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Every inch of the venue was filled with fiery competitors, spanning across many different age ranges. In the pit of the stage, the contestants competed, but in the end, Joshua Pena and Isis Granda ended up winning the cyphers. The winners will head to the National Finals in Orlando for workshops and panels on August 20th. Tune in live to see the national finals happening this weekend in Orlando below. The B-girls final will take place Saturday, August 21 and the B-boys finals will take place, Sunday August 22.
Small Town Girl, Chloe Cherry
Cherry’s brightness comes through as a total constellation. She writes poetry and maintains close connections with her muses, makes collages from old fashioned women’s magazines, and dishes on the adult film industry’s secrets to having voluminous sex on podcasts with mental health advocate Eileen Kelly and writer/model Emily Ratajkowski. I can’t wait for what Hollywood collabs she has next. Cherry is one of the few post-It Girl actresses that has sincere cinema afterglow. And, she makes you feel like you're in the presence of supreme coolness.
Chloe Cherry— I can't talk about Euphoria or any current or past Hollywood projects that I've done. I stand in solidarity with my union and what they are fighting for.
Johnny Belknap— That’s right, okay. Weird times.
It’s really weird. We could talk now or just have this conversation again when the strike is over.
Cool. Let’s chat now.
Yeah, that would be great.
You’re been in the Hollywood film industry now after some years in the adult film industry. Your shift from the former to the latter began right before the 2023 SAG-AFTRA strike. What has that been like?
It’s really weird timing for me. I got into the industry and there's suddenly a strike. It's really weird. But, the writers and actors have to stand in solidarity during this important time. There's so many issues that my peers have finally vocalized for and mobilized around.
For sure. I’m happy to hear that people are paying attention. Writers are under-compensated and under-resourced. I like when actor and national president of SAG-AFTRA, Fran Drescher, asked what everyone was doing taking advantage of writers all the while doing what, “moving around furniture on the Titanic?” We hit the iceberg; the furniture sinks along with the rest of the stuff hanging onto an old system. Those who are looking out for one another are building something new and that’s exciting; I’m hopeful about where things could go next. Do you do any writing yourself?
People tell me to write a book so I’ve thought about writing one. I haven't tried writing scripts but I would try that one day, too. The only writing that I've really done is sketches. I write those for my Instagram and stuff.
Would your book be a novel or a memoir?
I want to write a memoir.
You totally should.
It would be cool just because there's a lot to talk about. My career starts off in the adult film industry. I was in it for like six years and I really enjoyed it. I'm not in it anymore. If I wrote a book I want to explain to people how the adult film industry works.
Watching adults on film do the deed is something many of us do all the time. Like, we watch it at least several times a week, if not every other day, or more. I’d love to learn more about it.
Totally.
There doesn’t seem to be too much conversation about the adult film industry beyond those working in it or the text I see on my laptop screen: Cum Inside, Domination, Big Cock, Natural, Cucked. People love to categorize and fantasize. But, there’s got to be so much more stuff to talk about. In another interview you’ve done, you shared about the industry’s #METOO movement and how that’s provided a real sense of accountability in the industry.
The me too movement in porn was huge. We had our own me too movement in about 2020 where every girl in porn shared on twitter their personal stories about anything non consensual that happened to them. It was a lot like the Hollywood me too movement. Directors that abused their power, co stars that were too rough.
Was working in the adult film industry your first job?
I briefly worked in restaurants before working in the adult film industry. Restaurant and food service work is really, really hard. It’s very physically demanding and I was so bad at it.
Right? Restaurant work is super demanding. It’s exhausting managing so many different appetites. So, I guess, what did you like about working in the adult film industry?
I really liked the amount of freedom that it brought me. One thing was the schedule and freedom. I was able to work a couple days a month and had so much free time for myself and time to see others.
That rocks.
Another thing that I liked was the different types of people I met. Just like, I don't know, it was cool to connect with people. I got to learn about my sexuality and my scene partners got to learn about their sexuality. We got to learn about each other’s sexuality. That kind of openness is like not shared so often beyond romantic or strictly sexual partners. I mean, for me, personally I enjoyed confirming that I was bisexual by shooting lesbian scenes. I figured out I liked a lot of different stuff. But mostly the biggest one was that I’m bisexual.
