up loving it, like, 'Oh, I want to be here because I know where and where not to go.'
ST—Yeah, I’m down, baby. When I come out there we’ll do something, man, because I’m sick of going—let’s see, either I’m in the studio or I’m going somewhere around The Chateau in West Hollywood. This is not it. Most of the time I end up taking shrooms and chilling in the fucking AirBnB. I’m like, 'Can we just set up a studio in here and not leave?'
TC—I’ll take you to the ice cream spots, the burger spots, we got to go biking. We ain’t going to be at no fucking Delilah, we ain’t going to be at no fucking—none of that. I’m going to show you the good spots. I’ll show you my spots.
ST—You’re native to there, bro, that’s better than... I don’t know. Anyway, it sounds like I’m just slacking it off but at the same time, I do like it there but I don’t like doing the same shit.
TC—I was like that about Miami, I used to hate Miami because everyone’s like, 'Go here, go to the strip club.' I don’t want to see girls shaking their ass n----. Then go here and go... it’s like, bro. Then the one time I, oh the sun is beaming, I love that. Yes, n----, I love sunlight so much, goddamn bitch, yes. I went to Miami and I was like, 'Let me do it my way.' Rented a nice house right off the water, we had a cook who made us french toast whenever we wanted and shit, and pastries and we had Uno cards set up. We were just chilling. Then I wanted to test drive this car so I had this car for the weekend and I test drove it because I ended up buying it. It wasn’t some, 'Oh I’m in Miami' rapper shit, I literally test drove it. We took the car to the Everglades to play with alligators and feed birds. Then we went to go eat sushi and then we went jet skiing. We went jet skiing for hours and we were playing with dolphins and getting fucked up by the big waves from the boats. It was, there was more stuff that happened but it was so my speed. It was like my type of thing. I fell in love with Miami, I fell in love with the sunset over the bridge that connects to the other sections. I had to do it in my way and not the way people were telling me. Which was, 'Go to the strip club, go over here,' they be doing it but that’s not my speed.
ST—We like doing normal things, where the fuck am I going to do that? I don’t know.
TC—Yeah, the normal shit. We was in Miami looking at vintage cars and riding the bikes through little Haiti, seeing the, it’s such a different architecture and just how set up differently it is from LA. I was in love with it and you never see that because everybody’s like go to the club. Go to South Beach.
ST—I went to a club, when I went to Miami I went to a club there and it was fucking weird. I didn’t have ID and I didn’t want to go in, I forgot my ID but it was kind of on purpose. Then I went in with the car and I was like, 'Yeah,' then when we go there I was like, 'Aw I forgot my ID.' It’s an hour drive or something, I was like, 'I’ll just go back, I’m all right.' They were like, 'No, I’ll speak to the guy, come in.' I went in there and there was this big shark on the wall and every time a song was playing, like EDM, the song would go and this foam would come out of the shark's mouth. I’m looking how to end this, bro, I want to go.
TC—I don’t party, I’ve never liked to party, I’ve never clubbed, I’ve never... I don’t even drink so that side of the world wasn’t lucrative, it wasn’t interesting to me. When I did it my way, man I fell in love with that fucking city. I love Miami now and that sunlight, I love when that fucking sun just beaming just right fucking here.
ST—It’s hot, Miami’s hot man.
TC—I love it.
ST—I like it. I like being in the sun but it gets to a point where I’m fried.
TC—I need it, n----, give me some shorts.
ST—I get to the point where I’m like, 'Where the shade? I need to fucking cool off.'
TC—Put my fucking feet in some shoes, untied with no socks because my feet don’t sweat, throw my little hat on, it’s a wrap.
ST—I’ll come out there as soon as this shit’s all over. I might. I’m done with being here.
TC—It’s sick, though, but I feel you, there’s spots that I still don’t really like because it’s not my speed. I fully understand when it’s like, 'Nah, that’s not for me.'
ST—Where’s the worst place you’ve been? Anywhere you’ve ever been you hate it the most.
TC—My least favorite place, oh, Luxembourg. It’s near Germany. I mean that place, nope, that place fucking sucks. I’ll say it, that place dick is soft bro.
