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Vieni A Vedere

They created a tactile world that submerged the viewer in a glistening cave. It may not have creeping columns of limestone, but the searing fluid floor with its flattened puddles of color brought Capri’s La Grotta Bianca to Milan — Pesce also called the space a grotto, as the area is tight and the path can be measured by stamina, not length. One by one, the audience entered an echoing space filled with falling droplets and a cavernous ambience. Stenciled on resin sheets (a lot like the caves of Chauvet with its figurative cave painting) were silhouettes of dogs, cats and human faces. The plasticky arterial walls spread like mycelium; its complexion was fleshy, and the installation was deceptively static. It could have been breathing.

The resin rose across the ceiling like venose vaults over a colour-spotted, windowless church of rock and coral. Two airbrushed leather bags are held at different points in the corridor. The colours that left the shining dermis had no rhythm or formal structure: blotched colours had set in the rippling resin, and strands of pigment were frozen like dry watercolour on stained paper. The bags exist as referential objects. Their shape resembles two mountainous ridges backlit by a red setting sun.  

 

The installation is open from the 15th to the 22nd of April, 2023, at the Montenapoleone Bottega Veneta store in Milan.

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