Time for Toadstools

All made in Portugal, these carefully crafted sculptures are available on EckhausLatta.com, Farfetch and Nordstrom.

Fashion

FANG FW 26

For the Fall-Winter 2026 season, Fang Guo took inspiration from Christian Stemmler’s Anfang/Beginning: Berlin 1994-99, a photo series in which Stemmler sought to capture the authenticity of party culture and youth culture during the throes of war. The fashion of Stemmler’s photography is a most honest subversion of style by virtue of being reconfigured. The clothing was utilitarian and expressive. From casual afterparties to street photography, the project was a visual dialogue of social climate, just as much as FANG’s most recent collection is.

FANG’s lens is tried and true, an artistic endeavor that is corporeal, both contemporary and rooted in the memory of time. It sees this through with the use of detail and industrial materials. The designs see lots of leather, checkerboard prints in black, purple, and blue, stripes that lengthen the pieces, and silhouette-heavy tops paired with sheer bottoms. The balance created through these elements work toward a larger narrative of yin and yang, masculine and feminine, refuge and home. The sophomore show is a celebration of community at large and a collective movement through time.

Fashion

cd1974: Fawning for Grace

February 12, 2026

cd1974, is an expressionistic clothing brand, making one of a kind artisanal pieces. The clothes are made in manic and emotive moments, not perfectly constructed, creating unique art pieces. This collection, Fawning for Grace, wonders how to be free, how to enjoy freedom under perverse power structures, and how to use that freedom in pursuit of beauty. Mini skirts made of scrap leather, denim salvaged from thrift stores and reworked completely and woven dresses made of second hand silk hand sewn into yarn, all part of 1 of 1 wearable crafted pieces.

photography Simran kaus
Founder Cole Dallas
Alexandria Rose
Charmont Des Noir
Scored by Yves tumor
produced by Cd1974 and Jordan Hubert
Gallery Space Sitting Room Gallery
Jewelry dvashe
Make up artist Charlotte James
Make up Assistant Emily disanti
Hair Penelope Rain, Grayson, Tatum jaded, Julia Finn

"For man seeks not so much God as the miraculous. Impotent rebels, unable to keep up their own rebellion. Praying to false idols that could bring them fortune but won’t. So they beg for bread in an America that is worse off than it was for their parents. Their freedom is used unwisely. Their freedom has led them into straits-and have them encounter such marvels and insoluble mysteries that some of them will destroy themselves, others will destroy each other and the rest will crawl fawning for grace from a false prophet."

Alexandria rose

Fashion

Chateau AMIRI

February 12, 2026

AMIRI’s Spring/Summer 2026 campaign unfolds somewhere between reality and fantasy. Titled Chateau AMIRI, California, the project imagines an elusive Hollywood hotel, not just as a place to stay, but somewhere that stories, ambitions, and personas quietly collide.

Set against a hazy, nostalgic vision of 1970s Los Angeles, the campaign leans into the cinematic language that has become a signature for the brand. The Chateau is populated by unfamiliar bedrooms and empty suites, sun-drenched pools and crowded lobbies. Each image suggests a fragment of a larger narrative, inviting the viewer to fill in the gaps.

Leading the cast is Michael Imperioli, whose presence brings a certain weight to the campaign’s imagined world. He’s joined by Danny Ramirez, Malcolm McRae, and models Jordan Daniels and Heather Diamond Strongarm, each playing different versions of themselves.

Captured by Hart Leshkina, the campaign moves fluidly across creative worlds and perspectives, reinforcing the idea of the hotel as a meeting point rather than a destination. It’s a setting that thrives on contradiction, chance encounters, and the promise of stories just beginning.

Text by Dylan Andrews
Photos courtesy of Hart Leshkina and AMIRI

Within the walls of Chateau AMIRI, archetypes emerge. There’s the aspiring actor in sharp tailoring, the producer wrapped in a silk robe, the Hollywood idol dressed in an embellished tuxedo. Elsewhere, slender, shimmering evening gowns signal a new generation of icons, while the Honey bag appears as the collection’s latest emblem. Together, these looks underline the tension at the heart of AMIRI; the dressed-up and the laid-back, the relaxed and the refined, coexisting without hierarchy.

“Character is the starting point for everything I create, shaped by cinema - the soul of Hollywood. Our AMIRI campaigns have become spaces to explore this idea - creating immersive worlds of still and motion pictures, where our collections come to life with new context, different stories. Building on that universe we're crafting, this season we welcome you - and a cast of true stars - into the Chateau AMIRI”

– Mike Amiri