ST—You didn’t like it?
TC—No, nope, nope, nope and I don’t... I went to Brazil once but not Rio. I think it was São Paulo, I didn’t enjoy it there but that was so long ago, that was in 2011. I probably would have a different experience if I went now. I don’t even think it’s fair to currently judge that because it’ll probably be a whole different, I have a whole different set of eyes now than I did when I was twenty.
ST—I suppose it changes, innit, man? That’s the thing, that’s why I can’t, off a first impression, I can’t make my decision because I’ll start being like, 'I hate it,' then I go back. Like France. I went there three times and I was like, 'I can’t fucking stand this place.' Then recently I went to Valence, which is two hours away from Marseilles, it was out in the hood. They were riding motocross, wheeling all around the street doing all kind of fucked shit. All the houses are boarded up, it’s all derelict. They’re all out vibing in the street doing barbecues and shit. They didn’t speak one word of English, I don’t speak French and I just got them, they got me and we were on a vibe.
TC—It’s energy, it’s definitely... you all don’t even know the language but it’s an energy, that shit we can’t see, that allowed you to just enjoy yourself.
ST—We didn’t need to talk, fucking—that’s the best vibe though, man. That’s how you know when you’re vibing with someone, you could be there for hours and not necessarily have to say too much but there’s still a vibe.
TC—Language is so—I was speaking to a friend about words about a week ago, when I listen to music I listen to the music first, the melody. Does that feel good? If not, I don’t give a fuck how good the lyrics are. Miracles, spiritual shit, I don’t care how deep they are. If it doesn’t sound good it’s not for me. That’s not some crazy shit, 90% of the world feels like that probably. Then I was thinking about, I feel like words are just reference points. It’s to really sing along in a more detailed way. When we sing our 'A-B-C-D-E,' we’re not really remembering the letters, it’s the melody. You know what I mean? Words are secondary. 'Twinkle Twinkle Little Star,' we’re remembering the melody. That’s why a fucking two-year-old is able to.
TC—Yeah, it’s crazy that sometimes we put so much emphasis on words and what’s said rather than that energy and the feeling of it. I think that’s why we like Playboi, not saying just me and you but as a whole, why we like Playboi Carti. The man’s not even really speaking fucking English but the energy.
ST—It’s a vibe dog.
TC—It’s such an energy and there’s so much nuance to it that we’re attracted to that rather than the actual words. I don’t give a fuck, I don’t need this n---- to read me what Carl Sagan wrote, I’m just feeling it. I think being aware of that is so important to a lot of people. Then you get into speaking the language and the language isn’t just words. I remember Offset put an album out and someone was like, 'That shit is trash!' I was like, 'But it wasn’t made for you.' Take it away objectively or whatever the fuck but man, it’s some kid that’s thirteen that grew up in Atlanta who had an older brother that had a specific Camaro. He loves that fucking album because the language is speaking to him to the end result of where he grew up, his experiences, the people he knows, the slang, the language, the food, all of that. That album is probably godlike to him. To the person who’s saying it’s trash, bro, you grew in Montana.
ST—They don’t understand.
TC—You don’t understand the language and it’s not just the words. You don’t understand the energy and the tone, the perspective that that comes from.
ST—That’s what I think with the hood thing because you could come from Hungary, or however you pronounce it, and if you’re from the hood, it’s the same, it’s still speaking to you. You know what I’m saying even if you don’t understand the language, it’s embedded in the fucking vibe.
TC—It’s embedded in the hums, it’s embedded in the vocal phrasing and the choice of drums, and the way that the pants are worn. It’s not necessarily exactly what kind of pants or how they’re worn, but it’s like, 'Oh, you made that choice because this happened.'
ST—It’s the similarity in some aspects, yeah.
TC—It’s so interesting and I feel like that’s why we gravitate to what we gravitate to. Sometimes it’s unexplainable because it’s that invisible language, it’s that energy, it’s that aura, it’s that thing that we as humans, we’re not advanced enough to comprehend.