What was memorable was how passionate people were. The performers especially took pride in their work and worked very hard. Just like any part of the entertainment industry people would have crazy workout regimes and diets. Performers would practice what they wanted to do on camera. They invested in their wardrobe. Performers had good relationships with directors which got them more work (I mean friendships not sexual). And the directors put in long hours and lots of effort. A lot of performers were on call at all times meaning their agent could call them any day and they would go do a scene. I did that a lot. Porn taught me how to be a hard worker.
A lot of performers were on call at all times meaning their agent could call them any day and they would go do a scene. I did that a lot. Porn taught me how to be a hard worker.
That sounds special and a lot less stressful than keeping up appearances in the way you have to do while working in a restaurant. It’s physically exhausting to keep a smile on for all the eaters. It’s like restaurant workers are the ultimate vibe curators. Let’s back up some. What was growing up like? Were you close with your family?
My mother always said I had a talent to wear what’s going to be in style before it is. And in Pennsylvania, where I grew up, people didn’t know trends. Not like they do in New York and London. I’ve been parting my hair in the middle since middle school. People made fun of me for it back then but now it’s totally in.
Where did you grow up?
I grew up in Lancaster, Pennsylvania. Pennsylvania was very religious and traditional. People also said the strangest things. My favorite was once in school when a teacher was asking us students to name every continent and one boy said, “Texas.” He actually thought it was a continent. Another time a teacher asked us to share about our families and a boy told a story of his lineage and the teacher asked “what side of the family is that from?” And he answered “the left side of the family.”
No way. I totally recognize that kind of mixed up language-speak. I went to middle school and high school near Lancaster and I recently spent some time out there. It’s quite a provincial place and I think those of us that leave it still have a close relationship to its funny language-speak. M. Night Shyamalan, Taylor Swift, Jonathan Groff, Pink.
I grew up in Lancaster, Pennsylvania. Pennsylvania was very religious and traditional. People also said the strangest things. My favorite was once in school when a teacher was asking us to name every continent and one boy said, 'Texas.' He actually thought it was a continent.
I really didn't love it but I've grown to appreciate it. What were you doing there?
Hanging out with my sister. Jumping into therapy. Writing some fiction. I’d wake up every morning to a hot pot of Wawa coffee and watch the horse and buggy of Amish and Mennonite children roll down the street. You always know they're coming because you hear the horse’s trot: clip-clop, clip-clop.
And there’s horseshit, like, everywhere. What were you writing?
I’m trying to tell a story where a bunch of characters take Viagra all the time. It’s funny that it’s a drug that redirects blood flow. There’s something sort of vampiric about it. At one point in the story, a character's vision goes totally blue, it’s called cyanopsia. It’s a bewildering side effect of Viagra.
Sounds so fun.
I had this realization a few years ago that so many people take it. Someone’s dad, their daddy, or a trans dude; a John or his hustler; a doll or a porn star. I know some cis girls that take it with their boyfriends, too. They have weekend-long bedroom adventures.
I was gonna say Viagra is really popular in the adult film industry.
Yeah. What is your experience with it?
I remember guys that were new to the industry would show up on set and they would take it. They would be so nervous that it still wouldn't work and their face would get really, really red. They would be really sweaty, too.
Did you ever get nervous while on set?
I wouldn’t really ever get nervous. I guess, maybe, I would get nervous with higher-end porn. I would get kind of nervous that I wasn’t gonna perform well enough for the bigger scenes for the more popular companies. I was nervous but I was also, like, excited.
Were there co-workers were you really excited to work with?
My favorite male actor was probably Small Hands and my favorite female actor was probably Lola Faye.
Small Hands is pretty sexy. Guys covered head-to-toe in tattoos get it: Boomer Banks, Big Harry, Jack Delany. There’s something about being so visually marked up that translates to me as fleshy vulnerability. I don’t know. Do you miss porn at all?
I guess so. What I miss about the adult film industry is that it was always going on. You didn’t have to wait so long between work. Like, that industry is always happening. It’s not like filming a movie or walking Fashion Week. Currently, I have a lot of free time between things.
What have you been doing with your free time?
I’m reading Happy Go Lucky by David Sedaris. David Sedaris is my favorite author. I’ve been making art. I've been hanging out with friends and hiking. I just got a dog so I’ve been taking care of him.
