Nero's World: A Different Kind of Tension
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NAOMI wears DRESS by VAQUERA, SHOES by CAMPERLAB, JEWELRY is STYLIST’S OWN, HEADPIECE is TALENT’S OWN
![ZELDA wears DRESS by SHO KONISHI, NECKLACE by AUSTIN JAMES SMITH](https://officemagazine.net/sites/default/files/rgb-g3_0.jpeg)
![DAISAKU wears TOP by DIOR](https://officemagazine.net/sites/default/files/rgb-l5_0.jpeg)
![KEI wears SWEATER by STONE ISLAND, EARRING by AUSTIN JAMES SMITH](https://officemagazine.net/sites/default/files/rgb-k5.jpeg)
![BOBBY LONGLEY](https://officemagazine.net/sites/default/files/rgb-k1.jpeg)
![SIRENA wears DRESS by MARNI, NECKLACE is STYLIST'S OWN](https://officemagazine.net/sites/default/files/rgb-dd.jpg)
![TAITO wears T-SHIRTS by MICHAEL’S, JERSEY is STYLIST'S OWN, JACKET by COACH](https://officemagazine.net/sites/default/files/rgb-k3_0.jpeg)
![JUSTIN wears COAT by LIBERAL YOUTH MINISTRY](https://officemagazine.net/sites/default/files/rgb-e4_0.jpeg)
![LIAM wears TOP, T-SHIRT by PAUL SMITH, NECKLACE by BOND HARDWARE](https://officemagazine.net/sites/default/files/rgb-k4.jpeg)
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![SPENCER wears JACKET by ARMANI, JUMPSUIT by ALEXANDER WANG, JEWELRY is TALENT'S OWN](https://officemagazine.net/sites/default/files/rgb-m_0.jpeg)
![SUNDARI wears T-SHIRTS by MICHAEL’S, NECKLACE, BRACELET by AUSTIN JAMES SMITH](https://officemagazine.net/sites/default/files/rgb-l2.jpeg)
![LU YAO wears JACKET by LIBERAL YOUTH MINISTRY, T-SHIRT by MICHAEL’S, NECKLACE by CHRISHABANA](https://officemagazine.net/sites/default/files/rgb-e5_0.jpeg)
![Kei Tsuruta](https://officemagazine.net/sites/default/files/rgb-k6.jpeg)
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NAOMI wears DRESS by VAQUERA, SHOES by CAMPERLAB, JEWELRY is STYLIST’S OWN, HEADPIECE is TALENT’S OWN
Born in the Moroccan town of Tétouan and educated in Paris, Khattabi’s upbringing required him to make sense of how the different influences surrounding him could align. In turn, his designs explore the embedded codes and history of his bicultural background. Total Recall addresses this phenomon by including garments meant to reflect adaptation and transformation. Skirts made of tire covers and motorcyle tarpaulins refashioned into dresses are scattered across the collection, conveying notions of displacement. Blending these elements adds an industrial touch to the pieces while still keeping a sense of movement.
From sweatpants infused with polka dots to nostaglic slogans and banner display, the ensembles symbolize hidden identities and memories. Giving us a glimpse into his own memories, Khattabi's work evokes affection for the past. It's a nod to the interconnectedness of culture and how we interact with its complexitites creatively. View the collection below.