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London has always been ahead of the curve with sustainability, diversity and inclusivity, likely due to the fact that the city is home to one of the best fashion schools and a fashion week that does an unparalleled job of inviting students and the next generation of creators to be a part of it. And O'Dwyer is a shining example of this.
To do the concept of "inclusivity" justice is a tricky one. Many brands appear to be paying mere lip service to the sentiment, casting a couple models who aren't sample size, adding a face that doesn't fall into the Eurocentric beauty standards to follow suit of the times while their garments that go to production remain in a certain size bracket and the efforts to enforce inclusion and fight the whiteness and ablism in the industry end after presentation day.
O'Dwyer is not a member of that group. Since the Dublin-born designer's debut, the garments she's produced and casting she's done for the shows have been some of the most forward-thinking, bold, and beautiful embodiments of modern style. With work that's as much about her personal experiences as the world around us, the world we see and the one we want to see, there's a level of emotion about O'Dwyer's label that is difficult to achieve as a designer in this industry.
I sat down with the designer after her London Fashion Week show to discuss the collection, the city, and how she's able to put all of herself out there.


Do you think art can exist or be created without pain?
I think art can be created from many emotions; however, I think that every human experiences pain and art that reflects that tension is important for us to connect with sometimes, especially when life feels hard.
How does it feel putting out such a personal show?
I had actually not realised how personal it was until it hit me how public the show was! My work is very personal though. I’m not sure how I would do it otherwise, its what helps me keep the meaning in an industry that can sometimes feel superficial.
What do you hope those who might wear these pieces will feel?
Comfortable and empowered to express themselves.


How do you balance expressing intimacy with your own experience and making a collection that’s approachable for others?
I think I usually approach my work with a very personal narrative but then it ultimately becomes more of a universal feeling. I think that most people can relate or empathise with emotions.
How do you feel your approach to inclusivity is different than other designers?
It is important to me to actually respond and be inspired by the body I am dressing. I have no desire to use the body as a hanger for my work, rather I see the body and clothes as having a relationship and they need to compliment eachother. I suppose the main difference is that most designers use 6-10 UK as their sample size and I take size 20 UK. I also sampled in UK 12 and UK 26 this season, so that I had a bigger range for when we did the casting for the show and also so that I am more prepared for sales. It is impossible to grade all sizes from one block, so having at least 3 sample sizes is important if you want to do a broad range of sizes for production.


Your collection was heavily inspired by your playing and being around classical music as a child. Do you still play music? How do you think an understanding of music has influenced your practice in ways other than aesthetic references?
I don’t! Sometimes I play at Christmas with my mom and sister which is really fun and I would like to join an amateur orchestra one day (when I have the space to own a cello and time to practise it!). I think I actually learnt how to work consistently and be patient from playing music, having to practise every day is really playing a long game… it takes ages until you stop sounding terrible as a kid so you have to really stick it out until you can enjoy chamber music and the satisfaction of having some control over your sound!


I feel like London is really a place that lets designers create without boundaries. Why do you think that is?
I think its because its such a diverse city with so many different sorts of people. I feel free here to be who I am and create what I want. Though I’m conscious that I exist in a very specific queer artistic city bubble, however this bubble does allow me creative freedom that I really love.
Would you show somewhere other than London?
It’s not something I have considered.

The collection features swimwear-Esque bodysuits, cut-out trench coats, extenuated fishnet maxi dresses, and exposing yet sophisticated onesies layered under short satin dresses and oversize blazers. Even if Burberry's menswear is heavily dominated by traditional tailoring, Tisci blends in genderfluid elements such as frilly tulle skirts with streetwear inspired, box shaped crew necks and suit jackets.

The Metropolis bag itself, a classic, has been tweaked in the Remix, given a softened bow shape that blends femme with edge in an array of colors, and is available at the Furla Duomo flagship in Milan. office sat down with the President of Furla Giovanna Furlanetto to discuss the brand's approach to Milan Fashion week, forward movment, and remixes.
This season feels very fresh. In which ways have you been working towards bringing new energy to the brand?
Furla’s new strategy is about giving a shake to the brand with unexpected campaigns and a fresh connection between Furla and music. With Metropolis Remix Furla celebrates this new connection, and it fosters a more equitable opportunity for women in the music scene.
What inspired the re-vamp of your classic bag? What makes it unique compared to other accessories on the market?
Metropolis Remix is a celebration of the return of our iconic Metropolis Bag. It is a limited-edition bag, with only 2022 pieces available. It is a bag with a purpose... Furla’s new fresh strategy reflects also on the new collections. Starting this season, Furla will add to the new collections new Metropolis bags in different material, different colors. Metropolis Remix is the first drop of this comeback. It has a peculiar shape that evokes a bow, while it stays true to the iconic closure of Metropolis.


How does the brand hold on to what it has always done right? What made Furla such an iconic fashion house, while pushing this collection to be as current as possible?
Being one of the few brands with more than 90 years of history and a distinctly Italian DNA, Furla stands first and foremost, for its authentic, high-quality products. While Furla has preserved its strong identity, it never stopped to investigate the future and embracing innovation. Furla focuses on the new generations: Young Millennials and Gen Z to preserve the long-term relevance of the brand.
What sets Furla apart from other brands showcasing in Milan?
Furla is not only celebrating the launch of the new Metropolis Remix. Furla is celebrating women, standing against the gender gap in the music industry.
Why is She is The Music good fit for Furla?
Furla has long been a company nourished under the leadership and hard work of strong and inspirational women who make up almost 80% of its employees with different backgrounds. Partnering with She is the Music was only natural as both parties have a common ambition: supporting women in creative industries.
