Insight on The Future of Fashion

May 16, 2022

There are two big critiques of any art form: "It's not new enough" and "it's too new." There may be no form that endures this dicotomy more than fashion, a form that is both expected to innovate in design while also maintaing functionality. Imagine, then, the task entrusted to a young designer, to both reference the past, anticipate the future, and maintain form all at the same time.

This year’s FIT Future of Fashion showcase was at many points a jaw dropping and electric experience that addressed this task. The clothes and the ambition and experimentation behind them suggest a fearless future in fashion. The spectrum of what is possible and allowed in clothing making was picked apart and put back together in the form of beautiful garments by the crop of graduates. While not all garments attempted to reinvent the wheel, the energy and passion from each of the designers was evident and inspiring. The future of fashion looks bright.

Take a look at some of the looks from this year’s showcase.

Text by Saam Niami
Photos by Eric Mura

Above — Designed by Claire Greidanus

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Laura Andraschko SS25

June 12, 2024

At London Fashion Week earlier this week, creative director Laura Andraschko unveiled her latest collection, an overtly political presentation, featuring on-the-nose critiques of the UK upper class’ culture and attitudes.

Andraschko, whose work is typically hedonistic in nature, has taken a left turn for the SS25 collection. The excess and ignorance of the often conservative upper class woman is mocked mercilessly. Faux country club pieces are embroidered with phrases like “Entitled Cunt”, offering unabashed, humorous criticism of elites in line with the trend found in recent films The Menu and Triangle of Sadness.

To frame her theatrical show of ridicule, Andraschko chose horse stables in West London as her location, a perfect encapsulation of the bullshit behind the shiny artifice of the lifestyle Britain's elites have chosen for themselves. The designer isn’t portraying herself as a hater through-and-through, though, as elements of the collection display a deep seeded love for aspects of British culture and fashion. Equestrian wear is included, along with pieces invoking UK country club’s and upper class business wear.

Some pieces evoke the well-known Bullingdon Club, which counts Prime Ministers such as notorious right-wing buffoon Boris Johnson and conservative clown David Cameron as it’s former members. Although the collection s a scathing critique of the rich, it’s also tinged with hope, paving an absurd path forward in the arts, a much needed reprieve in a time of ever-increasing inequality.