Ephemera

Check out more from the collection below.

Fashion

office x Head Golf

July 09, 2025

office teamed up with Head Golf to add some punk rock energy to their second collection. ‘The Golfers Escape’, designed and created by ex-Marc Jacobs designer, Ka Ho Kam, sees city life blended with the timeless tradition of golf.

With a reference to 90s sportswear, we wanted to showcase the fun and youthful energy that golf is now bringing to the range. Forget the typical golf aesthetic, we have some new kids on the block. From one foot in the city, to one on the course, this collection is built for this modern transition.

This editorial not only elevates golf wear to sculptural and high fashion, with a focus on silhouette, movement, and material, but showcases the technical innovation of the garments in a refined context. From performance to pavement, the versatility of this collection moves effortlessly.

Photography/Director César Buitrago
Styling Cassie Jekanoski
Editor-in-Chief Simon Rasmussen
DOP Juan Pablo Herrera
Talent Yan Li + Bec Lauder
Creative Director Mitchell Connell
Hair Yu Nakata
Makeup Shaena Baddour
Producer Abby Falzone
Photography assistants 1st Assit Sascha Hosters & 2nd Assit Lorenzo Fariello
Production assistants Rea Brayshaw & Olivia Cooper

BEC wears SHIRT by HEAD, JEWELRY by MARTINE ALI, SOCKS from STYLIST’S ARCHIVE, and SHOES by FERRAGAMO.

BEC wears FULL LOOK by HEAD, EARRINGS by MARTINE ALI, SUNGLASSES STYLIST’S ARCHIVE, and SHOES by CHARLES & KEITH x PH5.

YAN wears POLOS by HEAD, SUNGLASSES VINTAGE ℅ CHARLOT ABHORS A VOID, PANTS STYLIST’S ARCHIVE, BRACELET by MIANSAI, and SHOES by MARTINE ROSE x CLARKS.

LEFT: YAN wears FULL LOOK by HEAD, SUNGLASSES VINTAGE ℅ CHARLOT ABHORS A VOID, and SHOES by SEBAGO.

RIGHT: YAN wears POLO + PANTS by HEAD, UNDERSHIRT from STYLIST’S ARCHIVE, BRACELET by MARTINE ALI, and SHOES by SEBAGO.

BEC wears SHIRT by HEAD, JEWELRY by MARTINE ALI, GLOVES from STYLIST’S ARCHIVE, and HEELS by MANOLO BLAHNIK.

YAN wears FULL LOOK by HEAD, BRACELET by MIANSAI, and SHOES by SEBAGO.

BEC wears DRESS by HEAD, JEWELRY by MARTINE ALI, and SHOES by FERRAGAMO.

YAN wears SHIRT, SHORTS + BELT by HEAD, CHAIN by MARTINE ALI, and SUNGLASSES VINTAGE ℅ CHARLOT ABHORS A VOID.

BEC wears SHIRT by HEAD, SKIRT by COMME DES GARCONS, EARRINGS by MARTINE ALI, and SHOES by FERRAGAMO.

Fashion

Backstage 3D Scans at Berlin Fashion Week

July 08, 2025

Could we be looking at the future of capturing fashion? Mara Rudnick focuses on beauty details like hair, makeup and accessories within these 3D scans, removing the models and the garments from the usual runway context.

Rudnick did this by capturing form and texture through fragments rather than complete forms. After the scanning process she selected specific angles and frames to turn into still images. These fragments are essential for reflecting how fashion shapes identity, and how perception shifts between the digital and physical space.

These final results exist somewhere between a digital rendering and a memory. Questioning how this digital process re-shapes our view on the physical, making shifts within the everyday.

Below are the 3D scan stills from MARKE, Lueder, David Koma, GmbH, Ottolinger, and Ioannes.

3D Scans by Mara Rudnick

Fashion

CELINE Spring 26

July 07, 2025

Michael Rider made his debut at CELINE this past Sunday in Paris for the printemps 2026 collection. The show was held at 16 rue Vivienne, CELINE'S atelier; a perfect site to initiate the luxury house's new era.

Rider states that "coming back to CELINE, and to Paris, back to 16 rue Vivienne in a changed world, has been incredibly emotional for me. And a complete joy."

Stacked, chunky gold jewelery, hardware, and wide belt buckles erupted from classic silohuettes, blazers, button-ups, and trench coats. Rider explains that "CELINE stands for quality, for timelessness and for style, ideals that are difficult to catch, and even harder to hold on to, to define, despite more and more talk about them out there. We worked on translating them into a way of dressing – that attitude, or attitudes, that we feel describe who we are and what we stand for."

Imagery courtesy of CELINE

This fusing of new and old solidifies CELINE'S ability to be timeless, as it invites new compositional explorations, the desire to be preppy but playful, all while remaining true to what CELINE has always been about. On his desire to create and maintain a legacy, Rider says that "I’ve always loved the idea of clothing that lives on, that becomes a part of the wearer’s life, that may capture a moment in time but also speaks to years and years of gestures and occasions and change, of the past, the present and the future, of memories, of usefulness and of fantasy, of life really."

This re-calibration of something classic is present not only in Rider's approach to the garments, but also in CELINE'S new Michael Rider fueled era as a whole.