What kind of dog?
I got a Dalmatian.
What's his name? I imagine him being a nice companion when out picketing.
His name is Domino. He is really nice.
Domino: tall and thin with beautiful ink spots. Tell me a little about art-making.
I make collages. There’s this discontinued magazine called Penthouse Forum Magazine from the 2000s, and it has really raunchy stuff in it. My dream is to have people send me their songs while they're in the studio making albums. Then, I can make a collage based on the songs they send.
Totally. Would Shygirl or 100 gecs or wait even like Charli XCX send you stuff? You could do one of their next album covers or something.
Yeah, that'd be so fun.
What do you have coming up?
Mostly working a lot. I have a few indie movies that I am working on so there’s a lot of shooting in the coming months.
Do you have to travel for the shoots?
Yeah. We’re shooting in London, New Mexico, Rome, and Greece. I really hope things get worked out and the writers get paid fairly soon. Also, I hope that actors get paid fairly, too. Actors don’t get paid what they used to get paid. Many actors can’t get by on just acting anymore. It’s pretty crazy.
How has your summer been?
It’s been fine. I guess I want to talk a little about Angus. I really miss him. He is missed by so many people. It’s really sad.
I’m sorry. It must have been quite a shock. You guys were fairly close?
It was really shocking. When I first heard about it I thought it was fake news. I was like this is fake news, like, there’s no way that can happen. It has been really hard. He was one of my closest coworkers and confidantes during that time. It's like a special thing that happens, you know, when you get to know someone like that.
The experience of loss or grief distorts stuff like so much. Things slip. Interactions have a sudden scripted quality to them. People you know get quiet and quiet people speak at you, for you. Loss or grief doubles up inside you in this way. After experiencing bouts of loss or grief, I’ve reminded myself to slow time down a little and be present, especially with friends. Take a second cigarette. Give a sixty second hug. Talk in bed with someone you love for three hours straight. Eat all day, dance all night. It’s good to make people feel good. People love to feel good.
Yeah, it's really important. I've been trying to be better about keeping closeness and being in contact with people. It’s so easy to forget.
What’s now, what’s next?
Right now it’s three indie movies. But, we’re waiting.
If you commit to the bit, babe, you’ve got it. Do you have any dream roles? Or, is there anyone you’d want to play in a biopic?
I would love to play Dolly Parton.
Absolutely.
Playing her would be a dream. She’s like nobody else. She’s so cool. I know about her lore, you know? It’s interesting.
I see. What kind of music are you listening to right now?
I'm listening to Tommy Genesis. I’m listening to Frank Ocean and Baby Keem. I’m listening to Padam Padam by Kylie Minogue. Oh, and 100 gecs.
They’re so good. What about you? Would you ever do an EP or album? That process of collaborative art making seems up your alley.
I’m actually working on a song with this NYC artist Blaketheman1000. He’s really talented and he thinks I should do an EP or album. But, I’m not sure yet if I will. I think I’m decent at writing lyrics and poems but not very musically skilled in a technical way.
Tell me about the poems.
I used to write poetry back in high school. I wrote this one:
This is an apology to us both
For how much I loathe you and lost your trust You told me "use this as a chance for growth" Now it's all interplanetary dust
I told you I was drowning in darkness
Just looking at you felt sensational
Until you became nothing but harshness
You were never even motivational
I can't help myself from adoring you
Your kisses used to feel like warm honey
You once turned so cold out of the blue
Then you gave me up like ransom money With a kind heart and soft facial features
You turned into the cruelest creature
That was after my boyfriend and I broke up. He went away to college and of course it was too hard to keep dating at that point.
There’s always that one relationship that ends because of “bad timing.” Which, in a way, is its own self-fulfilling prophecy. Timing isn’t something that can be so easily pinned down with dualistic thinking. I.e. good timing, bad timing, yada yada. You can’t really plan ahead for things like girlfriends, boyfriends, and other types of best friends.
