You grew up in Uruguay, a place far from Paris, your current center of life. What does home mean to you?
Home, to me, is a place where I can rest in my own energy—a place to be nurtured. It’s a space for creation and pure authenticity, a refuge from the chaos of the world. It’s a place to dream, sometimes to be alone, and sometimes to share with friends and family.
My family’s house in Uruguay, where I spend every New Year's Eve, is a very special place. It’s calm, humble, and simple. I come back here as often as I can because I long to reconnect with nature and its simplicity and calmness. I hope to carry that sense of tranquility with me wherever I go. I’ve spent a lot of time in the city over the past few years, and I hope that in the future I can balance my life with more time connected to the earth, the sea, the sun, and the stars. Soon I will be back in Paris, so I have the best of both worlds.
Your first exhibition was called ‘Womb’—a warm place where you feel safe. Do you have a place that gives you a similar feeling?
I’m very interested in the womb as the physical space of gestation. I find this organ, which has the ability to give birth to another human being, miraculous. In holistic disciplines, the womb is also considered an energetic center, tied not just to reproduction but to all kinds of creation. As human beings, we create constantly—we create experiences, relationships, and art.
I named my exhibition Womb because I wasn’t born with one. For a long time, I unconsciously associated myself with a sense of lacking—lacking this creative power, this fertility. The exhibition title, Womb, refers to the installation I created there with 10 clay sculptures lit with fire. It was presented as a kind of ceremony or ritual, connected to an inner journey I undertook to reconnect with my “womb.” Although I don’t have a physical womb, I allowed myself to reclaim my sense of fertility. I embraced abundance and possibility rather than empowering feelings of lack and fear.
Did working through your feelings in art help?
It’s an ongoing process, of course. One art show can’t dissolve a lifetime of patterns in thinking and living just like that, but I believe in the power of ritualization. Our ancestors often connected through ceremonies, engaging as communities for different purposes and in reverence to the Whole. Unfortunately, with the rise of capitalism and technology, we’ve been disconnecting from these rituals more and more. I believe they’re important, and I like to incorporate them both into my creative practice and into the small moments of life.
Ritualizing means bringing presence and intention into our actions. With presence and intention comes manifestation, appreciation, gratitude, and togetherness.