Oh and the peacock feathered suit was killer. See it, and our other favorite looks from backstage at the presentation, below.
The third chapter returns to the campaign’s origin, where instinct evolves into certainty. Ester Expósito reappears with a new sense of control— no longer tentative, but fully self-possessed. Within the same intimate setting, the atmosphere sharpens as gestures become deliberate and silhouettes assert presence rather than suggest it. Garments continue as extensions of the body. A black knit dress follows the form with precision, while the House’s flocked mesh catsuit reveals through transparency and texture. Structure and fluidity coexist, reinforcing a sensuality that feels instinctive yet defined. Accessories, from the Mini Aurora to the Eclipse and Strike bags, punctuate the narrative with clarity, grounding the chapter in a femininity that is both intimate and assured. Alongside her, Momo Ndiaye offers a steady counterpart, his presence understated yet grounding. Together, they complete the campaign’s arc where what begins as instinct resolves into confidence, and presence becomes power.
Photographed as part of the second iteration of the seasonal lookbook, the campaign places Minogue within a world shaped by texture and object. Crocheted dresses, constructed in open argyle structures, move with a deliberate lightness, paired with the signature Loafer Bag. Around her, elements from the newly introduced Home & Garden line including Mac Collins’ Iklwa Chair extend the collection beyond the body, into space.
The dialogue is quiet but intentional. Craft remains the anchor, but it is the interplay between icon and object, garment and environment that defines the image. Familiar codes are softened, rearranged, and made to feel newly considered. Rather than spectacle, the campaign leans into subtlety. A process of placement, where meaning is built through proximity.