That poem really summed up my feelings on it. Then I fell in love again and wrote this for someone while I was with them;
To the wonderful love of my life
Your face and body is prepossessing
Someday I'll be your adoring wife
Our situation may seem depressing
But soon we will have a glorious life
With my darling zest for adventure
And your brilliant mind and soul
We will spend our lives together
Our love becoming celestial
I know your joy feels obliterated
Soon it will not feel that same way
As if sadness was inoculated
And I'll be there with a floral bouquet
Because these days will happen to you
But I will always help you pull through
Later in life I turned my poetry into songs. I have music on SoundCloud because I mostly make it just for myself to hear. My favorite song of mine on SoundCloud is my song “come through.” It’s about me and also about my best friend and my ex-boyfriend who has become my emotional support ex-boyfriend; he has never left my life since we met at 19. I met him in LA when I was 18. Both him and another ex told me to go to Miami and follow my dreams. They both played huge roles in helping me become more confident. Now we’re 26.
It’s grounding to have someone who knows you from one chapter of your life and then they pop up or stay with you into another chapter. It doesn’t always work out that way. I have someone like that who recently came back into my life. He was my first boyfriend and he was able to shine some lights on pretty dark things around me. It was nice to be reminded of that luminosity, to be seen through. I sometimes wish we had some more words that describe the different ways of relating or kinds of relationships we have with certain people. I mean “Ex” can feel too big and broad. “Boyfriend” can feel constraining. “Lover” is too plastic, slippery. I want more language-speak. Like, more words for specific kinds of connections makes so much sense.
I say in that song “if you wanna come back / I would tell you come through / it’s an ordinary task / like fixing up some food,” which isn’t necessarily true it just… sounds good.
Well, yes. Playing the “what if...” game always makes for good storytelling. Let’s plan to chat again soon.
Right now I'm filming a movie that has its SAG Interim Agreement, so the weekend is best!
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At the Whitney Review’s Poetry Night
Whitney caught up with the readers after, to find out more about their rituals and realizations. They dished on water conspiracies, bird rehab, horny authors, and Marxist tea.
Journey Streams, 24 ( writer / artist )
Where are you from?
I was born and raised in Los Angeles.
What’s your latest epiphany?
Whenever we are talking about “space,” reclaiming space, making space, taking up space, we’re really talking about property. Social autonomy is so grotesquely linked to ownership and material circumstances.
What’s the last book that changed you?
Guy Debord’s The Society of Spectacle. It’s a heady Marxist text but it’s tea about the celebrity economy, the construction of human needs, and the ways in which we consume events as images rather than experiences. It kind of sucked the fun out of a lot of the ways I live my life, but also ironically informed my piece.
You beaded your text letter-by-letter into a friendship bracelet which you read from. I want to ask about the line "I don't want to be your friend anymore."
It was sort of a futile sentiment. I’ve fantasized about breaking up with friends in the past, but I’m learning now that friendships change with age, and the value of being known deeply often outweighs the petty crises. The catharsis of the performance was enough. The piece is a mosaic of a lot of people who have saved me the trouble of having to hold all my former selves at once. To diminish their presence in my life would be to lose pieces of myself, quite literally. This past year especially I've been more grateful for those friendships. It seems as though we may be bound for life.
Were you nervous tonight?
I was so nervous. I was worried the friendship bracelet would tangle or break, and concocted plans for those scenarios, fantasized almost. If it broke, I was going to command the audience to collect the beads while I finished the piece from memory. I showed the bracelet to some people outside like it was a watch in my trenchcoat and it settled my nerves a bit. My sisters were in the audience and that helped a lot. I still flubbed a couple parts but who cares.
Anne Hanavan, 56 ( writer / filmmaker / model )
What inspired you to move to New York?
Culture and the allure of the subversive. At 16 my friend and I would jump on the Peoples Express from Buffalo to Newark then take the bus to the city to dance all night at Danceteria and the Limelight. After a couple of those trips there was no place on the planet I wanted to be more than NYC!
Why did you start writing?
Roger Richards who used to own The Rare Book Room encouraged me. The fist time I read was in the 80s at St Marks Church and this place called Gargoyle. AA Pritchard, who used to do readings with Bukowski, loved my work and told everyone I was his daughter. I wasn’t but he used to sleep under my kitchen table from time to time so I suppose we were like family!
Have you ever had a sudden epiphany that made you change your whole life?
Yes. After being addicted to drugs for most of my 20s, I was told by a doctor that if I continued to use I was in jeopardy of losing my right leg. In that moment, I decided to find a new way to live.
Do you have any rituals before you perform?
