I’m wondering where, or how you got the name “Starchild”? Or, “Starchild and the New Romantic”, I guess.
I got starchild from George Clinton songs I listened to when I was younger. That’s where I first heard it, when it was first incepted in my mind. So when I decided to try and work at being a recording artist it was one of the first ideas i had for the name.
Thinking about George Clinton in that context— is that someone you feel you are trying to emanate as an artist?
It’s not necessarily about wanting to get there, be there— it’s more about a feeling, and also setting a bar. I don’t get nervous too often when I perform, but when I do it’s only because I am conscious of that bar of excellence in performance. And I am always wanting to be in accordance to that.
I feel like that’s true of any artist or creative. Or human. If you’re thinking about trying to be someone else you’re setting yourself up for feeling failure— but it can be beneficial if you’re focused on being inspired by the spirit or ethic of someone’s success. What about the New Romantic? Where did that come from?
It’s less specific… If Starchild is an essence, a lineage, a history, a feeling— the New Romantic is the aesthetic. And not in a degrading way— sometimes it’s the band, sometimes it’s the sentiment, the sound...
You do have a pretty focused aesthetic. What’s your relationship to the color red? I see a lot of red. I mean, you’re wearing all black today but overall you seem pretty set on red.
It’s kind of the spirit of this record. And this time. This era. So I always want to be specific about that. When I play songs, or chords, sometimes, they have colors to them, and that’s the color of this album. Not that I am synesthetic, though.
What do you do before you go on stage?
I don’t know, just breathe maybe?
I bet you’ve seen some good pre-show exercises though, I know different bands have their own methods of motivating themselves before going on stage.
I did see Beyonce hold a chair pose.