Carrousel Dreams: Enter the Fantasy

What began as a love for vintage textiles and a desire to find new ways to wear old clothing has sparked a vintage revolution. Drawing on the cyclical nature of the fashion world, how clothing moves within that world, and the way garments are passed down and travel, the name Carrousel Dreams was born. With appreciation of each hand-picked garment in mind, Jenny and Emiliano wanted Carrousel Dreams to be more than just a clothing store. They wanted Carrousel to be a space where the clothing came to life, a place where vintage pieces could be reborn and never forgotten.

When the pandemic hit, the duo decided to take the next step towards creating something they had only ever dreamed of doing. Jenny had been curating and building her collection of vintage for some time; at the same time, Emiliano had been trying his hand at web design. In October, the two met for lunch. They realized that they could put Jenny's collection and Emilianos web design together, and from there, Emiliano got to work building the Carrousel website. From there, the two began meeting up once a week, then bi-weekly, then every weekday to work on the website. Both wanted to ensure that Carrousel Dreams would be a place where people could shop Jenny's unique finds and where these pieces would go down in people's memories.

They knew that they wanted the website to be an interactive space, where people could go and not only shop but experience the clothing in almost real-time. They didn't just want people to be looking at frozen images; they wanted to bring the clothes to life on the website and within the Carrousel world. With that in mind, they began to make short films with the clothing from their latest drops, bringing the pieces for sale to life and, in turn, allowing their buyers to have a deeper understanding of the pieces they are purchasing.

The museum section of the website was born from the pair's desire for the clothes never to be forgotten. So often, especially with vintage clothes, the pieces are hand-selected, loved, and then never seen again. Jenny knew she would have to part with her collection, but she didn't want to forget all the pieces she found along the way. So even when something is purchased, it will always have a place to live in the museum of Carrousel Dreams.

Check out the newest drop from Carrousel Dreams on their website, HERE!

Fashion

ZEGNA Introduces Su Misura

At the centre of Su Misura are three ZEGNA signatures; Trofeo, the Abito #1, and the Falcon Jacket. Trofeo, made from Australian super-fine merino, has been part of the house since 1965, while The Abito #1 looks back to ZEGNA’s early history, taking inspiration from the suits worn by founder Ermenegildo Zegna in the 1930s. Made from 100% Australian wool, it is recognised as ZEGNA’s first suit.

The Falcon Jacket comes from a different part of the ZEGNA world. Inspired by the falcon and its ability to see beyond, the jacket takes its cues from Oasi Zegna, the vast natural territory in the Italian Alps that has long been connected to the values of the house. The result is an outerwear piece that brings together practicality and refinement.

Fashion

Willy Chavarria and UGG Are Showing the Hard and Soft in Family Dynamics

The black-clad family stands out amongst warm wood and suburban carpeting. In one image, Trejo reclines on a tan lazy-boy wearing full leather chaps and jacket, showing us that even bikers need to kick up their feet with family once in a while. Stylish black and chrome are abundant in this collection of biker boots, as well as reimagined UGG classics like the Otzo Clog, in slouchy leather that was first seen during Paris Fashion Week this past spring. Plush and rough at the same time, these distinctly American shoes and the campaign to accompany them promise that even if you go out on the road, the comfort of home is always with you.

Fashion

Jil Sander’s Fall/Winter 2026 Campaign Finds Home Somewhere Else

September 04, 2026

What does home look like when there are no walls to contain it? For Jil Sander’s Fall/Winter 2026 campaign, the answer is somewhere between a living room and a runway; an open setting where familiar objects feel strangely out of place.

Conceived by Creative Director Simone Bellotti, the campaign takes place on the runway of a private airport. Furniture is scattered across the tarmac: a table covered in latex, a sofa wrapped in foil.

Photographed and directed by Moni Haworth, the campaign unfolds through grainy, desaturated imagery that feels pulled from a VHS tape while Edie Campbell and Daisuke Ueda move through the space as its protagonists.

“I wanted to convey tension and surprise with the least means possible,” says Bellotti. “Doing more with less is so very Jil Sander, but this time we explored rather eerie routes. There is a sense of elegance, filled with erotic electricity.”