Just breath deep, pop a Lemon Mint Ricola, and I am all set!
In your story you call the bluff of a fake cop threatening jail if you don't oblige to his demands. Are you still good at detecting bullshit?
I thought so until I started dating via apps this year…
Vivien Lee, age 31 ( writer / poet )
Where are you from?
Virginia.
How or why did you start writing?
I decided to become a writer after my grandfather, who was a North Korean refugee and celebrated screenwriter in South Korea, died in a car crash. I was raised by my grandparents, so his death left a strong impact on me and I pursued writing to feel closer to him.
What’s your definition of an epiphany?
Mental flickers of clarity.
Were you nervous tonight?
Weirdly, no.
Do you have any rituals before you do a reading?
Going through five different outfit options and then getting a $25 blowout.
What’s the last book that changed you?
How the World Swung to The Right by Francois Cusset. I don’t know if it's changed me, but it's influenced my grasp on recent history.
You read from a screenplay about a sugar baby and her client who's like "the Elon Musk of water." Who or what inspired this water maniac?
I’m very drawn to water and think about environmentalism a lot. One day I came across a few Christian conspiracy blogs about God being a metaphor for water and I wanted to tell a story around this fringe theory. I wrote it through a character who, in real life, might exploit this sort of thing, but also might not be taken seriously by the masses. I think it's significant that Michael Burry, the trader who predicted the 2008 financial crisis, is now investing in water!
John Belknap, nearly 30 ( writer / wikipedia editor )
Where are you from?
I was born near Detroit, Michigan, but my memory begins in Ankara, Turkey. My father was an Army tank specialist and my mother, an OB/GYN for clinics like Planned Parenthood. We moved around North America and Europe and Asia for my father’s military obligations.
How or why did you start writing?
In the MySpace era, I loved listening to music by AFI, Cute Is What We Aim For, Chiodos, Lovehatehero, Paramore, Panic! At the Disco, Say Anything, and The Used. And I wrote lyrics parallel to the things I heard. Then one day, years later, I logged onto Wikipedia. I made some edits for Juliana Huxtable’s page and have stayed online ever since. Words quickly changed meaning for me after that.
What’s your definition of an epiphany?
Watching a friend ask for help or for drugs is like an epiphany. Just ask for something if you want it. A subject in motion stays in motion, just dance, etc. It’s probably all going to be ok.
What’s the last book that changed you?
We Both Laughed in Pleasure. It’s snippets from Lou Sullivan’s diaries as he turned gay, transitioned, fell in love, hung out with his pet birds, changed the law to ensure anyone the right to transition, regardless of one’s sexuality, fell out of love and then back into it again. He was a total slut. Absolutely the horniest.
The first line of your piece “Our friend, the communist” — Who is she?
Funny. I’ve been wanting to ask Sheryl Crow the same thing.
Esmé Naumes-Givens, 28 ( writer / artist / babysitter )
Where are you from?
I’m originally from Chicago. I’ve been living in Brooklyn since 2017.
How or why did you start writing?
I’ve been writing and telling stories since I was a kid. Letting the words out keeps me from spinning off into the danger zone of my own head. I remember reading a poem about my crush in middle school out loud to the whole class, and causing so much drama, my English teacher had to be like, “Let her finish!!!”
What’s your definition of an epiphany?
The great epiphanies in my own life often manifest as the emergence of a newly shaped perspective. It becomes impossible to ignore the new angle any longer. Usually, it’s something I was being stubborn about, or cowering from, and that release, that reckoning, while somewhat bittersweet, feels like stuck air is escaping from the tightest part of my shoulder blades. Rare. Elite.
Were you nervous tonight?
Super nervous. I have to hypnotize myself every time before I perform like I’m Kelly Clarkson.
What’s the last book that changed you?
There’s a short story in Kelly Link’s book of short stories, White Cat, Black Dog, called ‘The Game of Smash and Recovery.” That fucked me up.
You read a story called “Why Are We Even Paying for Bird Rehab.” Can you explain a little bit about the premise? Do you yourself identify as a recovering bird?
The title of the story came from something I said out loud to myself, because I was lollygagging around, slow poking, not taking my shit seriously, thinking like, “man, I need to detox from being such a dummy bird all the time.” I just think about airhead shit. The epiphany of “Bird Rehab” is that bird rehab is for everybody. Everyone is doing this performance that they need to purge themselves of if it’s controlling them.
