Jacob’s drive stems from his family history. As the grandson of Holocaust survivors, he grew up with a deep awareness of life’s fragility. “I’ve always felt my life has to mean something,” he reflects.
His collaboration with 070 Shake highlights his ability to connect across genres. The two first met late at night in artist Alexander Wessely’s studio. Over Hennessy and music talk, they bonded instantly. Their creative process, whether at former ABBA artist Benny Andersson’s studio or in Stockholm, is marked by an unspoken understanding.
Songs like Sin and Blood On My Hands grew from this connection. “She started singing, and we just knew where the other was going,” says Mühlrad. Moments like Shake’s impromptu lyrics became defining features of their work together.
For Jacob Mühlrad, crossing boundaries isn’t just a creative choice—it’s a necessity. Balancing classical and contemporary, he proves it’s possible to bridge musical worlds without losing oneself.