SUPER/office Premiere Party

As the debut of the SUPER/office sunglasses, and premiere screening of office's accompanying video, the event drew a crowd of close industry friends and fans of both brands.
Special thanks to Old Blue Last.
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As the debut of the SUPER/office sunglasses, and premiere screening of office's accompanying video, the event drew a crowd of close industry friends and fans of both brands.
Special thanks to Old Blue Last.

The Hotel Chelsea makes a perfect location to narrate a reflection on public, domestic, and intimate environments, balancing private spaces and collective accessibility. Perhaps Refn and Kojima could have been strangers in a shared lobby space, but as fate would have it, the two share a friendship that isn’t deterred by cultural nuances, foreign dialects, or tens of thousands of miles. Their collaboration is one rooted in pure creativity, not bound by technicalities such as language but encouraged by raw feeling. Together, their dialogue explores the shared fundamental need to create and the failure encoded in the process of creation, experiences that define humanity and our approach to art.
As the city’s beacon for the aspiring creative community and symbol of cultural intersection, the hotel hosts the two day series of exclusive programming. Programming features the Prada Mode Channel, a bespoke broadcast in the vein of a cable station. In collaboration with journalist and TV-host, Mikael Bertelsen, the variety of programs invoke analog television troupes from talk shows to horoscopes to music performances. The channel acts as a portal to Satellites II, reiterating the 1970s-80s as a potent element to American culture. As a similar homage, a screening curated by the two will display three cult classics Japanese anime films at the Angelika Film Center during one of the following days open for the public.
Satellites II continued on-site for public view at The Hotel Chelsea, Prada Broadway, and Kat’z Delicatessen. Two futuristic television stands depict Refn and Kojima, who are in conversation. A huge chrome Prada vending machine glows white light and gifts guests exclusive Prada Mode merchandise. At Kat'z Deli, guests also receive a treat from Juno the Bakery, a Copenhagen delicacy (Refn's home country). During the exclusive first night, Kat'z Deli flipped over the tables to reveal a dancefloor lit by the restaurant's neon signs. The multiday event blended public spaces with private exclusivity, not hindering the flow of the space’s intended market but honoring human entanglement. The creative installations bypass origin and intention, place and time, such as the historic spaces they were held in.

Noltekuhlmann’s photography book, Berlin Night After Glow, is all about capturing hedonism in its rawest form. His aim is never to pose his subjects, but to allow the liminality of such an experience to expose itself in the shape of facial expression and body language. The Los Angeles and Berlin-based photographer pictured more than 350 people immediately after raving and clubbing in Berlin. Some were overcome with emotion or exhaustion, and others were overcome with euphoria or vulnerability. The states of mind pictured in these images are residual signs of nights fully lived.
Brought forth by Kehrer Verlag, Berlin Night After Glow is a book that shows us just how ritualistic and how sacred acts like dancing and partying can be. They are experiences that heighten emotions, blood flow, and connection with the self all at once. They prompt fashion choices that are “fetish-inspired” and disrupt traditional gender norms. These byproducts are all inevitable ones, because to surrunder your body to the art of the party is also to let go of the inhibitions that stump the emergence of our true selves in our day-to-day lives.