Documenting the Nameplate
Flower and Rosa-Salas would describe The Nameplate: Jewelry, Culture, and Identity as an eight-year process of gathering information, images, and stories of the nameplate from people around the world. They almost titled the book “Documenting the Nameplate,” but wanted a distinction from the continuous body of work that the research has become.
Since Flower and Rosa-Salas were kids, they’ve worn nameplates. In 2015, they started a podcast called Top Rank Podcast and discussed the nameplate within the first episode. “Through this first dive into research and speaking to friends and family, we realized the topic warranted a much bigger, richer, and more visual tribute,” they said. “We were most excited to discover how long, layered, and complex nameplates’ history and popularity is within many different communities and cultures globally. Nameplates have no origin or meaning; above all, they tell stories about the lives of the people who wear them. That’s what makes nameplate culture so varied and dynamic, because in the same way that no two nameplates are the same, neither are the personal connections that accompany them.”
Artist Kyle Richardson designed the book. She was one of the many contributors to The Nameplate: Jewelry, Culture, and Identity. “We met Kyle early in our project and her work immediately resonated with us,” Flower and Rosa-Salas said. “It was an additional plus that she also shared a connection to nameplates and always fully and deeply understood, and was able to translate, our intentions for the book. Her contribution has been so essential to making this possible.”
Flower and Rosa-Salas gathered research by hosting live events and accepting online submissions. They hosted nine events from 2017 to 2019 and worked with a different photographer at each event. The photographers include Naima Green, Azikiwe Mohammed, Gogy Esparza, Destiny Mata, Nahomi Rizzo, Mia Penaloza, Troy Montes, Arlene Mejorado, Nichelle Dailey, and students from the Los Angeles nonprofit organization Las Fotos Project.
During each free party, guests had their portraits taken with nameplate jewelry on and reflected on the importance of the nameplate. In addition, people sent messages on Instagram and an online form of testimonials and photos from people appreciating nameplates around the world. The Nameplate: Jewelry, Culture, and Identity is also composed of licensed artwork from artists including photography, archived photos, interviews and essays from historians, and perspective conversations.
We were most excited to discover how long, layered, and complex nameplates’ history and popularity is within many different communities and cultures globally.
Photo by Isabel Attyah Flower and Marcel Rosa-Salas
Collaboration is everything to Flower and Rosa-Salas. Some of the notable contributors and collaborators to achieve the book include Azikiwe Mohammed, Destiny Mata, Arlene Mejorado, April Walker, Professor Q, LaLa Romero, Jamel Shabazz, and Selwhyn Sthaddeus Terrell (Polo Silk). “Collaboration to me is about trust, which I think at its core is about respect,” Flower said. “I trust Marcel emotionally, creatively, and intellectually, which means that no matter what we’re working on or going through together, I get so much peace and confidence from having her by my side. And it’s also really fun! The dialogue we share in the work we do, and the connection we build with others, is the most rewarding part for me.”
Rosa-Salas agreed. The co-workers and close friends have experienced life together and have been able to bounce inspiration off one another. “For me, collaboration is also about expansion — of one's ideas and abilities — into their fullest potential,” Rosa-Salas said. “This project would have not been possible without the marriage of our distinct life experiences and expertise. Collaboration is also about vulnerability and accountability. It's about being just as transparent about what you don't know and what you're unsure of. It is a gift to work with someone like Isabel whose mind and integrity I admire so much, and who I can trust to always keep her word.”
So far, the feedback of The Nameplate: Jewelry, Culture, and Identity has been very resonating and heartwarming to readers. A key piece of feedback that stuck with them was that in addition to focusing on nameplate jewelry, the book also focused on the people. Going forward, Flower and Rosa-Salas want to continue collaborating with each other and artists around the world. They said they will also continue their podcast in addition to writing.
Rosa-Salas is in the process of finishing her book, Total Market American: Race, Data, and Advertising (Duke University Press). Flower also just became a mother for the first time while Rosa-Salas just had her second child, experiences that have inspired them to collaborate on a children's book in the future.
You can purchase The Nameplate: Jewelry, Culture, and Identity online and in various stores like Amazon, Target, Penguin Random House, Book Soup, and more.